Jump up ^ "Warren 'Baby' Dodds". The Percussive Arts Society. Archived from the original on 27 September 2011. Retrieved 21 November 2011. Dodds' way of playing press rolls ultimately evolved into the standard jazz ride-cymbal pattern. Whereas many drummers would play very short press rolls on the backbeats, Dodds would start his rolls on the backbeats but extend each one to the following beat, providing a smoother time flow.
Manowar's bassist Joey DeMaio uses special piccolo bass for his extremely fast bass solos like "Sting of the Bumblebee" and "William's Tale". Green Day bassist Mike Dirnt played a bass solo on the song "Welcome To Paradise" from the 1994 album Dookie and on the song "Makeout Party" from the 2012 album ¡Dos!. U2 includes a bass solo most notably on "Gloria", in which Adam Clayton uses several playing techniques. Matt Freeman of Rancid performs a very fast, guitar-like bass solo in the song "Maxwell Murder". Blink-182's "Voyeur" has a bass solo, which is featured on both their studio album Dude Ranch & their live album The Mark, Tom and Travis Show (The Enema Strikes Back!).

Maple/Mahogany 13x7 snare drum White Glass Finish with Black Nickel Hardware. The shell features North American Hard Rock Maple and African Mahogany construction, combined with VLT (Vertical Low Timbre) shell technology. THIS Drum is AMAZING!!!! Extremly versatile in great condition. Bid with confidence and please check my other auctions. snare only stand not included.

Maybe you're looking for something a bit more conspicuous, that you can make into the centerpiece of your music room? If so, you'll want to investigate options like the Yamaha Arius YDP-142 and Suzuki Micro Grand Digital Piano. These advanced instruments sound every bit as gorgeous as they look, and they offer the ability to record your and store your performances to listen again later or even to playback as accompaniments.
If you really want to distinguish yourself as a bassist, it can pay to think outside the box and go for something a bit less traditional. For example, there are musical styles and occasions where an electric bass may be slightly out of place. In those cases, you can turn to an acoustic-electric bass. These have a classic sound all their own, and if you're headed to a festival or singing around a campfire, they'll do the job even without an amplifier handy.
After spending 29 hours researching 21 models and testing seven with a panel of professional and amateur pianists, we think the Casio Privia PX-160 is the best budget digital piano for beginners. It suitably replicates the feel of an acoustic piano and has some of the most realistic sounds we’ve heard in this price category, and its dual headphone outputs accommodate both student and teacher.
On modern band and orchestral drums, the drumhead is placed over the opening of the drum, which in turn is held onto the shell by a "counterhoop" (or "rim"), which is then held by means of a number of tuning screws called "tension rods" that screw into lugs placed evenly around the circumference. The head's tension can be adjusted by loosening or tightening the rods. Many such drums have six to ten tension rods. The sound of a drum depends on many variables—including shape, shell size and thickness, shell materials, counterhoop material, drumhead material, drumhead tension, drum position, location, and striking velocity and angle.[1]
Since its inception, Virtual Piano has been used as a learning tool in the world’s most prestigious schools – it has helped young children to get a feel for music – it has been the stepping stone for some of the world’s greatest artists. Virtual Piano is fast becoming a form of expression and communication between different cultures and regions of the world – crossing language, space and time. Our vision is to spread the joy of playing the piano to every corner of the globe. Our goal is to engage and inspire people of all ages and abilities, to nurture a passion for music.
If you want to learn to play the piano, digital pianos offer many benefits compared to acoustic grand pianos. Most digital pianos we sell offer split or dual mode. Engaging this feature separates the keyboard into two identical keyboards with the same notes and octave. This allows you to play along with your piano teacher so they can walk you through chords, melodies and full songs. Select models also offer built-in demo songs with step by step instructions on how to play them.

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The late Bernard Edwards, bass player with the Disco group Chic, was known to use a technique called chucking to pluck the bass strings with the forefinger of his right hand, in a manner similar to how strings are plucked with a plectrum.[58][not in citation given] Chucking uses the soft part of the forefinger and the nail of the forefinger to alternately strike the string in an up-down manner. The thumb supports the forefinger at the first joint, as though using an invisible plectrum. With a flexible wrist action, chucking facilitates rapid rhythmic sequences of notes played on different strings, particular notes that are an octave apart. Chucking is distinguished from plucking in that the attack is softer with a sound closer to that produced by the use of fingers. Chucking allows a mix of plucking and finger techniques on a given song, without having to take up or put down a plectrum. Examples of Edwards’ use of chucking on his Music Man Stingray bass can be heard on the intro and solo section of "Everybody Dance" and the foundation bass line of "Dance Dance Dance".
Sample-based digital pianos do have limitations on the faithfulness with which they reproduce the sound of an acoustic piano. These might include the lack of implementation of harmonic tones that result when certain combinations of notes are sounded, limited polyphony, and a lack of natural reverberation when the instrument is played percussively. They often lack the incidental acoustic noises associated with piano playing, such as the sounds of pedals being depressed and the associated machinery shifting within the piano, which some actually consider a benefit. These limitations apply to most acoustic instruments and their sampled counterparts, the difference often being described as "visceral". On an acoustic piano, the sustain pedal lifts the dampers for all strings, allowing them to resonate naturally with the notes played. Digital pianos all have a similar pedal switch to hold notes in suspension, but only high-end models can reproduce the sympathetic resonance effect.
Another design consideration for the bass is whether to use frets on the fingerboard. On a fretted bass, the metal frets divide the fingerboard into semitone divisions (as on an electric guitar or acoustic guitar). Fretless basses have a distinct sound, because the absence of frets means that the string must be pressed down directly onto the wood of the fingerboard with the fingers, as with the double bass. The string buzzes against the wood and is somewhat muted because the sounding portion of the string is in direct contact with the flesh of the player's finger. The fretless bass lets players use expressive approaches such as glissando (sliding up or down in pitch, with all of the pitches in between sounding), and vibrato (in which the player rocks a finger that is stopping a string to oscillate the pitch slightly). Fretless players can also play microtones, or temperaments other than equal temperament, such as just intonation.
In the 1980s and beyond, electric bass was used in works by Hans Werner Henze (El Rey de Harlem, 1980; and Il ritorno d'Ulisse in patria, 1981), Harold Shapero, On Green Mountain (Chaconne after Monteverdi), 1957, orchestrated 1981; Alfred Schnittke's Symphony No. 3 (1981); Steve Reich's Electric Counterpoint (1987) and 2x5 (2008), Wolfgang Rihm (Die Eroberung von Mexico, 1987–91), Arvo Pärt (Miserere, 1989/92), Steve Martland (Dance works, 1993; and Horses of Instruction, 1994), Sofia Gubaidulina (Aus dem Stundenbuch, 1991), Giya Kancheli (Wingless, 1993), John Adams (I Was Looking at the Ceiling and Then I Saw the Sky, 1995; and Scratchband, 1996/97), Michael Nyman (various works for the Michael Nyman Band), Mark-Anthony Turnage (Blood on the Floor, 1993–1996), numerous works by Art Jarvinen.[63]
Popular music bands and rock groups use the bass guitar as a member of the rhythm section, which provides the chord sequence or "progression" and sets out the "beat" for the song. The rhythm section typically consists of a rhythm guitarist or electric keyboard player, or both, a bass guitarist and a drummer; larger groups may add additional guitarists, keyboardists, or percussionists.
All cymbals other than rides, hi-hats and crashes/splashes are usually called effects cymbals when used in a drum kit, though this is a non-classical or colloquial designation that has become a standardized label. Most extended kits include one or more splash cymbals and at least one china cymbal. Major cymbal makers produce cymbal extension packs consisting of one splash and one china, or more rarely a second crash, a splash and a china, to match some of their starter packs of ride, crash and hi-hats. However any combination of options can be found in the marketplace.
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Picking from the huge variety of bass guitars available in the market can be a daunting task for any beginning bass guitar player. There are many factors that you need to take into account first, before making your first purchase. It is important that you spend some time to look at every factor carefully so you will be happy with the guitar you buy.
In most genres, a "clean" bass tone (without any amplifier-induced "overdrive" or "distortion") is desirable, and so while guitarists often prefer the more desirable distorted tones of tube-transistor amplifiers, bassists commonly use solid-state amplifier circuitry to achieve the necessary high output wattages with less weight than tubes (though smaller tubes can often still be found in the low-power "preamplifier" sections of the system, where they provide a warmer, smoother character to the bass tone for relatively little additional weight). A few all-tube bass amplifiers are still available, notably from the Ampeg brand.

In most implementations, a digital piano produces a variety of piano timbres and usually other sounds as well. For example, a digital piano may have settings for a concert grand piano, an upright piano, a tack piano, and various electric pianos such as the Fender Rhodes, the Wurlitzer, and the DX electric piano. Some digital pianos incorporate other basic "synthesizer" sounds such as string ensemble, for example, and offer settings to combine them with piano.

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