If you’re a seasoned player, you already know that there is an expansive array of bass guitar types out there that’ll suit your specific musical needs. Sam Ash is proud to offer our fellow bassists the latest and greatest in bass guitars, from 4-string, 5-string, 6-string, 7-string, and even 8-string electric basses all the way through to acoustic-electric bass guitars that’ll be perfect for your next coffee shop gig! If you’re looking to add a bass to your collection that has a more traditional, standup bass kind of sound, be sure that you check out our assortment of fretless basses! Have a favorite bassist like Jack Casady of the psychedelic rock band Jefferson Airplane, Geddy Lee of classic rock band Rush, or Flea of funk/rock band Red Hot Chili Peppers? We also offer a variety of artist and signature model basses that’ll help you deliver the legendary tone of some of the best bassists in the business! If you’re a lefty, there’s no need to worry—we have you covered with plenty of left-handed bass guitars for sale right here at SamAsh.com.
The Berklee College of Music in Boston offers training for electric bass players. Electric bass students get private lessons and there is a choice of over 270 ensembles to play in. Specific electric bass courses include funk/fusion styles for bass; slap techniques for electric bass; fingerstyle R&B; five- and six-string electric bass playing (including performing chords); and how to read bass sheet music.[64] Berklee College alumni include Jeff Andrews, Victor Bailey, Jeff Berlin, Michael Manring, and Neil Stubenhaus.[64] The Bass Department has two rooms with bass amps for classes and ten private lesson studios equipped with audio recording gear. Berklee offers instruction for the four-, five-, and six-string electric bass, the fretless bass, and double bass. "Students learn concepts in Latin, funk, Motown, and hip-hop, ... jazz, rock, and fusion."[64]
Electronic drum pads are the second most widely used type of MIDI performance controllers, after electronic music keyboards.[19]:319–320 Drum controllers may be built into drum machines, they may be standalone control surfaces (e.g., rubber drum pads), or they may emulate the look and feel of acoustic percussion instruments. The pads built into drum machines are typically too small and fragile to be played with sticks, and they are usually played with fingers.[20]:88 Dedicated drum pads such as the Roland Octapad or the DrumKAT are playable with the hands or with sticks, and are often built to resemble the general form of a drum kit. There are also percussion controllers such as the vibraphone-style MalletKAT,[20]:88–91 and Don Buchla's Marimba Lumina.[21]
The fretting hand can add vibrato to a plucked or picked note, either a gentle, narrow vibrato or a more exaggerated, wide vibrato with bigger pitch variations. For fretted basses, vibrato is always an alternation between the pitch of the note and a slightly higher pitch. For fretless basses, the player can use this style of vibrato, or they can alternate between the note and a slightly lower pitch, as is done with the double bass and on other unfretted stringed instruments. While vibrato is mostly done on "stopped" notes—that is, notes that are pressed down on the fingerboard—open strings can also be vibratoed by pressing down on the string behind the nut. As well, the fretting hand can be used to "bend" a plucked or picked note up in pitch, by pushing or pulling the string so that the note sounds at a higher pitch. To create the opposite effect, a "bend down", the string is pushed to a higher pitch before being plucked or picked and then allowed to fall to the lower, regular pitch after it is sounded. Though rare, some bassists may use a tremolo bar-equipped bass to produce the same effect.

Trigger sensors are most commonly used to replace the acoustic drum sounds, but they can often also be used effectively with an acoustic kit to augment or supplement an instrument's sound for the needs of the session or show. For example, in a live performance in a difficult acoustical space, a trigger may be placed on each drum or cymbal, and used to trigger a similar sound on a drum module. These sounds are then amplified through the PA system so the audience can hear them, and they can be amplified to any level without the risks of audio feedback or bleed problems associated with microphones and PAs in certain settings.
Dynamic Instrument MicrophonesShure SM57Shure DMK5752 Drum Microphone PackSennheiser e604Electro-Voice RE20Audix D6 Bass Drum MicSee More Dynamic Instrument MicrophonesSmall-Diaphragm Condenser MicrophonesShure SM81Rode NT5See More Small-Diaphragm Condenser MicrophonesMicrophone AccessoriesOn-Stage Shure-Style Mic ClipSee More Microphone AccessoriesSee All Drum Microphones
Of course, for any student or beginner, Sam Ash carries a full assortment of sheet music and books specifically geared toward budding piano players. We recommend starting with a piano instructional book or piano instructional DVD to learn the basics of music theory, chord progressions, and techniques like which fingers to use on certain scales and the proper ready position. We also have manuscripts for tracking your progress. Once you master the essentials, you can move on to piano music books that will teach you how to play your favorite songs on piano. Here at Sam Ash, we have an incredible selection of music books ranging from books focused on specific albums to compilation books that offer guides to mastering the best hits from a certain decade or genre.
A drum kit — also called a drum set, trap set (a term using a contraction of the word, “contraption”), or simply drums — is a collection of drums and other percussion instruments, typically cymbals, which are set up on stands to be played by a single player,[1] with drumsticks held in both hands, and the feet operating pedals that control the hi-hat cymbal and the beater for the bass drum. A drum kit consists of a mix of drums (categorized classically as membranophones, Hornbostel-Sachs high-level classification 2) and idiophones – most significantly cymbals, but can also include the woodblock and cowbell (classified as Hornbostel-Sachs high-level classification 1).[2] In the 2000s, some kits also include electronic instruments (Hornbostel-Sachs classification 53). Also, both hybrid (mixing acoustic instruments and electronic drums) and entirely electronic kits are used.
Some basses, particularly expensive boutique instruments or custom-made guitars, use more unusual pickup configurations. Examples include a soapbar and a "P" pickup (found on some Fender basses), bassist Stu Hamm's "Urge" basses, which have a "P" pickup sandwiched between two "J" pickups, and some of funk bassist Bootsy Collins' custom basses, which had as many as five J pickups. Another unusual pickup configuration is found on some of the custom basses that virtuoso bassist Billy Sheehan uses, in which there is one humbucker at the neck and a split-coil pickup at the middle position.
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The type of shell also affects the sound of a drum. Because the vibrations resonate in the shell of the drum, the shell can be used to increase the volume and to manipulate the type of sound produced. The larger the diameter of the shell, the lower the pitch. The larger the depth of the drum, the louder the volume. Shell thickness also determines the volume of drums. Thicker shells produce louder drums. Mahogany raises the frequency of low pitches and keeps higher frequencies at about the same speed. When choosing a set of shells, a jazz drummer may want smaller maple shells, while a rock drummer may want larger birch shells. For more information about tuning drums or the physics of a drum, visit the external links listed below.
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Trigger sensors are most commonly used to replace the acoustic drum sounds, but they can often also be used effectively with an acoustic kit to augment or supplement an instrument's sound for the needs of the session or show. For example, in a live performance in a difficult acoustical space, a trigger may be placed on each drum or cymbal, and used to trigger a similar sound on a drum module. These sounds are then amplified through the PA system so the audience can hear them, and they can be amplified to any level without the risks of audio feedback or bleed problems associated with microphones and PAs in certain settings.
Like the electric guitar, the electric bass guitar is almost always connected to an amplifier and a speaker with a patch cord for live performances. Electric bassists use either a "combo" amplifier, which combines an amplifier and a speaker in a single cabinet, or an amplifier and one or more speaker cabinets (typically stacked, with the amplifier sitting on the speaker cabinets, leading to the term "half-stack" for one cabinet setups and "full stack" for two).
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While digital pianos may sometimes fall short of a real piano in feel and sound, they nevertheless have other advantages over acoustic pianos. Digital pianos cost much less than an acoustic piano and most models are much smaller and lighter in weight than an acoustic piano. In addition, digital pianos do not need to be tuned, and their tuning can be modified to match the tuning of another instrument (e.g., a pipe organ). Like other electronic musical instruments, digital pianos can be connected to a keyboard amplifier or a PA system to produce a sound loud enough for a large venue. Some digital pianos can also emulate other sounds besides the piano, the most common ones being pipe organ, electric piano, Hammond organ and harpsichord. Digital pianos are often used in music schools and music studios to replace traditional instruments.[1]
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