In 1929, when the stock market crash resulted in a global depression, one of the things that helped people cope with the trying years was swing jazz music. By the early to mid 1930's, big band swing was being embraced throughout the US, becoming the country's most popular form of music. The other contributing factor to the big band's success during the 1930s was the popularity of radio. The drum kit played a key role in the big band swing sound. Throughout the 1930s Chick Webb and Gene Krupa at the Savoy Ballroom in Harlem, increased the visual and musical driving force of the drummer and their equipment by simply being so popular and in demand- and they ensured that their drum kits became not only functionally developed but dazzling and well designed.[14] Jazz drummers were influential in developing the concept of the modern drum kit and extending playing techniques. Gene Krupa was the first drummer to head his own orchestra and thrust the drums into the spotlight with his drum solos.[citation needed] Others would soon follow his lead.

The digital piano is a specific kind of electronic keyboard that acts as a compact and lightweight alternative to a standard piano. Today's digital pianos feature hammer action keys (88-key being the norm) to emulate the sound and playability of their acoustic counterparts very accurately; some models can even replicate the sound of a pipe organ, Hammond organ and harpsichord. They have many other advantages as well: digital pianos are more affordable, their volume can be controlled and they never have to be tuned. Most digital pianos even have a headphone option for musicians who live in apartments where volume might be an issue. Because of these many benefits, digital pianos are often preferred over acoustic pianos by music educators and their pupils - this includes for amateur performances and school recitals.
First of all, it comes with 20 medium jumbo frets. Since the best bass quality can be found in the lower fret numbers, 20 will definitely give you what you seek. It comes with the single coil pickup lines; you get to have a focused as well as a bright sound. Though there will be a little bit of noise as is the case when it comes to the single-line pickups. 
Jump up ^ Information on Dodds is found in his own contemporary journals/biography "The Baby Dodds Story" -Louisiana State University Press, 1992, and by contemporary witness- drummer Gearge Wettling, who confirms Dodds was the first drummer to also keep the now-famous broken-triplet beat that became the standard pulse/roll of what we call ride cymbal playing.
Something else that you might like to consider is taking a cue from the bassists who have inspired you. Music is an art in which there's no shame in having an idol, and with plenty of signature bass guitars available, you can gear yourself up to follow in legendary footsteps. Take the Fender Jaco Pastorius Fretless Jazz Bass Guitar, for instance. Meticulously modelled after Jaco's own instrument, it carries on his spirit with a fretless design that lets you really unleash your creativity on the stage.
Tapewound (double bass type) and flatwound strings are sometimes used with the fretless bass so the metal string windings do not wear down the fingerboard. Tapewound and flatwound strings have a distinctive tone and sound. Some fretless basses have epoxy-coated fingerboards, or fingerboards made of an epoxy composite like micarta, to increase the fingerboard's durability, enhance sustain, and give a brighter tone.

In the jazz scene, since the bass guitar takes on much of the same role as the double bass—laying down the rhythm, and outlining the harmonic foundation—electric bass players have long used both bass guitar methods and jazz double bass method books. The use of jazz double bass method books by electric bass players in jazz is facilitated in that jazz methods tend to emphasize improvisation techniques (e.g., how to improvise walking basslines) and rhythmic exercises rather than specific ways of holding or plucking the instrument.
The PX-160 comes with the square SP-3 damper (sustain) pedal. It does the job but is far from an authentic piano experience. There are other piano-style pedals available, such as the M-Audio SP-2, that are nicer to play and don’t slide around as much. Casio offers the optional SP-33 pedal unit, which has a three-pedal configuration with separate soft, sostenuto, and sustain pedals—the traditional three-pedal setup found on most pianos. In duet play mode, the left and right pedals serve as damper pedals for their respective sides of the keyboard. The downside of the SP-33 is that it can be used only with Casio’s CS-67 stand (the two are also available together as a package).
Bassists often play a bass line composed by an arranger, songwriter or composer of a song—or, in the case of a cover song, the bass line from the original. In other bands—e.g., jazz-rock bands that play from lead sheets and country bands using the Nashville number system—bassists are expected to improvise or prepare their own part to fit the song's chord progression and rhythmic style.

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In other less mainstream genres, such as hardcore punk or metal, the pedagogical systems and training sequences are typically not formalized and institutionalized. As such, many players learn by ear, by copying bass lines from records and CDs, and by playing in a number of bands. Even in non-mainstream styles, though, students may be able to take lessons from experts in these or other styles, adapting learned techniques to their own style. As well, there are a range of books, playing methods, and, since the 1990s, instructional DVDs (e.g., how to play metal bass). In the 2010s, many instructional videos are available online on video-sharing websites such as YouTube.
The keyboards all came in to our Los Angeles office. After unboxing them and setting them up, I invited Liz, Jack, and Brent to come in and try them out. I asked them to rate the key action and the sound of the piano and to evaluate features from the perspective of a beginner. After playing through all of them over a couple hours, we talked through the pros and cons of each keyboard, and they gave me their top three choices.

At the heart of most stages is the acoustic drum set. It's made up of tom-toms, snares, at least one bass drum and an array of cymbals. You'll find all of those here, and there are choices for anyone. If you're just getting started as a drummer, you can get up and running fast with a shell pack or drum kit that gives you everything at once. Or, if you prefer, you can pick individual pieces ""a la carte"" to customize your own set from the ground up. The choice is yours.


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Trigger sensors are most commonly used to replace the acoustic drum sounds, but they can often also be used effectively with an acoustic kit to augment or supplement an instrument's sound for the needs of the session or show. For example, in a live performance in a difficult acoustical space, a trigger may be placed on each drum or cymbal, and used to trigger a similar sound on a drum module. These sounds are then amplified through the PA system so the audience can hear them, and they can be amplified to any level without the risks of audio feedback or bleed problems associated with microphones and PAs in certain settings.
Among digital pianos, there are several differences. The three main types of digital pianos are standard digital pianos, upright digital pianos, and stage pianos. Upright vertical pianos are built with a large cabinet, not unlike a real upright piano. They are often fitted with the best hammer action key systems and tone generation engines so that they are comparable to real upright pianos. Obviously, they still take up as much space as a real one, but there is less maintenance required. Stage pianos are digital pianos designed to be used in live performances, or on stage. They are much more portable than traditional pianos, and much sturdier than standard digital pianos. Standard digital pianos are intended more for practice and play at home. They are not as large or fully featured but offer an excellent balance of sound and portability.
Fender also began production of the Mustang Bass; a 30-inch (762 mm) scale length instrument used by bassists such as Tina Weymouth of Talking Heads and Bill Wyman of The Rolling Stones ("P" and "J" basses have a scale length of 34 inches (864 mm), a design echoed on most current production electric basses of all makes). In the 1950s and 1960s, the instrument was often called the "Fender bass", due to Fender's early dominance in the market. The Fender VI, a baritone guitar, was tuned one octave lower than standard guitar tuning. It was released in 1961, and was favored by Jack Bruce of Cream.[20]
On modern band and orchestral drums, the drumhead is placed over the opening of the drum, which in turn is held onto the shell by a "counterhoop" (or "rim"), which is then held by means of a number of tuning screws called "tension rods" that screw into lugs placed evenly around the circumference. The head's tension can be adjusted by loosening or tightening the rods. Many such drums have six to ten tension rods. The sound of a drum depends on many variables—including shape, shell size and thickness, shell materials, counterhoop material, drumhead material, drumhead tension, drum position, location, and striking velocity and angle.[1]

At Sam Ash we understand that the needs of drummers and percussionists extend well beyond the needs of other musicians. The Sam Ash drum department reflects that. We don't just have a huge selection of drum sets – with or without hardware - and the latest electronic kits and cymbals, we have all the bells and whistles (and cowbells and egg shakers and didgeridoos and the myriad items that enhance and customize the experience of drums and percussion) and accessories that make drumming exciting.
In 1918 Baby Dodds (Warren "Baby" Dodds, circa 1898–1959), playing on riverboats with Louis Armstrong on the Mississippi, was modifying the military marching set-up and experimenting with playing the drum rims instead of woodblocks, hitting cymbals with sticks (1919), which was not yet common, and adding a side cymbal above the bass drum, what became known as the ride cymbal. Drum maker William Ludwig developed the "sock" or early low-mounted high-hat after observing Dodd's drumming. Ludwig noticed that Dodd tapped his left foot all the time. Dodds had Ludwig raise the newly produced low hats 9 inches higher to make it easier to play, thus creating the modern hi-hat cymbal.[12] Dodds was one of the first drummers to also play the broken-triplet beat that became the standard pulse and roll of modern ride cymbal playing. Dodds also popularized the use of Chinese cymbals.[13]

Of course, for any student or beginner, Sam Ash carries a full assortment of sheet music and books specifically geared toward budding piano players. We recommend starting with a piano instructional book or piano instructional DVD to learn the basics of music theory, chord progressions, and techniques like which fingers to use on certain scales and the proper ready position. We also have manuscripts for tracking your progress. Once you master the essentials, you can move on to piano music books that will teach you how to play your favorite songs on piano. Here at Sam Ash, we have an incredible selection of music books ranging from books focused on specific albums to compilation books that offer guides to mastering the best hits from a certain decade or genre.


Piezoelectric pickups (also called "piezo" pickups) are non-magnetic pickups that use a transducer to convert vibrations in the instrument's body or bridge into an electrical signal. They are typically mounted under the bridge saddle or near the bridge and produce a different tone from magnetic pickups, often similar to that of an acoustic bass. Piezo pickups are often used in acoustic bass guitars to allow for amplification without a microphone.

"Soapbar" Pickups are so-named due to their resemblance to a bar of soap and originally referred to the Gibson P-90 guitar pickup. The term is also used to describe any pickup with a rectangular shape (no protruding screw mounting "ears" like on P, J or MM pickups) and no visible pole pieces. Most of the pickups falling into this category are humbucking, though a few single-coil soapbar designs exist. They are commonly found in basses designed for the rock and metal genres, such as Gibson, ESP Guitars, and Schecter, however they are also found on 5- and 6-string basses made popular by jazz and jazz fusion music, such as Yamaha's TRB and various Peavey model lines. 'Soapbar pickups' are also called 'extended housing pickups', because the rectangular shape is achieved simply by making the pickup cover longer or wider than it would have to be to only cover the pickup coils, and then the mounting holes are recessed inside these wider dimensions of the housing.
In the 1930s, musician and inventor Paul Tutmarc of Seattle, Washington, developed the first electric string bass in its modern form, a fretted instrument designed to be played horizontally. The 1935 sales catalog for Tutmarc's electronic musical instrument company, Audiovox, featured his "Model 736 Bass Fiddle", a four-stringed, solid-bodied, fretted electric bass instrument with a 30 1⁄2-inch (775-millimetre) scale length.[8] The adoption of a guitar's body shape made the instrument easier to hold and transport than any of the existing stringed bass instruments. The addition of frets enabled bassists to play in tune more easily than on fretless acoustic or electric upright basses. Around 100 of these instruments were made during this period.[9]
When playing bass solos, rock and metal bassists sometimes use effects such as fuzz bass or a wah-wah pedal to produce a more pronounced sound. Notably, Cliff Burton of Metallica used both effects. Due to the lower range of the bass, bass guitar solos usually have a much lighter accompaniment than solos for other instruments. In some cases, the bass guitar solo is unaccompanied, or accompanied only by the drums.
On modern band and orchestral drums, the drumhead is placed over the opening of the drum, which in turn is held onto the shell by a "counterhoop" (or "rim"), which is then held by means of a number of tuning screws called "tension rods" that screw into lugs placed evenly around the circumference. The head's tension can be adjusted by loosening or tightening the rods. Many such drums have six to ten tension rods. The sound of a drum depends on many variables—including shape, shell size and thickness, shell materials, counterhoop material, drumhead material, drumhead tension, drum position, location, and striking velocity and angle.[1]
Many basses have just one pickup, typically a "P" or "MM" pickup, though single soapbars are not unheard of. Multiple pickups are also quite common, two of the most common configurations being two "J" pickups (as on the stock Fender Jazz), or a "P" near the neck and a "J" near the bridge (e.g., Fender Precision Bass Special, Fender Precision Bass Plus). A two-"soapbar" configuration is also very common, especially on basses by makes such as Ibanez and Yamaha. A combination of a J or other single-coil pickup at the neck and a Music Man-style humbucker in the bridge has become popular among boutique instrument builders, giving a very bright, focused tone that is good for jazz, funk and thumbstyle.
We all agreed that the keyboard action felt the most like an acoustic piano. It has what Casio calls “tri-sensor scaled hammer action,” which involves the use of three sensors instead of the usual two. This makes the keyboard more responsive with repeated notes because the key doesn’t need to return to its resting position before being struck again. In our testing, this seemed to allow more musicality than just the on/off trigger switch that most synthesizers use. In the transition into the second half of Liszt’s Hungarian Rhapsody No. 2, for instance, the tri-sensor action will allow you to better control the dynamics of the quickly repeated C-sharp.
The bare minimum requirements for a budget digital piano are to have 88 keys (the same number found on traditional acoustic pianos) and internal speakers to facilitate practicing without an amplifier. Beyond that, some amount of weighted key action (either semi-weighted or hammer action, more on this in a moment) and an accurate piano sound were the primary deciding factors for our picks. An included stand and sustain pedal were not requirements, as aftermarket options are readily available and inexpensive. (We discuss some options below.)
Swing drummers such as Max Roach and Kenny Clarke had already deviated from the large marching band-style bass drums, finding that they were too loud and boomy. Bebop drummers continued this trend, and they started trying out smaller bass drum sizes in the drum set. Bebop drummers' experimentations with new drum sizes and new sounds led to the innovative concept of applying the busy "four on the floor" bass drum rhythms to a new larger cymbal called the ride cymbal. By focusing on keeping time on the new ride cymbal instead of the bass drum, the "feel" went from bass drum and hi-hat heavy, to a lighter melodic feel that has been explained as "floating on top of the time". This allowed drummers to express themselves in a more melodic fashion by playing the rhythms used by the guitar, piano and sax players using the new smaller, more focused bass drums and snare. Louie Bellson also assisted in the innovative sizes and sounds of the 1940s drum set by pioneering the use of two bass drums, or the double bass drum kit.

Most bass players stand while playing, using a strap over the shoulder to hold the instrument, although sitting is also accepted, particularly in large ensemble settings, such as jazz big bands or in acoustic genres such as folk music. Some bassists, such as Jah Wobble, alternate between standing or seated playing. It is a matter of the player's preference as to which position gives the greatest ease of playing and what a bandleader expects. When sitting, right-handed players can balance the instrument on the right thigh or like classical guitar players, the left. When sitting, no strap is required. Balancing the bass on the left thigh usually positions it in such a way that it mimics the standing position, allowing for less difference between the standing and sitting positions. Balancing the bass on the right thigh provides better access to the neck and fretboard in its entirety, especially the lower-pitched frets.
A trigger pad could contain up to four independent sensors, each of them capable of sending information describing the timing and dynamic intensity of a stroke to the drum module/brain. A circular drum pad may have only one sensor for triggering, but a 2016-era cymbal-shaped rubber pad/cymbal will often contain two; one for the body and one for the bell at the centre of the cymbal, and perhaps a cymbal choke trigger, to allow drummers to produce this effect.
At Sam Ash, we offer digital pianos for any type of budget. Premium models will offer features like weighted keys, LCD menus for simplified setup, and more after effects such as reverb. With weighted keys, the lower keys feel heavier and the higher keys feel lighter, just like you would find on acoustic models. Higher-end digital pianos will even offer keys made out of wood for a real premium response. Another specification to consider when it comes to choosing your piano is how many notes of polyphony is offered. Polyphony signifies the maximum number of notes that an instrument can produce at one time. If you are interested in layering notes, complex chords, and playing over accompaniment tracks, you should consider a model with higher polyphony. The amount of voices or different types of sounds and the quality of those sounds are also critical features that differentiate digital pianos. These days, most digital pianos offer more than just a traditional grand piano tone. Less expensive models will include four to five presets including strings, harpsichord, and drums. The top-of-the-line digital piano models can offer hundreds of different sounds spanning any genre of music you can think of. Other advanced features on today's best digital pianos include built-in recorders, compatibility with iOS apps for playing along with your favorite songs, and effects that simulate settings like lid positioning and performance venue. Be sure to check out our extensive Digital Piano Buyers Guide and our Digital Pianos: Everything You Need to Know article for further guidance on selecting the perfect digital piano for you.

Much the same considerations apply to bass drum pedals and the stool, but these are not always considered breakables, particularly if changeover time between bands is very limited. Swapping the snare drum in a standard kit can be done very quickly. Replacing cymbals on stands takes longer, particularly if there are many of them, and cymbals are easily damaged by incorrect mounting, so many drummers prefer to bring their own cymbal stands.


However, contemporary classical composers may also write for the bass guitar to get its unique sound, and in particular its precise and piercing attack and timbre. For example, Steve Reich, explaining his decision to score 2x5 for two bass guitars, stated that, "[With electric bass guitars] you can have interlocking bass lines, which on an acoustic bass, played pizzicato, would be mud."[62]
In the two-handed tapping styles, bassists use both hands to play notes on the fretboard by rapidly pressing and holding the string to the fret. Instead of plucking or picking the string to create a sound, in this technique, the action of striking the string against the fret or the fretboard creates the sound. Since two hands can be used to play on the fretboard, this makes it possible to play interweaving contrapuntal lines, to simultaneously play a bass line and a simple chord, or play chords and arpeggios. Bassist John Entwistle of The Who tapped percussively on the strings, causing them to strike the fretboard with a twangy sound to create drum-style fills.[citation needed] Players noted for this technique include Cliff Burton, Billy Sheehan, Stuart Hamm, John Myung, Victor Wooten, Les Claypool, Mark King, and Michael Manring. The Chapman Stick and Warr Guitars are string instruments specifically designed to play using two-handed tapping.

In contrast to the upright bass (also called "double bass"), the electric bass guitar is played horizontally across the body, like an electric guitar. When the strings are plucked with the fingers (pizzicato), the index and middle fingers (and sometimes the thumb, ring, and little fingers as well) are used. James Jamerson, an influential bassist from the Motown era, played intricate bass lines using only his index finger, which he called "The Hook." There are also variations in how a bassist chooses to rest the right-hand thumb (or left thumb in the case of left-handed players). A player may rest his or her thumb on the top edge of one of the pickups or on the side of the fretboard, which is especially common among bassists who have an upright bass influence. Some bassists anchor their thumbs on the lowest string and move it off the lowest string when they need to play on the low string. Alternatively, the thumb can be rested loosely on the strings to mute the unused strings.
Whether you're in the market for a new bass, or are picking one up for the first time, finding the right instrument is the first step on the road to becoming the best bass player you can be. Researching all that's available will be extremely helpful in making the decision of which electric bass guitar to choose. A bass guitar typically has an appearance and construction similar to an electric guitar, with a longer neck and a range of courses from four to eight strings. Most common is the 4-string bass which is usually tuned to the sound of the double bass, but conveniently comes in a much smaller package.
Composers using electric bass include Christian Wolff (Electric Spring 1, 1966; Electric Spring 2, 1966/70; Electric Spring 3, 1967; and Untitled, 1996); Francis Thorne (Liebesrock 1968–69); Krzysztof Penderecki (Cello Concerto no. 1, 1966/67, rev. 1971/72; Capriccio for Violin and Orchestra, 1967); The Devils of Loudun, 1969; Kosmogonia, 1970; and Partita, 1971); Louis Andriessen (Spektakel, 1970; De Staat, 1972–1976; Hoketus, 1976; De Tijd, 1980–81; and De Materie, 1984–1988); Pelle Gudmundsen-Holmgreen (Symfoni på Rygmarven, 1966; Rerepriser, 1967; and Piece by Piece, 1968); and Irwin Bazelon (Churchill Downs, 1970).
A three-piece drum set is the most basic set. A conventional three-piece kit consists of a bass drum, a 14" diameter snare drum, 12"–14" hi-hats, a single 12" diameter hanging tom, 8"–9" in depth, and a suspended cymbal, in the range of 14"–18", both mounted on the bass drum. These kits were common in the 1950s and 1960s and are still used in the 2010s in small acoustic dance bands. It is a common configuration for kits sold through mail order, and, with smaller sized drums and cymbals, for kits for children.

In piano lingo, “action” describes the way the piano keys feel when you press on them. With a digital piano, the closer the action is to that of an acoustic piano, the better. Semi-weighted action uses a spring to create the resistance felt when pressing a key and its rebound when you lift your finger. Hammer action uses a hammer mechanism like that found in an acoustic piano to replicate the feel. Graded, or progressive, hammer action takes that a step further by increasing the weight of the action as you descend to the lower notes on the keyboard. Using a keyboard with weighted action is beneficial for multiple reasons. It helps build finger strength while practicing (a spring-based action will only minimally address this), and it allows for more variation and musicality in the way you play a note. While a piano keyboard might look like nothing more than a bunch of on/off switches, in reality there’s a range of volumes and timbres that can be achieved depending on how quickly or strongly you depress the keys. Hammer action best replicates those possibilities.
The 88-key Yamaha YPG-535 Portable Grand Piano Keyboard offers you great-feeling graded soft-touch action atop a sturdy, good-looking built-in stand. Its Performance Assistance Technology ensures the Yamaha YPG-535 delivers error-free performances. And the digital piano’s music database provides complete keyboard setups organized by song title. Learn More
A fill is a departure from the repetitive rhythm pattern in a song. A drum fill is used to "fill in" the space between the end of one verse and the beginning of another verse or chorus. Fills vary from a simple few strokes on a tom or snare, to a distinctive rhythm played on the hi-hat, to sequences several bars long that are short virtuosic drum solos. As well as adding interest and variation to the music, fills serve an important function in preparing and indicating significant changes of sections in songs and linking sections. A vocal cue is a short drum fill that introduces a vocal entry. A fill ending with a cymbal crash on beat one is often used to lead into a chorus or verse.

There's no question about the importance of drums and percussion in music. If you're playing energetic songs for a live audience, it's the rhythm that'll get them moving and the drums have to create that rhythm. Even in more subtle, softer genres and styles, the right application of percussion sounds and effects goes an incredibly long way to setting mood and atmosphere. This isn't just the oldest instrument family on the stage: it just might be the most crucial one as well. Some of our top brands in this category are: Zildjian, Paiste, Meinl Percussion, Pearl, Remo,


Trigger pads and drums, on the other hand, when deployed in a conventional set-up, are most commonly used to produce sounds not possible with an acoustic kit, or at least not with what is available. Any sound that can be sampled/recorded can be played when the pad is struck, by assigning the recorded sounds to specific triggers . Recordings or samples of barking dogs, sirens, breaking glass and stereo recordings of aircraft taking off and landing have all been used. Along with the more obvious electronically generated sounds there are synthesized human voices or song parts or even movie audio or digital video/pictures that (depending on device used) can also be played/triggered by electronic drums.
The type of shell also affects the sound of a drum. Because the vibrations resonate in the shell of the drum, the shell can be used to increase the volume and to manipulate the type of sound produced. The larger the diameter of the shell, the lower the pitch. The larger the depth of the drum, the louder the volume. Shell thickness also determines the volume of drums. Thicker shells produce louder drums. Mahogany raises the frequency of low pitches and keeps higher frequencies at about the same speed. When choosing a set of shells, a jazz drummer may want smaller maple shells, while a rock drummer may want larger birch shells. For more information about tuning drums or the physics of a drum, visit the external links listed below.
Some basses, particularly expensive boutique instruments or custom-made guitars, use more unusual pickup configurations. Examples include a soapbar and a "P" pickup (found on some Fender basses), bassist Stu Hamm's "Urge" basses, which have a "P" pickup sandwiched between two "J" pickups, and some of funk bassist Bootsy Collins' custom basses, which had as many as five J pickups. Another unusual pickup configuration is found on some of the custom basses that virtuoso bassist Billy Sheehan uses, in which there is one humbucker at the neck and a split-coil pickup at the middle position.
But maybe you're looking for a kit that is truly special, one that will make jaws drop with its looks and ears perk up with its sounds. If that's what you have in mind, then you're really going to adore the DW Collector's Series Satin Specialty 5-Piece Shell Pack. This customizable kit is part of DW's flagship line, representing a pinnacle of performance power. This kit features maple shells that offer a great low-end punch and is absolutely loaded with massive tones and unparalleled versatility. Without a doubt, this kit makes the statement that you've arrived as a drummer. When you're pounding out the beat, you want it to sound great. That's why you should trust your sound to one of the great kits available here. Whether you're a first time drummer, or a legendary rocker headed on another world tour, we've got you covered.
In contrast to the upright bass (also called "double bass"), the electric bass guitar is played horizontally across the body, like an electric guitar. When the strings are plucked with the fingers (pizzicato), the index and middle fingers (and sometimes the thumb, ring, and little fingers as well) are used. James Jamerson, an influential bassist from the Motown era, played intricate bass lines using only his index finger, which he called "The Hook." There are also variations in how a bassist chooses to rest the right-hand thumb (or left thumb in the case of left-handed players). A player may rest his or her thumb on the top edge of one of the pickups or on the side of the fretboard, which is especially common among bassists who have an upright bass influence. Some bassists anchor their thumbs on the lowest string and move it off the lowest string when they need to play on the low string. Alternatively, the thumb can be rested loosely on the strings to mute the unused strings.
Composers using electric bass include Christian Wolff (Electric Spring 1, 1966; Electric Spring 2, 1966/70; Electric Spring 3, 1967; and Untitled, 1996); Francis Thorne (Liebesrock 1968–69); Krzysztof Penderecki (Cello Concerto no. 1, 1966/67, rev. 1971/72; Capriccio for Violin and Orchestra, 1967); The Devils of Loudun, 1969; Kosmogonia, 1970; and Partita, 1971); Louis Andriessen (Spektakel, 1970; De Staat, 1972–1976; Hoketus, 1976; De Tijd, 1980–81; and De Materie, 1984–1988); Pelle Gudmundsen-Holmgreen (Symfoni på Rygmarven, 1966; Rerepriser, 1967; and Piece by Piece, 1968); and Irwin Bazelon (Churchill Downs, 1970).

Of course, for any student or beginner, Sam Ash carries a full assortment of sheet music and books specifically geared toward budding piano players. We recommend starting with a piano instructional book or piano instructional DVD to learn the basics of music theory, chord progressions, and techniques like which fingers to use on certain scales and the proper ready position. We also have manuscripts for tracking your progress. Once you master the essentials, you can move on to piano music books that will teach you how to play your favorite songs on piano. Here at Sam Ash, we have an incredible selection of music books ranging from books focused on specific albums to compilation books that offer guides to mastering the best hits from a certain decade or genre.

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