If you really want to distinguish yourself as a bassist, it can pay to think outside the box and go for something a bit less traditional. For example, there are musical styles and occasions where an electric bass may be slightly out of place. In those cases, you can turn to an acoustic-electric bass. These have a classic sound all their own, and if you're headed to a festival or singing around a campfire, they'll do the job even without an amplifier handy.
The purpose that why you need to get a guitar should be one of the key things to consider. Taking a simple scenario, the bass guitar needed by a beginner but not the choice that an expert will go for. It is important to know why you really need it, if you just want to get one for fun, you should go for the basic guitar. On the other hand, if you want more than just basic use and you need a better and more punchy bass, then you can spend more on your guitar.
An acoustic piano produces reverberation in its soundboard and in the room where it is played. Digital pianos often have a feature to electronically simulate reverberation as well. Other digital pianos may have additional reverberation options such as a "stage simulation." Some also have chorus, tremolo, and phaser effects, all of which are generated by digital signal processing.

Instruments handmade by highly skilled luthiers are becoming increasingly available in the 2010s. Exotic materials in high-end instruments include woods such as bubinga, wenge, ovangkol, ebony, and goncalo alves. Some makers use graphite composite to make lightweight necks[23][24] More expensive basses often feature exotic woods. For example, Alembic uses cocobolo as a body or top layer material because of its attractive grain. Warwick bass guitars are well known for exotic hardwoods, making most necks out of ovangkol, and fingerboards from wenge or ebony. Some makers use solid bubinga bodies for their tonal and aesthetic qualities.
The type of shell also affects the sound of a drum. Because the vibrations resonate in the shell of the drum, the shell can be used to increase the volume and to manipulate the type of sound produced. The larger the diameter of the shell, the lower the pitch. The larger the depth of the drum, the louder the volume. Shell thickness also determines the volume of drums. Thicker shells produce louder drums. Mahogany raises the frequency of low pitches and keeps higher frequencies at about the same speed. When choosing a set of shells, a jazz drummer may want smaller maple shells, while a rock drummer may want larger birch shells. For more information about tuning drums or the physics of a drum, visit the external links listed below.

Some cymbals may be considered effects in some kits but "basic" in another set of components. A swish cymbal may, for example serve, as the main ride in some styles of music, but in a larger kit, which includes a conventional ride cymbal as well, it may well be considered an effects cymbal per se. Likewise, Ozone crashes have the same purpose as a standard crash cymbal, but are considered to be effects cymbals due to their rarity, and the holes cut into them, which provide a darker, more resonant attack.
The fretting hand can add vibrato to a plucked or picked note, either a gentle, narrow vibrato or a more exaggerated, wide vibrato with bigger pitch variations. For fretted basses, vibrato is always an alternation between the pitch of the note and a slightly higher pitch. For fretless basses, the player can use this style of vibrato, or they can alternate between the note and a slightly lower pitch, as is done with the double bass and on other unfretted stringed instruments. While vibrato is mostly done on "stopped" notes—that is, notes that are pressed down on the fingerboard—open strings can also be vibratoed by pressing down on the string behind the nut. As well, the fretting hand can be used to "bend" a plucked or picked note up in pitch, by pushing or pulling the string so that the note sounds at a higher pitch. To create the opposite effect, a "bend down", the string is pushed to a higher pitch before being plucked or picked and then allowed to fall to the lower, regular pitch after it is sounded. Though rare, some bassists may use a tremolo bar-equipped bass to produce the same effect.

Drum bags are made from robust cloth such as cordura or from cloth-backed vinyl. They give minimal protection from bumps and impacts, but they do protect drums and cymbals from precipitation. They are adequate for drums transported in private vehicles to go to local gigs and sessions. They are often the only option for young drummers who are just starting out.


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Once upon a time, the only piano you could buy was a large and ridiculously expensive acoustic grand piano. Thanks to advances in flash memory, sampling, and other digital technology, we now have more compact and affordable options known as digital pianos. As time goes on, these digital options continue to get closer to genuine acoustic pianos in terms of sound and feel. In fact, many traditional piano brands have sampled their most famous grand pianos to make the signature tone available in portable digital models. The keyboards on digital pianos are designed with special weighted actions and textured finishes to simulate the ebony and ivory keys on acoustic instruments.


Sheet music from the 1920s provides evidence that the drummer's sets were starting to evolve in size and sound to support the various acts mentioned above. However, the first "talkies" or films with audio, were released circa 1927 and by 1930 most films were released with a soundtrack and the silent film era was over. The downside of the technological breakthrough was that thousands of drummers who served as sound effect specialists were put out of work overnight. A similar panic was felt by drummers in the 1980s, when electronic drum machines were first released.

Drum bags are made from robust cloth such as cordura or from cloth-backed vinyl. They give minimal protection from bumps and impacts, but they do protect drums and cymbals from precipitation. They are adequate for drums transported in private vehicles to go to local gigs and sessions. They are often the only option for young drummers who are just starting out.
A four-piece kit extends the three-piece by adding one tom, either a second hanging tom mounted on the bass drum (a notable user is Chris Frantz of Talking Heads) and often displacing the cymbal, or by adding a floor tom. Normally another cymbal is added as well, so there are separate ride and crash cymbals, either on two stands, or the ride cymbal mounted on the bass drum to the player's right and the crash cymbal on a separate stand. The standard cymbal sizes are 16" crash and 18"–20" ride, with the 20" ride most common.
Sheet music from the 1920s provides evidence that the drummer's sets were starting to evolve in size and sound to support the various acts mentioned above. However, the first "talkies" or films with audio, were released circa 1927 and by 1930 most films were released with a soundtrack and the silent film era was over. The downside of the technological breakthrough was that thousands of drummers who served as sound effect specialists were put out of work overnight. A similar panic was felt by drummers in the 1980s, when electronic drum machines were first released.

These keyboards are perfect for any student, child to elder, who is interested in learning how to play piano. They are inexpensive, have built-in speakers so an extra amplifier isn’t necessary, and include multiple piano sounds and simulated acoustic-piano action (aka “key feel”). These keyboards are relatively light—all our picks weigh around 26 pounds—so it’s possible for one person to carry the piano when necessary.
When a floor tom is added to make a four-piece kit, the floor tom is usually 14" for jazz, and 16" otherwise. This configuration is usually common in jazz, classic rock and rock and roll. Notable users include Ringo Starr in The Beatles, Mitch Mitchell in the Jimi Hendrix Experience, and John Barbata in the Turtles. For jazz, which normally emphasizes the use of ride cymbal, the lack of second hanging tom in a four-piece kit allows the cymbal to be positioned closer to the drummer, making them easier to be struck.
Maybe you've already got a specific brand in mind and want to see all the digital pianos they offer. All you have to do is click on the brand on the left hand side of the screen and within a few moments you'll have access to everything that's available. For that matter, you can always play is safe and stick to the top-rated items…and there are plenty of those in this selection.
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