A drum kit — also called a drum set, trap set (a term using a contraction of the word, “contraption”), or simply drums — is a collection of drums and other percussion instruments, typically cymbals, which are set up on stands to be played by a single player,[1] with drumsticks held in both hands, and the feet operating pedals that control the hi-hat cymbal and the beater for the bass drum. A drum kit consists of a mix of drums (categorized classically as membranophones, Hornbostel-Sachs high-level classification 2) and idiophones – most significantly cymbals, but can also include the woodblock and cowbell (classified as Hornbostel-Sachs high-level classification 1).[2] In the 2000s, some kits also include electronic instruments (Hornbostel-Sachs classification 53). Also, both hybrid (mixing acoustic instruments and electronic drums) and entirely electronic kits are used.
As well as providing an alternative to a conventional acoustic drum kit, electronic drums can be incorporated into an acoustic drum kit to supplement it. MIDI triggers can also be installed into acoustic drum and percussion instruments. Pads that can trigger a MIDI device can be homemade from a piezoelectric sensor and a practice pad or other piece of foam rubber.[22]
Electronic drum pads are the second most widely used type of MIDI performance controllers, after electronic music keyboards.[19]:319–320 Drum controllers may be built into drum machines, they may be standalone control surfaces (e.g., rubber drum pads), or they may emulate the look and feel of acoustic percussion instruments. The pads built into drum machines are typically too small and fragile to be played with sticks, and they are usually played with fingers.[20]:88 Dedicated drum pads such as the Roland Octapad or the DrumKAT are playable with the hands or with sticks, and are often built to resemble the general form of a drum kit. There are also percussion controllers such as the vibraphone-style MalletKAT,[20]:88–91 and Don Buchla's Marimba Lumina.[21]

A player can use the fretting hand to change a sounded note, either by fully muting it after plucking it, or by partially muting it near the bridge to reduce volume, or make the note fade faster. The fretting hand often mutes strings that are not being played to stop sympathetic vibrations, particularly when the player wants a "dry" or "focused" sound. On the other hand, the sympathetic resonance of harmonically related strings are sometimes desirable. In these cases, a bassist can fret harmonically related notes. For example, while fretting a sustained "F" (on the third fret of the "D" string), underneath an F major chord being played by a piano player, a bassist might hold down the "C" and low "F" below this note so their harmonics sound sympathetically.
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Whether you're in the market for a new bass, or are picking one up for the first time, finding the right instrument is the first step on the road to becoming the best bass player you can be. Researching all that's available will be extremely helpful in making the decision of which electric bass guitar to choose. A bass guitar typically has an appearance and construction similar to an electric guitar, with a longer neck and a range of courses from four to eight strings. Most common is the 4-string bass which is usually tuned to the sound of the double bass, but conveniently comes in a much smaller package.
As well as providing an alternative to a conventional acoustic drum kit, electronic drums can be incorporated into an acoustic drum kit to supplement it. MIDI triggers can also be installed into acoustic drum and percussion instruments. Pads that can trigger a MIDI device can be homemade from a piezoelectric sensor and a practice pad or other piece of foam rubber.[22]
In the 1930s, musician and inventor Paul Tutmarc of Seattle, Washington, developed the first electric string bass in its modern form, a fretted instrument designed to be played horizontally. The 1935 sales catalog for Tutmarc's electronic musical instrument company, Audiovox, featured his "Model 736 Bass Fiddle", a four-stringed, solid-bodied, fretted electric bass instrument with a 30 1⁄2-inch (775-millimetre) scale length.[8] The adoption of a guitar's body shape made the instrument easier to hold and transport than any of the existing stringed bass instruments. The addition of frets enabled bassists to play in tune more easily than on fretless acoustic or electric upright basses. Around 100 of these instruments were made during this period.[9]
With rock and roll coming into place, a watershed moment occurred between 1962 and 1964 when the Surfaris released "Wipe Out", as well as when Ringo Starr of The Beatles played his Ludwig kit on American television. As rock moved from the nightclubs and bars and into stadiums in the 1960s, there was a trend towards bigger drum kits. The trend towards larger drum kits took momentum in the 1970s with the emergence of progressive rock. By the 1980s, widely popular drummers like Billy Cobham, Carl Palmer, Nicko McBrain, Phil Collins, Stewart Copeland, Simon Phillips and Neil Peart were using large numbers of drums and cymbals. In the 1980s, some drummers began to use electronic drums.
During the 1990s, as five-string basses became more widely available and more affordable, an increasing number of bassists in genres ranging from metal to gospel began using five-string instruments for added lower range—a low "B" string. As well, onboard battery-powered electronics such as preamplifiers and equalizer circuits, which were previously only available on expensive "boutique" instruments, became increasingly available on mid-priced basses. From 2000 to the 2010s, some bass manufacturers included digital modelling circuits inside the instrument on more costly instruments to recreate tones and sounds from many models of basses (e.g., Line 6's Variax bass). A modelling bass can digitally emulate the tone and sound of many famous basses, ranging from a vintage Fender Precision to a Rickenbacker. However, as with the electric guitar, traditional "passive" bass designs, which include only pickups, tone and volume knobs (without a preamp or other electronics) remained popular. Reissued versions of vintage instruments such as the Fender Precision Bass and Fender Jazz Bass remained popular amongst new instrument buyers up to the 2010s. In 2011, a 60th Anniversary P-bass was introduced by Fender, along with the re-introduction of the short-scale Fender Jaguar Bass.
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All cymbals other than rides, hi-hats and crashes/splashes are usually called effects cymbals when used in a drum kit, though this is a non-classical or colloquial designation that has become a standardized label. Most extended kits include one or more splash cymbals and at least one china cymbal. Major cymbal makers produce cymbal extension packs consisting of one splash and one china, or more rarely a second crash, a splash and a china, to match some of their starter packs of ride, crash and hi-hats. However any combination of options can be found in the marketplace.

For the lion's share of rock and pop music, you're looking at a classic drum set: tom-toms, snares, bass and cymbals. You'll find a huge selection of these staple instruments here, in as many varieties as you could name. If you're just starting out with the drums, take a look at shell packs and drum sets to get up and running in a hurry. On the other hand, if you're a veteran drummer, chances are that you'd prefer to pick and choose your instruments individually and only the best holders for your sticks will do. For the adventurous among us, there are electronic drum sets, which open up the unlimited potential of customized samples. Whatever you want to do to distinguish yourself from other drummers, this is where you can find the instruments to get there.
By World War I, drum kits were often marching band-style military bass drums with many percussion items suspended on and around them. Drum kits became a central part of jazz music, especially Dixieland. The modern drum kit was developed in the Vaudeville era during the 1920s in New Orleans.[11] In 1917, a New Orleans band called "The Original Dixieland Jazz Band " recorded jazz tunes that became hits all over the country. These were the first official jazz recordings. Drummers such as Baby Dodds, "Zutty" Singleton and Ray Bauduc had taken the idea of marching rhythms, combining the bass drum and snare drum and "traps", a term used to refer to the percussion instruments associated with immigrant groups, which included miniature cymbals, tom toms, cowbells and woodblocks. They started incorporating these elements with ragtime, which had been popular for a couple of decades, creating an approach which evolved into a jazz drumming style.
1956 saw the appearance at the German trade fair "Musikmesse Frankfurt" of the distinctive Höfner 500/1 violin bass made using violin construction techniques by Walter Höfner, a second generation violin luthier.[18] The instrument is often known as the "Beatle Bass", due to its endorsement and use by Beatles bassist Paul McCartney. In 1957 Rickenbacker introduced the model 4000 bass,[19] the first bass to feature a neck-through-body design in which the neck is part of the body wood. The Fender and Gibson versions used bolt-on and glued-on necks.
Some digital piano implementations, like Roland V-Piano[2], Yamaha MODUS, Casio Celviano Grand Hybrid, and the software-based Pianoteq,[3] use mathematical models based on real pianos to generate sound, which brings the ability to generate sounds that vary more freely depending on how the keys have been struck, in addition to allow a more realistic implementation of the distinctive resonances and acoustical noises of real pianos.

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