In some styles or settings, such as country music clubs or churches, small venues, or when a live recording is being made, the drummer may use a transparent perspex or plexiglas drum screen (also known as a drum shield) to dampen the onstage volume of the drums. A screen that completely surrounds the drum kit is known as a drum booth. In live sound applications, drum shields are used so that the audio engineer can have more control over the volume of drums that the audience hears through the PA system mix or to reduce the overall volume of the drums, as a way to reduce the overall volume of the band in the venue. In some recording studios, foam and fabric baffles are used in addition to or in place of clear panels. The drawback with foam/cloth baffle panels is that the drummer cannot see other performers, the record producer or the audio engineer well.
The bass guitar[1] (also known as electric bass,[2][3][4] or bass) is a stringed instrument similar in appearance and construction to an electric guitar, except with a longer neck and scale length, and four to six strings or courses. The four-string bass is usually tuned the same as the double bass,[5] which corresponds to pitches one octave lower than the four lowest pitched strings of a guitar (E, A, D, and G).[6] The bass guitar is a transposing instrument, as it is notated in bass clef an octave higher than it sounds. It is played primarily with the fingers or thumb, by plucking, slapping, popping, strumming, tapping, thumping, or picking with a plectrum, often known as a pick. The electric bass guitar has pickups and must be connected to an amplifier and speaker, to be loud enough to compete with other instruments.

The electric bass is a relative newcomer to the world of jazz. The big bands of the 1930s and 1940s Swing era and the small combos of the 1950s Bebop and Hard Bop movements all used the double bass. The electric bass was introduced in some bands in the 1950s and it became prominent during the late 1960s and early 1970s, when rock influences were blended with jazz to create jazz-rock fusion.

On early recording media (until 1925[15]) such as wax cylinders and discs carved with an engraving needle, sound balancing meant that musicians had to be literally moved in the room.[15] Drums were often put far from the horn (part of the mechanical transducer) to reduce sound distortion. Since this affected the rendition of cymbals at playback, sound engineers of the time remedied the situation by asking drummers to play the content of the cymbals onto woodblocks, temple blocks, and cowbells for their loudness and short decay.[citation needed]
Traditional digital pianos vaguely resemble an electronic organ or a spinet harpsichord but usually lacking a fully enclosed lower section, while some models are based on the casework of traditional upright pianos with a fully enclosed bottom part and pedals that look like actual piano pedals. An opposite and recent trend is to produce an instrument which has a unique and distinctive appearance, unobtainable with a conventional instrument. Yamaha , Kawai and Casio makes a model which is designed to stand against a wall and is far shallower from keyboard to back than any possible upright design, as well as shorter height.
Since the 1960s, the bass guitar has largely replaced the double bass in popular music as the bass instrument in the rhythm section.[7] While types of basslines vary widely from one style of music to another, the bassist usually plays a similar role: anchoring the harmonic framework and establishing the beat. Many styles of music include the bass guitar, including rock, heavy metal, pop, punk rock, country, reggae, gospel, blues, symphonic rock, and jazz. It is often a solo instrument in jazz, jazz fusion, Latin, technical death metal, funk, progressive rock and other rock and metal styles.

I brought in several other pianists for our test panel. Liz Kinnon is a pianist/arranger/composer/educator from Los Angeles who has performed with artists such as Dizzy Gillespie and Andy Williams. She was an orchestrator on the animated shows Animaniacs, Pinky and the Brain, and Histeria. At the Colburn Community School of Performing Arts in Los Angeles, she teaches jazz piano and is the Director of Adult Jazz Combos. She was Ryan Gosling’s piano coach for La La Land and recently worked with Simon Pegg and Juno Temple for the film Lost Transmissions.

The shell almost invariably has a circular opening over which the drumhead is stretched, but the shape of the remainder of the shell varies widely. In the western musical tradition, the most usual shape is a cylinder, although timpani, for example, use bowl-shaped shells.[1] Other shapes include a frame design (tar, Bodhrán), truncated cones (bongo drums, Ashiko), goblet shaped (djembe), and joined truncated cones (talking drum).
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In 1953, following Fender's lead, Gibson released the first short scale violin-shaped electric bass, with an extendable end pin so a bassist could play it upright or horizontally. Gibson renamed the Electric Bass in 1958 to the EB-1.[16] Also in 1958 Gibson released the maple arched top EB-2 described in the Gibson catalogue as "A hollow-body electric bass that features a Bass/Baritone pushbutton for two different tonal characteristics".[17] In 1959 these were followed by the more conventional-looking EB-0 Bass. The EB-0 was very similar to a Gibson SG in appearance (although the earliest examples have a slab-sided body shape closer to that of the double-cutaway Les Paul Special).

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Many drummers extend their kits from this basic configuration, adding more drums, more cymbals, and many other instruments including pitched percussion. In some styles of music, particular extensions are normal. For example, rock and heavy metal drummers make use of double bass drums, which can be achieved with either a second bass drum or a remote double foot pedal.[7] Some progressive drummers may include orchestral percussion such as gongs and tubular bells in their rig. Some performers, such as some rockabilly drummers, play small kits that omit elements from the basic setup. Some drum kit players may have other roles in the band, such as providing backup vocals, or less commonly, lead vocals.
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Jump up ^ Information on Dodds is found in his own contemporary journals/biography "The Baby Dodds Story" -Louisiana State University Press, 1992, and by contemporary witness- drummer Gearge Wettling, who confirms Dodds was the first drummer to also keep the now-famous broken-triplet beat that became the standard pulse/roll of what we call ride cymbal playing.
All cymbals other than rides, hi-hats and crashes/splashes are usually called effects cymbals when used in a drum kit, though this is a non-classical or colloquial designation that has become a standardized label. Most extended kits include one or more splash cymbals and at least one china cymbal. Major cymbal makers produce cymbal extension packs consisting of one splash and one china, or more rarely a second crash, a splash and a china, to match some of their starter packs of ride, crash and hi-hats. However any combination of options can be found in the marketplace.

The bass guitarist sometimes breaks out of the strict rhythm section role to perform bass breaks or bass solos. The types of bass lines used for bass breaks or bass solos vary by style. In a rock band, a bass break may consist of the bassist playing a riff or lick during a pause in the song. In some styles of metal, a bass break may consist of "shred guitar"-style tapping on the bass. In a funk or funk rock band, a bass solo may showcase the bassist's percussive slap and pop playing. In genres such as progressive rock, art rock, or progressive metal, the bass guitar player may play melody lines along with the lead guitar (or vocalist) and perform extended guitar solos.


"Jazz" pickups (referring to the original Fender Jazz Bass), also referred to as "J pickups", are wider eight-pole pickups that lie underneath all four strings. J pickups are typically single-coil designs, though there are a large number of humbucking designs. Traditionally, two of them are used, one of them near the bridge and another closer to the neck. As with the halves of P-pickups, the J-pickups are reverse-wound with reverse magnetic polarity. As a result, they have hum canceling properties when used at the same volume, with hum cancellation decreasing when the pickups are at unequal volume, and absent if the player uses only one pickup. 'J' Style pickups tend to have a lower output and a thinner sound than 'P' Style pickups. Many bassists combine a 'J' pickup at the bridge and a 'P' pickup at the neck, so they can blend the two sounds.


Sheet music from the 1920s provides evidence that the drummer's sets were starting to evolve in size and sound to support the various acts mentioned above. However, the first "talkies" or films with audio, were released circa 1927 and by 1930 most films were released with a soundtrack and the silent film era was over. The downside of the technological breakthrough was that thousands of drummers who served as sound effect specialists were put out of work overnight. A similar panic was felt by drummers in the 1980s, when electronic drum machines were first released.
Bass guitars require a bass amp. It is possible to play a guitar through a bass amp, but you cannot play a bass through a guitar amp without damaging the amp. Amplifying low-frequency sounds is more challenging and requires both different equipment and more space compared to an ordinary guitar's amplification needs. Like guitar amps, bass amps can be combined or separated into the head and the speaker.
A unique effect can be created by striking an open hi-hat (i.e., in which the two cymbals are apart) and then closing the cymbals with the foot pedal; this effect is widely used in disco and funk. The hi-hat has a similar function to the ride cymbal. The two are rarely played consistently for long periods at the same time, but one or the other is used to keep the faster-moving rhythms (e.g., sixteenth notes) much of the time in a song. The hi-hats are played by the right stick of a right-handed drummer. Changing between ride and hi-hat, or between either and a "leaner" sound with neither, is often used to mark a change from one passage to another, for example; to distinguish between a verse and chorus.
Pearl Corporation is organized and functions as a wholesale distributor of drums, percussion musical instruments and flutes for the United States. The majority of drums and related items are manufactured by Pearl Musical Instrument company and imported directly from company owned factories located in Taiwan and China. The flutes are manufactured in Taiwan and Japan while the latin percussion instruments are manufactured in Thailand. Pearl Corporation is also the exclusive U.S. distributor of Adams timpani and mallet percussion instruments.
Portable digital pianos, for the sake of lower production cost, were often equipped with a less complex system for the weighted keys. As a result, the feel of the keys is usually much less realistic than other digital pianos. However, it still retain the emulated weight mechanism (lower keys are heavier than higher ones), though not as precise as more expensive pianos. However, certain models include synthetic ivory-like keys as opposed to standard plastic keys.
While the electric guitar is mostly played with a pick, the bass or jazz bass can be played with either a pick or your fingers. Because of the sensitivity of the pickup on the bass, the two tend to produce somewhat different tones. For example, finger style play can create additional sound from the impact of the strings against the frets, while playing with a pick offers a sharper, more staccato sound. Neither style is better than the other, and there are many famous examples of players using each one. Sometimes, there are conventions of play for a particular genre, but more often it comes down to how a bassist originally learned to play.
In most implementations, a digital piano produces a variety of piano timbres and usually other sounds as well. For example, a digital piano may have settings for a concert grand piano, an upright piano, a tack piano, and various electric pianos such as the Fender Rhodes, the Wurlitzer, and the DX electric piano. Some digital pianos incorporate other basic "synthesizer" sounds such as string ensemble, for example, and offer settings to combine them with piano.
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