Jump up ^ Tunings such as B–E–A–D (this requires a low "B" string in addition to the other three "standard" strings, and omits the G string), D–A–D–G (a "standard" set of strings, with only the lowest string detuned from E down to D), and D–G–C–F or C–G–C–F (a "standard" set of strings, all of which are detuned either a whole tone, or a whole tone for the three higher-pitched strings and two tones for the E, which is dropped to a low C) give bassists an extended lower range. A tenor bass tuning of A–D–G–C, in which the low E is omitted and a high C is added, provides a higher range.
Maple/Mahogany 13x7 snare drum White Glass Finish with Black Nickel Hardware. The shell features North American Hard Rock Maple and African Mahogany construction, combined with VLT (Vertical Low Timbre) shell technology. THIS Drum is AMAZING!!!! Extremly versatile in great condition. Bid with confidence and please check my other auctions. snare only stand not included.

Bass bodies are typically made of wood, although other materials such as graphite (for example, some of the Steinberger designs) and other lightweight composite materials have also been used. While a wide variety of woods are suitable for use in the body, neck, and fretboard of the bass guitar, the most common types of wood used are similar to those used for electric guitars; alder, ash or mahogany for the body, maple for the neck, and rosewood or ebony for the fretboard. While these traditional standards are most common, for tonal or aesthetic reasons luthiers more commonly experiment with different tonewoods on basses than with electric guitars (though this is changing), and rarer woods like walnut and figured maple, as well as exotic woods like bubinga, wenge, koa, and purpleheart, are often used as accent woods in the neck or on the face of mid- to high-priced production basses and on custom-made and boutique instruments.

The drum head has the most effect on how a drum sounds. Each type of drum head serves its own musical purpose and has its own unique sound. Double-ply drumheads dampen high frequency harmonics because they are heavier and they are suited to heavy playing.[3] Drum heads with a white, textured coating on them muffle the overtones of the drum head slightly, producing a less diverse pitch. Drum heads with central silver or black dots tend to muffle the overtones even more. And drum heads with perimeter sound rings mostly eliminate overtones (Howie 2005). Some jazz drummers avoid using thick drum heads, preferring single ply drum heads or drum heads with no muffling. Rock drummers often prefer the thicker or coated drum heads.
Digital pianos and keyboards are designed to accomplish very different things. Digital pianos, as the name suggests, are intended simply to be a digital replication of an acoustic or grand piano. Digital pianos have weighted keys so that the experience of playing one more closely resembles a traditional piano. Digital pianos are ideal for those who want to learn to play the piano but don’t want to pay the incredibly high cost of purchasing one or deal with the hassle of finding space for one. After all, there’s almost nothing cheap, easy, or convenient about buying or owning a traditional piano. Digital pianos have been designed to mitigate these factors by being less expensive, easier to maintain, and much easier to transport. Digital pianos are also beneficial for more advanced musicians that want to record their music onto a computer.
Composers using electric bass include Christian Wolff (Electric Spring 1, 1966; Electric Spring 2, 1966/70; Electric Spring 3, 1967; and Untitled, 1996); Francis Thorne (Liebesrock 1968–69); Krzysztof Penderecki (Cello Concerto no. 1, 1966/67, rev. 1971/72; Capriccio for Violin and Orchestra, 1967); The Devils of Loudun, 1969; Kosmogonia, 1970; and Partita, 1971); Louis Andriessen (Spektakel, 1970; De Staat, 1972–1976; Hoketus, 1976; De Tijd, 1980–81; and De Materie, 1984–1988); Pelle Gudmundsen-Holmgreen (Symfoni på Rygmarven, 1966; Rerepriser, 1967; and Piece by Piece, 1968); and Irwin Bazelon (Churchill Downs, 1970).
The standard design for the electric bass guitar has four strings, tuned E, A, D and G,[32] in fourths such that the open highest string, G, is an eleventh (an octave and a fourth) below middle C, making the tuning of all four strings the same as that of the double bass (E1–A1–D2–G2). This tuning is also the same as the standard tuning on the lower-pitched four strings on a six-string guitar, only an octave lower.
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Optical pickups are another type of non-magnetic pickup. They use an infrared LED to optically track the movement of the string, similar to the mechanism of modern computer mice, which allows them to reproduce low-frequency tones at high volumes without the "hum" or excessive resonance associated with conventional magnetic pickups. Since optical pickups do not pick up high frequencies or percussive sounds well, they are commonly paired with piezoelectric pickups to fill in the missing frequencies. LightWave Systems builds basses with optical pickups.
Drummers use a variety of accessories when practicing. Metronomes and beat counters are used to develop a sense of a steady pulse. Drum muffling pads may be used to lessen the volume of drums during practicing. A practice pad, held on the lap, on a leg, or mounted on a stand, is used for near-silent practice with drumsticks. A set of practice pads mounted to simulate an entire drum kit is known as a practice kit. In the 2010s, these have largely been superseded by electronic drums, which can be listened to with headphones for quiet practice and kits with non-sounding mesh heads.
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Piccolo basses are cosmetically similar to a four-stringed electric bass guitar, but usually tuned one whole octave higher than a normal bass. The first electric piccolo bass was constructed by luthier Carl Thompson for Stanley Clarke.[citation needed] To allow for the raised tuning, the strings are thinner, and the length of the neck (the scale) may be shorter. Several companies manufacture piccolo sets that can be put on any regular bass, thereby converting any bass into a piccolo bass. Because of the thinner strings, a new nut may be required to hold the strings. Some people prefer a slightly shorter scale, such as 30 or 28 inches (762 or 711 mm), as the higher tension required for longer scale lengths coupled with the thinner gauge of higher-pitched strings can make a long-scale piccolo bass difficult to play. The tuning varies with the personal tastes of the artist, as does the number of strings. Joey DeMaio from the heavy metal band Manowar plays with four strings on his piccolo bass. Jazz bassist John Patitucci used a six-string piccolo bass, unaccompanied, on his song "Sachi's Eyes" on his album One More Angel. Michael Manring has used a five-string piccolo bass in several altered tunings. Michael uses D'Addario EXL 280 piccolo bass strings on his four-string hyperbass, made by Zon Guitars.[citation needed]
Many basses have just one pickup, typically a "P" or "MM" pickup, though single soapbars are not unheard of. Multiple pickups are also quite common, two of the most common configurations being two "J" pickups (as on the stock Fender Jazz), or a "P" near the neck and a "J" near the bridge (e.g., Fender Precision Bass Special, Fender Precision Bass Plus). A two-"soapbar" configuration is also very common, especially on basses by makes such as Ibanez and Yamaha. A combination of a J or other single-coil pickup at the neck and a Music Man-style humbucker in the bridge has become popular among boutique instrument builders, giving a very bright, focused tone that is good for jazz, funk and thumbstyle.

Torzal Natural Twist is a bass guitar body and neck style invented by luthier Jerome Little from Amherst, Massachusetts. It consists of a neck rotated by a total of 35 degrees, with (+)15 degrees at the bridge and (-)20 at the nut. The designer claims that the ergonomic design increases efficiency of the hands, wrists and arms, which reduces the risk of developing repetitive strain injuries like carpal tunnel syndrome or tendonitis. This design is also beneficial to players who have already suffered from such injuries. This patented design differs from traditional bass guitar design by twisting the neck, and bringing the strings toward a more natural hand position at either end of the instrument. The rotation at either side of the instrument in the direction of the hand creates a neck plane that models the natural motion of the hand as it reaches outward. The fretboard also forms a straight line at the location of each string, which should improve the ease of performance.[52]
A four-piece kit extends the three-piece by adding one tom, either a second hanging tom mounted on the bass drum (a notable user is Chris Frantz of Talking Heads) and often displacing the cymbal, or by adding a floor tom. Normally another cymbal is added as well, so there are separate ride and crash cymbals, either on two stands, or the ride cymbal mounted on the bass drum to the player's right and the crash cymbal on a separate stand. The standard cymbal sizes are 16" crash and 18"–20" ride, with the 20" ride most common.
Maybe you're looking for something a bit more conspicuous, that you can make into the centerpiece of your music room? If so, you'll want to investigate options like the Yamaha Arius YDP-142 and Suzuki Micro Grand Digital Piano. These advanced instruments sound every bit as gorgeous as they look, and they offer the ability to record your and store your performances to listen again later or even to playback as accompaniments.

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