Bass solos are performed using a range of different techniques, such as plucking or fingerpicking. In the 1960s, The Who's bassist, John Entwistle, performed a bass break on the song "My Generation" using a plectrum. He originally intended to use his fingers, but could not put his plectrum down quickly enough.[citation needed] This is considered as one of the first bass solos in rock music, and also one of the most recognizable. Led Zeppelin's "Good Times Bad Times", the first song on their first album, contains two brief bass solos, occurring after the song's first and third choruses. Queen's bassist, John Deacon, occasionally played bass solos, such as on the song "Liar". Metallica's 1983 debut Kill Em All includes the song "(Anesthesia) Pulling Teeth," consisting entirely of a bass solo played by Cliff Burton.

The hi-hat cymbals (nicknamed "hats") consist of two cymbals mounted facing each other on a metal pole with folding support legs that keep a hollow support cylinder standing up. Like the bass drum, the hi-hat has a foot pedal. The bottom cymbal is fixed in place. The top cymbal is mounted on a thin pole which is inserted into the hollow cymbal stand cylinder. The thin pole is connected to a foot pedal. When the foot pedal is pressed down, a mechanism causes the thin pole to move down, causing the cymbals to move together. When the foot is lifted off the pedal, the cymbals move apart, due to the pedal's spring-loaded mechanism. The hi-hats can be sounded by striking the cymbals with one or two sticks or just by opening and closing the cymbals with the footpedal, without striking the cymbals. The ability to create rhythms on the hi-hats with the foot alone enables drummers to use both sticks on other drums or cymbals. Different sounds can be created by striking "open hi-hats" (without the pedal depressed, which creates a noisy sound nicknamed "sloppy hats") or a crisp "closed hi-hats" sound (with the pedal pressed down). As well, the high hats can be played with a partially depressed pedal.
Drummers' usage of electronic drum equipment can range from adding a single electronic pad to an acoustic kit (e.g., to have access to an instrument that might otherwise be impractical, such as a large gong), to using a mix of acoustic drums/cymbals and electronic pads, to using an acoustic kit in which the drums and cymbals have triggers, which can be used to sound electronic drums and other sounds, to having an exclusively electronic kit, which is often set up with the rubber or mesh drum pads and rubber "cymbals" in the usual drum kit locations. A fully electronic kit weighs much less and takes up less space to transport than an acoustic kit and it can be set up more quickly. One of the disadvantages of a fully electronic kit is that it may not have the same "feel" as an acoustic kit, and the drum sounds, even if they are high-quality samples, may not sound the same as acoustic drums.
The next thing that you need to consider is whether the bass guitar has frets or not. Having bass guitar with frets makes it quite easier to play and one will be able to produce a more consistent tone. The advantage of going with a fretless bass is that it will produce a more unique sound. It is also best to produce the vibrato effect that you hear often in the popular musical styles like Funk and Jazz. As a beginner, you can start out with a bass with frets.
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The late Bernard Edwards, bass player with the Disco group Chic, was known to use a technique called chucking to pluck the bass strings with the forefinger of his right hand, in a manner similar to how strings are plucked with a plectrum.[58][not in citation given] Chucking uses the soft part of the forefinger and the nail of the forefinger to alternately strike the string in an up-down manner. The thumb supports the forefinger at the first joint, as though using an invisible plectrum. With a flexible wrist action, chucking facilitates rapid rhythmic sequences of notes played on different strings, particular notes that are an octave apart. Chucking is distinguished from plucking in that the attack is softer with a sound closer to that produced by the use of fingers. Chucking allows a mix of plucking and finger techniques on a given song, without having to take up or put down a plectrum. Examples of Edwards’ use of chucking on his Music Man Stingray bass can be heard on the intro and solo section of "Everybody Dance" and the foundation bass line of "Dance Dance Dance".
A drum kit — also called a drum set, trap set (a term using a contraction of the word, “contraption”), or simply drums — is a collection of drums and other percussion instruments, typically cymbals, which are set up on stands to be played by a single player,[1] with drumsticks held in both hands, and the feet operating pedals that control the hi-hat cymbal and the beater for the bass drum. A drum kit consists of a mix of drums (categorized classically as membranophones, Hornbostel-Sachs high-level classification 2) and idiophones – most significantly cymbals, but can also include the woodblock and cowbell (classified as Hornbostel-Sachs high-level classification 1).[2] In the 2000s, some kits also include electronic instruments (Hornbostel-Sachs classification 53). Also, both hybrid (mixing acoustic instruments and electronic drums) and entirely electronic kits are used.
Digital pianos and keyboards are designed to accomplish very different things. Digital pianos, as the name suggests, are intended simply to be a digital replication of an acoustic or grand piano. Digital pianos have weighted keys so that the experience of playing one more closely resembles a traditional piano. Digital pianos are ideal for those who want to learn to play the piano but don’t want to pay the incredibly high cost of purchasing one or deal with the hassle of finding space for one. After all, there’s almost nothing cheap, easy, or convenient about buying or owning a traditional piano. Digital pianos have been designed to mitigate these factors by being less expensive, easier to maintain, and much easier to transport. Digital pianos are also beneficial for more advanced musicians that want to record their music onto a computer.

Regardless of your playing style or skill level, there is a kit here that will suit all your needs. Keep in mind the features that are important to you while you're taking a look around this section and you'll be working out your fills and rolls in no time. For example, if you're looking for your very first drum kit, an option like the Sound Percussion 5-Piece Drum Shell Pack might be just what you need. This kit is full of deep, powerful tone that is sure to get crowds grooving. With memory lock hardware, it's easy to set up and take down, allowing you to get from the jam space to the gig with no issues. Versatile and durable, this is the perfect kit for beginners, as well as established players looking for a second option.


Electronic drum sets provide a great way to practice without rattling the whole house. These sets provide volume control so you won’t wake up the neighbors, but you can also plug in headphones to achieve a very quiet percussion session. That way only you will feel the noise. Electronic drums make ideal beginning sets, so students who are a little shy to practice out loud can just play to themselves. An extra benefit of electric drum sets is that some come equipped with built-in metronomes to keep you on time.


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Many drummers extend their kits from this basic configuration, adding more drums, more cymbals, and many other instruments including pitched percussion. In some styles of music, particular extensions are normal. For example, rock and heavy metal drummers make use of double bass drums, which can be achieved with either a second bass drum or a remote double foot pedal.[7] Some progressive drummers may include orchestral percussion such as gongs and tubular bells in their rig. Some performers, such as some rockabilly drummers, play small kits that omit elements from the basic setup. Some drum kit players may have other roles in the band, such as providing backup vocals, or less commonly, lead vocals.
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As the music of the world was evolving, so was the drum set. Tom-tom drums, small crash cymbals, Chinese cymbals and hi-hat cymbals were added to the drum set. The hi-hats were the primary way for the drummers of the big band era to keep time. Before 1930, while playing the New Orleans jazz and Chicago styles, drummers would choke the cymbals on the "ands" of eighth note figures as an alternative to playing a buzz roll, the rim of the drums, or on the woodblocks to keep time. This muting method of keeping time by choking the crash and china cymbals proved to be awkward, so the drummers of that time came up with the idea of having a foot-operated cymbal. This resulted in the creation of the snowshoe cymbal, a foot-operated cymbal. It enabled drummers to play the eighth note figures between the right and left foot, improving the ergonomics and facility of drumset playing and helping drummers to keep a more steady rhythm.
The shell almost invariably has a circular opening over which the drumhead is stretched, but the shape of the remainder of the shell varies widely. In the western musical tradition, the most usual shape is a cylinder, although timpani, for example, use bowl-shaped shells.[1] Other shapes include a frame design (tar, Bodhrán), truncated cones (bongo drums, Ashiko), goblet shaped (djembe), and joined truncated cones (talking drum).
Bass drum Muffling the bass can be achieved with the same muffling techniques as the snare, but bass drums in a drum kit are more commonly muffled by adding pillows, a sleeping bag or another soft filling inside the drum, between the heads. Cutting a small hole in the resonant head can also produce a more muffled tone, and allows manipulation in internally placed muffling. The Evans EQ pad places a pad against the batterhead and, when struck, the pad moves off the head momentarily, then returns to rest against the head, thus reducing the sustain without choking the tone.
While fretless basses are often associated with jazz and jazz fusion, bassists from other genres have used fretless basses, such as Freebo (country), Rick Danko (rock/blues), Rod Clements (folk), Steve DiGiorgio, Jeroen Paul Thesseling (metal), Tony Franklin (rock), and Colin Edwin (modern/progressive rock). Some bassists alternate between fretted and fretless basses in performances, according to the type of material or tunes they are performing, e.g., Pino Palladino or Tony Levin.

Many basses have just one pickup, typically a "P" or "MM" pickup, though single soapbars are not unheard of. Multiple pickups are also quite common, two of the most common configurations being two "J" pickups (as on the stock Fender Jazz), or a "P" near the neck and a "J" near the bridge (e.g., Fender Precision Bass Special, Fender Precision Bass Plus). A two-"soapbar" configuration is also very common, especially on basses by makes such as Ibanez and Yamaha. A combination of a J or other single-coil pickup at the neck and a Music Man-style humbucker in the bridge has become popular among boutique instrument builders, giving a very bright, focused tone that is good for jazz, funk and thumbstyle.


"Precision" pickups (which refers to the Fender Precision Bass), also referred to as "P pickups", are two distinct single-coil pickups. Each is offset a small amount along the length of the body so that each half is underneath two strings. The pickups are reverse-wound with reversed magnetic polarity to reduce unwanted hum. This makes the 'P' pickup a humbucking single coil pickup. Less common is the "single-coil P" pickup, used on the original 1951 Fender Precision bass.[53] P-style pickups are generally placed in the "neck" or "middle" position, but some luthiers and performers have used P pickups in the bridge position, or in between two jazz pickups.

Bassists trying to emulate the sound of a double bass sometimes pluck the strings with their thumb and use palm-muting to create a short, "thumpy" tone. Monk Montgomery (who played in Lionel Hampton's big band) and Bruce Palmer (who performed with Buffalo Springfield) use thumb downstrokes. The use of the thumb was acknowledged by early Fender models, which came with a "thumbrest" or "Tug Bar" attached to the pickguard below the strings. Contrary to its name, this was not used to rest the thumb, but to provide leverage while using the thumb to pluck the strings. The thumbrest was moved above the strings in 1970s models (as a true thumbrest) and eliminated in the 1980s. Nevertheless, some reissued versions of vintage Fender basses in the 2010s do include a thumbrest.
Home>Keyboards and MIDI >Digital Pianos PrintRefine your searchBy CategoryDigital Stage Pianos (33)Home Digital Pianos (23)By BrandAlesis (1)Casio (10)Kawai (6)Korg (8)Medeli (1)Nord (3)Roland (7)Studiologic (1)Yamaha (18)Play as you Pay® Eligible4-Payment Plan (27)6-Payment Plan (54)8-Payment Plan (52)12-Payment Plan (44)By Price$150 - $199 (1)$200 - $299 (1)$300 - $399 (4)$400 - $499 (6)$500 - $749 (11)$750 - $999 (10)$1000 - $1999 (22)$2000 - $2999 (8)Availability In Stock Items (53)Clearance Gear (16)Special Offers (1)By ConditionNew (54)Warehouse Resealed (12)Blemished (10)Scratch and Dent (3)Viewing products that ship to: Customer Kudos "zZounds has always made it painless for me to purchase equipment and software, and their customer service is second to none." - Customer on October 18, 2017 1 MILLION+ Happy Customers learn more Guitar·Bass·Keyboard·Recording·Computer Audio·Live Sound·Drums·DJ·Accessories

Swing drummers such as Max Roach and Kenny Clarke had already deviated from the large marching band-style bass drums, finding that they were too loud and boomy. Bebop drummers continued this trend, and they started trying out smaller bass drum sizes in the drum set. Bebop drummers' experimentations with new drum sizes and new sounds led to the innovative concept of applying the busy "four on the floor" bass drum rhythms to a new larger cymbal called the ride cymbal. By focusing on keeping time on the new ride cymbal instead of the bass drum, the "feel" went from bass drum and hi-hat heavy, to a lighter melodic feel that has been explained as "floating on top of the time". This allowed drummers to express themselves in a more melodic fashion by playing the rhythms used by the guitar, piano and sax players using the new smaller, more focused bass drums and snare. Louie Bellson also assisted in the innovative sizes and sounds of the 1940s drum set by pioneering the use of two bass drums, or the double bass drum kit.
Since the 1960s, the bass guitar has largely replaced the double bass in popular music as the bass instrument in the rhythm section.[7] While types of basslines vary widely from one style of music to another, the bassist usually plays a similar role: anchoring the harmonic framework and establishing the beat. Many styles of music include the bass guitar, including rock, heavy metal, pop, punk rock, country, reggae, gospel, blues, symphonic rock, and jazz. It is often a solo instrument in jazz, jazz fusion, Latin, technical death metal, funk, progressive rock and other rock and metal styles.
Home>Keyboards and MIDI >Digital Pianos PrintRefine your searchBy CategoryDigital Stage Pianos (33)Home Digital Pianos (23)By BrandAlesis (1)Casio (10)Kawai (6)Korg (8)Medeli (1)Nord (3)Roland (7)Studiologic (1)Yamaha (18)Play as you Pay® Eligible4-Payment Plan (27)6-Payment Plan (54)8-Payment Plan (52)12-Payment Plan (44)By Price$150 - $199 (1)$200 - $299 (1)$300 - $399 (4)$400 - $499 (6)$500 - $749 (11)$750 - $999 (10)$1000 - $1999 (22)$2000 - $2999 (8)Availability In Stock Items (53)Clearance Gear (16)Special Offers (1)By ConditionNew (54)Warehouse Resealed (12)Blemished (10)Scratch and Dent (3)Viewing products that ship to: Customer Kudos "zZounds has always made it painless for me to purchase equipment and software, and their customer service is second to none." - Customer on October 18, 2017 1 MILLION+ Happy Customers learn more Guitar·Bass·Keyboard·Recording·Computer Audio·Live Sound·Drums·DJ·Accessories
So, let's say you've got all of your percussion picked out and set up - does it end there? The answer is: only if you want it to. Keeping it simple is just fine, but if you're the sort of drummer who wants everything personalized to a tee, then it's also worth checking out the selection of drum accessories and hardware. Full of ways to modify your percussion or change the way it's set up, these extras can give you the extra touch of customization to make a drum kit truly your own.

In 1971, Alembic established the template for what became known as "boutique" or "high-end" electric bass guitars. These expensive, custom-tailored instruments, as used by Phil Lesh, Jack Casady, and Stanley Clarke, featured unique designs, premium hand-finished wood bodies, and innovative construction techniques such as multi-laminate neck-through-body construction and graphite necks. Alembic also pioneered the use of onboard electronics for pre-amplification and equalization. Active electronics increase the output of the instrument, and allow more options for controlling tonal flexibility, giving the player the ability to amplify as well as to attenuate certain frequency ranges while improving the overall frequency response (including more low-register and high-register sounds). 1973 saw the UK company Wal begin production of a their own range of active basses, and In 1974 Music Man Instruments, founded by Tom Walker, Forrest White and Leo Fender, introduced the StingRay, the first widely produced bass with active (powered) electronics built into the instrument. Basses with active electronics can include a preamplifier and knobs for boosting and cutting the low and high frequencies.
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In traditional music such as country music, folk rock, and related styles, the bass often plays the roots and fifth (typically the fifth below the root) of each chord in alternation. In these styles, bassists often use scalar "walkups" or "walkdowns" when there is a chord change. In Chicago blues, the electric bass often performs a walking bassline made up of scales and arpeggios. In blues rock bands, the bassist often plays blues scale-based riffs and chugging boogie-style lines. In metal, the bass guitar may perform complex riffs along with the rhythm guitarist or play a low, rumbling pedal point to anchor the group's sound.

Another common form is the stage piano, designed for use with live performances, professional audio, or in recording studio. This type of digital piano normally makes no attempt to imitate the physical appearance of an acoustic piano, rather resembling a generic synthesizer or music workstation. A distinguishing feature of most stage pianos is a lack of internal loudspeakers and amplification - it is normally assumed that a powerful keyboard amplifier or PA system will be used. However, some stage pianos are equipped with powered speakers.
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