There are many different types of keyboards available. On the lower end are keyboards that you’d find in a toy store, while music stores have keyboards that are more fully-featured and intended for serious musicians and producers. These types of keyboards are commonly loaded with different voices, tones, rhythms, and sound effects to give a player or producer a lot of control over their sound. Within this type of keyboard, you’ll find synthesizers and MIDI controllers. Another differentiator among keyboards is the number of keys. Some keyboards have fewer than the traditional 88 keys you’d find on a digital piano. This allows certain keyboards to be more compact and generally doesn’t impact the ability for the player to create music. While some keyboards have keys that are weighted, many do not. This means that keyboards do not move or react like piano keys.

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Another common form is the stage piano, designed for use with live performances, professional audio, or in recording studio. This type of digital piano normally makes no attempt to imitate the physical appearance of an acoustic piano, rather resembling a generic synthesizer or music workstation. A distinguishing feature of most stage pianos is a lack of internal loudspeakers and amplification - it is normally assumed that a powerful keyboard amplifier or PA system will be used. However, some stage pianos are equipped with powered speakers.

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In contrast to the upright bass (also called "double bass"), the electric bass guitar is played horizontally across the body, like an electric guitar. When the strings are plucked with the fingers (pizzicato), the index and middle fingers (and sometimes the thumb, ring, and little fingers as well) are used. James Jamerson, an influential bassist from the Motown era, played intricate bass lines using only his index finger, which he called "The Hook." There are also variations in how a bassist chooses to rest the right-hand thumb (or left thumb in the case of left-handed players). A player may rest his or her thumb on the top edge of one of the pickups or on the side of the fretboard, which is especially common among bassists who have an upright bass influence. Some bassists anchor their thumbs on the lowest string and move it off the lowest string when they need to play on the low string. Alternatively, the thumb can be rested loosely on the strings to mute the unused strings.
The drum head has the most effect on how a drum sounds. Each type of drum head serves its own musical purpose and has its own unique sound. Double-ply drumheads dampen high frequency harmonics because they are heavier and they are suited to heavy playing.[3] Drum heads with a white, textured coating on them muffle the overtones of the drum head slightly, producing a less diverse pitch. Drum heads with central silver or black dots tend to muffle the overtones even more. And drum heads with perimeter sound rings mostly eliminate overtones (Howie 2005). Some jazz drummers avoid using thick drum heads, preferring single ply drum heads or drum heads with no muffling. Rock drummers often prefer the thicker or coated drum heads.

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