The first fretless bass guitar was made by Bill Wyman in 1961 when he converted a used UK-built ‘Dallas Tuxedo’ bass by removing the frets and filling in the slots with wood putty.[25][26][27] The first production fretless bass was the Ampeg AUB-1 introduced in 1966, and Fender introduced a fretless Precision Bass in 1970. Around 1970, Rick Danko from The Band began to use an Ampeg fretless, which he modified with Fender pickups—as heard on the 1971 Cahoots studio album and the Rock of Ages album recorded live in 1971.[28][29] Danko said, "It's a challenge to play fretless because you have to really use your ear."[30] In the early 1970s, fusion-jazz bassist Jaco Pastorius had the fingerboard of his de-fretted Fender Jazz Bass coated in epoxy resin, allowing him to use roundwound strings for a brighter sound.[31] Some fretless basses have "fret line" markers inlaid in the fingerboard as a guide, while others only use guide marks on the side of the neck.
In the jazz scene, since the bass guitar takes on much of the same role as the double bass—laying down the rhythm, and outlining the harmonic foundation—electric bass players have long used both bass guitar methods and jazz double bass method books. The use of jazz double bass method books by electric bass players in jazz is facilitated in that jazz methods tend to emphasize improvisation techniques (e.g., how to improvise walking basslines) and rhythmic exercises rather than specific ways of holding or plucking the instrument.
Our massive selection of acoustic drums and electronic drums, world percussion instruments, drumming accessories, replacement parts, and cymbals all come with our lowest price and total satisfaction guarantees. Browse around and you'll see drums and percussion instruments from Pearl, Tama, Zildjian, Sabian, and more. Looking for a great gift? We've got hand drums including bongo drums and congas, as well as kids drums and electronic drum sets.
Regardless of the model or series, a bass typically has four strings. They are tuned the same way as the first four strings on a regular guitar: E, A, D, and G. Some musical genres have alternative tunings, though. For example, metal often uses "drop D" tuning, where the E on the lowest string is tuned down a step to D. Most alternative tunings involve tuning down. Some basses have a fifth string. Usually this is added to the low end, where it becomes a B in standard tuning. In rare cases. it will be added to the high end, where it is known as a tenor fifth string and becomes a C. In even rarer cases, a bass can have six strings, using both the low B and the high C. The neck of the bass can be comprised of woods that range from maple to rosewood.
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The keyboard action of an acoustic grand piano is composed of black and white keys, graded hammers, and numerous other components working in harmony when each note is pressed. This beautifully designed mechanism allows gifted pianists to express a wealth of feeling and emotion in their music, as they appreciate and respond to the tactile nuances transmitted through the keyboard.
Bass solos are performed using a range of different techniques, such as plucking or fingerpicking. In the 1960s, The Who's bassist, John Entwistle, performed a bass break on the song "My Generation" using a plectrum. He originally intended to use his fingers, but could not put his plectrum down quickly enough.[citation needed] This is considered as one of the first bass solos in rock music, and also one of the most recognizable. Led Zeppelin's "Good Times Bad Times", the first song on their first album, contains two brief bass solos, occurring after the song's first and third choruses. Queen's bassist, John Deacon, occasionally played bass solos, such as on the song "Liar". Metallica's 1983 debut Kill Em All includes the song "(Anesthesia) Pulling Teeth," consisting entirely of a bass solo played by Cliff Burton.
The bass drum (also known as the "kick drum") provides a regular but often-varied foundation to the rhythm. The bass drum is the lowest pitched drum and usually provides the basic beat or timing element with basic pulse patterns. Some drummers may use two or more bass drums or use a double bass drum pedal with a single bass drum. Double bass drumming is an important technique in many heavy metal genres. Using a double bass drum pedal enables a drummer to play a double bass drum style with only one bass drum, saving space in recording/performance areas and reducing time and effort during set-up, taking down, and transportation.
In general, the sounds produced by a digital piano are based on sampling, by which real piano sound samples are stored in ROM. The samples stored in digital pianos are usually of very precision recording and made using high-quality pianos, expensive microphones, and high-quality preamps in a professional recording studio.[2] ROM may include multiple samples for the same keystroke, attempting to reproduce diversity observed on the real piano, but the number of these recorded alternatives is limited.
In 1971, Alembic established the template for what became known as "boutique" or "high-end" electric bass guitars. These expensive, custom-tailored instruments, as used by Phil Lesh, Jack Casady, and Stanley Clarke, featured unique designs, premium hand-finished wood bodies, and innovative construction techniques such as multi-laminate neck-through-body construction and graphite necks. Alembic also pioneered the use of onboard electronics for pre-amplification and equalization. Active electronics increase the output of the instrument, and allow more options for controlling tonal flexibility, giving the player the ability to amplify as well as to attenuate certain frequency ranges while improving the overall frequency response (including more low-register and high-register sounds). 1973 saw the UK company Wal begin production of a their own range of active basses, and In 1974 Music Man Instruments, founded by Tom Walker, Forrest White and Leo Fender, introduced the StingRay, the first widely produced bass with active (powered) electronics built into the instrument. Basses with active electronics can include a preamplifier and knobs for boosting and cutting the low and high frequencies.
A fully electronic kit is also easier to soundcheck than acoustic drums, assuming that the electronic drum module has levels that the drummer has pre-set in her/his practice room; in contrast, when an acoustic kit is sound checked, most drums and cymbals need to be miked and each mic needs to be tested by the drummer so its level and tone equalization can be adjusted by the sound engineer. As well, even after all the individual drum and cymbal mics are soundchecked, the engineer needs to listen to the drummer play a standard groove, to check that the balance between the kit instruments is right. Finally, the engineer needs to set up the monitor mix for the drummer, which the drummer uses to hear her/his instruments and the instruments and vocals of the rest of the band. With a fully electronic kit, many of these steps could be eliminated.
"Jazz" pickups (referring to the original Fender Jazz Bass), also referred to as "J pickups", are wider eight-pole pickups that lie underneath all four strings. J pickups are typically single-coil designs, though there are a large number of humbucking designs. Traditionally, two of them are used, one of them near the bridge and another closer to the neck. As with the halves of P-pickups, the J-pickups are reverse-wound with reverse magnetic polarity. As a result, they have hum canceling properties when used at the same volume, with hum cancellation decreasing when the pickups are at unequal volume, and absent if the player uses only one pickup. 'J' Style pickups tend to have a lower output and a thinner sound than 'P' Style pickups. Many bassists combine a 'J' pickup at the bridge and a 'P' pickup at the neck, so they can blend the two sounds.

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