The string can be plucked (or picked) at any point between the bridge and the point where the fretting hand is holding down the string on the fingerboard; different timbres (tones) are produced depending on where along the string it is plucked. When plucked closer to the bridge, the string's harmonics are more pronounced, giving a brighter tone. Closer to the middle of the string, these harmonics are less pronounced, giving a more mellow, darker tone.

The bass guitarist sometimes breaks out of the strict rhythm section role to perform bass breaks or bass solos. The types of bass lines used for bass breaks or bass solos vary by style. In a rock band, a bass break may consist of the bassist playing a riff or lick during a pause in the song. In some styles of metal, a bass break may consist of "shred guitar"-style tapping on the bass. In a funk or funk rock band, a bass solo may showcase the bassist's percussive slap and pop playing. In genres such as progressive rock, art rock, or progressive metal, the bass guitar player may play melody lines along with the lead guitar (or vocalist) and perform extended guitar solos.
During the 1990s, as five-string basses became more widely available and more affordable, an increasing number of bassists in genres ranging from metal to gospel began using five-string instruments for added lower range—a low "B" string. As well, onboard battery-powered electronics such as preamplifiers and equalizer circuits, which were previously only available on expensive "boutique" instruments, became increasingly available on mid-priced basses. From 2000 to the 2010s, some bass manufacturers included digital modelling circuits inside the instrument on more costly instruments to recreate tones and sounds from many models of basses (e.g., Line 6's Variax bass). A modelling bass can digitally emulate the tone and sound of many famous basses, ranging from a vintage Fender Precision to a Rickenbacker. However, as with the electric guitar, traditional "passive" bass designs, which include only pickups, tone and volume knobs (without a preamp or other electronics) remained popular. Reissued versions of vintage instruments such as the Fender Precision Bass and Fender Jazz Bass remained popular amongst new instrument buyers up to the 2010s. In 2011, a 60th Anniversary P-bass was introduced by Fender, along with the re-introduction of the short-scale Fender Jaguar Bass.
An LCD readout and a few more buttons on the control panel would go a long way toward making the keyboard’s options easier to use. The metronome function especially could be more user friendly. It has 10 speed presets, labeled 0-9, with a + and – for adjustment. These are selectable with the Function button and a key press. While practicing and deciding on tempo, most students find it more beneficial to know the exact BPM (beats per minute), which is impossible here using the built-in metronome.
Budget constraints and space considerations in musical theatre pit orchestras led bandleaders to pressure fewer percussionists to cover more percussion parts. Metal consoles were developed to hold Chinese tom-toms, with swing-out stands for snare drums and cymbals. On top of the console was a "contraption" tray (shortened to "trap"), used to hold items like whistles, klaxons, and cowbells, so these drums/kits were dubbed "trap kits". Hi-hat stands became available around 1926.[9]
Hey Mr. Bassman! Whether you like to snap, strum, pop, pick, or pluck, having the right Electric Bass Guitar can make all the difference and AMS has an incredible selection. Choose the wood, color, style, and scale length to make your performance stand above the rest. Stay centered with a standard four-string bass, or stretch out with five- and six-string models.

Digital pianos typically use analog sensors for its keyboard action, as opposed to digital sensors of a regular keyboard and synthesizer. These sensors notably works in a similar way to those used in analog joysticks found on video game controllers, in which they the velocity input is converted from the key movement as well, not just the initial pressure of the key sensor.


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To keep proper pitch across all frets in a multi-scale bass guitar, a fanned fret design is applied to the fingerboard. In this case, the frets extend from the neck of the instrument at an angle, in contrast to the standard perpendicular arrangement in standard neck designs, in which the fret spacing is wider for the long scale and closer for the short scale. This is not to be confused with perfect intonation across the whole neck, which is a feature of true temperament frets. Proponents of multi-scale and fanned frets designs also claim benefits such as comfort and better ergonomics[51].
The purpose that why you need to get a guitar should be one of the key things to consider. Taking a simple scenario, the bass guitar needed by a beginner but not the choice that an expert will go for. It is important to know why you really need it, if you just want to get one for fun, you should go for the basic guitar. On the other hand, if you want more than just basic use and you need a better and more punchy bass, then you can spend more on your guitar.
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Traditional digital pianos vaguely resemble an electronic organ or a spinet harpsichord but usually lacking a fully enclosed lower section, while some models are based on the casework of traditional upright pianos with a fully enclosed bottom part and pedals that look like actual piano pedals. An opposite and recent trend is to produce an instrument which has a unique and distinctive appearance, unobtainable with a conventional instrument. Yamaha , Kawai and Casio makes a model which is designed to stand against a wall and is far shallower from keyboard to back than any possible upright design, as well as shorter height.
Three sounds (Grand Piano Concert, Grand Piano Modern, and Elec. Piano 1) have dedicated buttons on the control panel. Selecting any of the other 15 sounds requires the player to press the Function button and a corresponding piano key labeled with the name of the sound, such as Vibraphone or Jazz Organ. The keys used for instrument selection are in the middle of the keyboard, starting at middle C, for easy accessibility. Some other keyboards that use this selection method have the selection keys assigned to the bottom octave of the keyboard, which can make changing sounds a bit more difficult because you have to look and reach down to the far left end of the keyboard. If you have a library of sounds on your computer, the Casio Privia PX-160 can be used as a controller by connecting it to your computer via USB.
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If you’re a beginner, we offer a range of bass guitar starter kits, which typically come with an electric bass guitar, a bass amp, and the necessary bass accessories you’ll need to kick off your bass career! We also have short-scale bass guitars in our inventory, which may feel more comfortable in your hands if you’re a younger or smaller player. If you’re looking to start taking lessons or you want to teach yourself how to play the bass guitar, we have a plenty of instructional bass books that you can check out!
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The long scale necks on Leo Fender's basses—with a scale length (distance between nut and bridge) of 34 inches (864 mm) — set the standard for electric basses, although 30-inch (762 mm) "short scale" instruments, such as the Höfner 500/1 "violin bass" played by Paul McCartney, and the Fender Mustang Bass are also common. Short scale instruments use the same E-A-D-G tuning as a regular long scale instrument. Short scale instruments are good choices for bassists with smaller hands, such as children or young teens who are just starting the instrument. While 35-inch (889 mm), 35 1⁄2-inch (902 mm), and 36-inch (914 mm) scale lengths were once only available in "boutique" instruments, in the 2000s (decade), many manufacturers began offering these "extra long" scale lengths. This extra long scale provides a higher string tension, which may yield a more defined, deep tone on the low "B" string of five- and six-stringed instruments (or detuned four-string basses).
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In the very smallest kits, in jazz, and at very high volumes, ride cymbals may be played in with the technique and sound of a crash cymbal. Some hi-hats will also give a useful crash, particularly thinner hats or those with an unusually severe taper. At low volumes, producing a good crash from a cymbal not particularly suited to it is a highly skilled art. Alternatively, specialised crash/ride and ride/crash cymbals are specifically designed to combine both functions.
Just like a traditional piano, a digital piano features a keyboard. A digital piano's keyboard is weighted to simulate the action of a traditional piano and is velocity sensitive so that the volume of the sounds depends on how hard the keys are pressed.[6] Many instruments now have a complex action incorporating actual hammers in order to better simulate the touch of a grand piano.[7]
In some styles of music, drummers use electronic effects on drums, such as individual noise gates that mute the attached microphone when the signal is below a threshold volume. This allows the sound engineer to use a higher overall volume for the drum kit by reducing the number of "active" mics which could produce unwanted feedback at any one time. When a drum kit is entirely miked and amplified through the sound reinforcement system, the drummer or the sound engineer can add other electronic effects to the drum sound, such as reverb or digital delay.
Budget constraints and space considerations in musical theatre pit orchestras led bandleaders to pressure fewer percussionists to cover more percussion parts. Metal consoles were developed to hold Chinese tom-toms, with swing-out stands for snare drums and cymbals. On top of the console was a "contraption" tray (shortened to "trap"), used to hold items like whistles, klaxons, and cowbells, so these drums/kits were dubbed "trap kits". Hi-hat stands became available around 1926.[9]
There are several reasons for this division. When more than one band plays in a single performance, the drum kit is often considered part of the backline (the key rhythm section equipment that stays on stage all night, which often also includes bass amps and a stage piano), and is shared between/among the drummers. Oftentimes, the main "headlining" act will provide the drums, as they are being paid more, possibly have the better gear, and in any case have the prerogative of using their own. Sticks, snare drum and cymbals, and sometimes other components, are commonly swapped though, each drummer bringing their own. The term breakables in this context refers to whatever basic components the "guest" drummer is expected to bring. Similar considerations apply if using a "house kit" (a drum kit owned by the venue, which is rare), even if there is only one band at the performance.

Swing drummers such as Max Roach and Kenny Clarke had already deviated from the large marching band-style bass drums, finding that they were too loud and boomy. Bebop drummers continued this trend, and they started trying out smaller bass drum sizes in the drum set. Bebop drummers' experimentations with new drum sizes and new sounds led to the innovative concept of applying the busy "four on the floor" bass drum rhythms to a new larger cymbal called the ride cymbal. By focusing on keeping time on the new ride cymbal instead of the bass drum, the "feel" went from bass drum and hi-hat heavy, to a lighter melodic feel that has been explained as "floating on top of the time". This allowed drummers to express themselves in a more melodic fashion by playing the rhythms used by the guitar, piano and sax players using the new smaller, more focused bass drums and snare. Louie Bellson also assisted in the innovative sizes and sounds of the 1940s drum set by pioneering the use of two bass drums, or the double bass drum kit.
Of course, for any student or beginner, Sam Ash carries a full assortment of sheet music and books specifically geared toward budding piano players. We recommend starting with a piano instructional book or piano instructional DVD to learn the basics of music theory, chord progressions, and techniques like which fingers to use on certain scales and the proper ready position. We also have manuscripts for tracking your progress. Once you master the essentials, you can move on to piano music books that will teach you how to play your favorite songs on piano. Here at Sam Ash, we have an incredible selection of music books ranging from books focused on specific albums to compilation books that offer guides to mastering the best hits from a certain decade or genre.

Drum bags are made from robust cloth such as cordura or from cloth-backed vinyl. They give minimal protection from bumps and impacts, but they do protect drums and cymbals from precipitation. They are adequate for drums transported in private vehicles to go to local gigs and sessions. They are often the only option for young drummers who are just starting out.
In traditional music such as country music, folk rock, and related styles, the bass often plays the roots and fifth (typically the fifth below the root) of each chord in alternation. In these styles, bassists often use scalar "walkups" or "walkdowns" when there is a chord change. In Chicago blues, the electric bass often performs a walking bassline made up of scales and arpeggios. In blues rock bands, the bassist often plays blues scale-based riffs and chugging boogie-style lines. In metal, the bass guitar may perform complex riffs along with the rhythm guitarist or play a low, rumbling pedal point to anchor the group's sound.
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If the toms are omitted completely, or the bass drum is replaced by a pedal-operated beater on the bottom skin of a floor tom and the hanging toms omitted, the result is a two-piece "cocktail" (lounge) kit. Such kits are particularly favoured in musical genres such as trad jazz, rockabilly and jump blues. Some rockabilly kits and beginners kits for very young players omit the hi-hat stand. In rockabilly, this allows the drummer to play standing rather than seated.
Once upon a time, the only piano you could buy was a large and ridiculously expensive acoustic grand piano. Thanks to advances in flash memory, sampling, and other digital technology, we now have more compact and affordable options known as digital pianos. As time goes on, these digital options continue to get closer to genuine acoustic pianos in terms of sound and feel. In fact, many traditional piano brands have sampled their most famous grand pianos to make the signature tone available in portable digital models. The keyboards on digital pianos are designed with special weighted actions and textured finishes to simulate the ebony and ivory keys on acoustic instruments.
Traditional digital pianos vaguely resemble an electronic organ or a spinet harpsichord but usually lacking a fully enclosed lower section, while some models are based on the casework of traditional upright pianos with a fully enclosed bottom part and pedals that look like actual piano pedals. An opposite and recent trend is to produce an instrument which has a unique and distinctive appearance, unobtainable with a conventional instrument. Yamaha , Kawai and Casio makes a model which is designed to stand against a wall and is far shallower from keyboard to back than any possible upright design, as well as shorter height.
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