Drum muffles are types of mutes that can reduce the ring, boomy overtone frequencies, or overall volume on a snare, bass, or tom. Controlling the ring is useful in studio or live settings when unwanted frequencies can clash with other instruments in the mix. There are internal and external muffling devices which rest on the inside or outside of the drumhead, respectively. Common types of mufflers include muffling rings, gels and duct tape, and improvised methods, such as placing a wallet near the edge of the head.[25] Some drummers muffle the sound of a drum by putting a cloth over the drumhead.
If the toms are omitted completely, or the bass drum is replaced by a pedal-operated beater on the bottom skin of a floor tom and the hanging toms omitted, the result is a two-piece "cocktail" (lounge) kit. Such kits are particularly favoured in musical genres such as trad jazz, rockabilly and jump blues. Some rockabilly kits and beginners kits for very young players omit the hi-hat stand. In rockabilly, this allows the drummer to play standing rather than seated.
Extended-range basses (ERBs) are basses with six to twelve strings—with the additional strings used for range rather than unison or octave pairs. A seven-string bass (B0–E1–A1–D2–G2–C3–F3) was built by luthier Michael Tobias in 1987. This instrument, commissioned by bassist Garry Goodman, was an early example of a bass with more than six single course strings. In 1999 South American ERB player Igor Saavedra designed one of the first eight-string ERBs known, and asked Luthier Alfonso Iturra to build it for him. [38] Conklin builds custom ERB basses.[39] The Guitarbass is a ten-string instrument with four bass strings (tuned E–A–D–G) and six guitar strings (tuned E–A–D–G–B–E).[40] Luthier Michael Adler built the first eleven-string bass in 2004 and completed the first single-course 12-string bass in 2005. Adler's 11- and 12-string instruments have the same range as a grand piano.[41] Subcontrabasses, such as C♯–F♯–B–E (the lowest string, C♯0 being at 17.32 Hz at around the limit of human hearing)[42] have been created. Ibanez had released SR7VIISC in 2009, featuring a 30-inch (762 mm) scale and narrower width, and tuned as B–E–A–D–G–C–E; the company dubbed it a cross between bass and guitar.[43][better source needed]

Although there are far fewer university programs that offer electric bass instruction in jazz and popular music, some universities offer bachelor's degrees (B.Mus.) and Master of Music (M.Mus.) degrees in jazz performance or "commercial music", where electric bass can be the main instrument. In the US, the Manhattan School of Music has a jazz program leading to B.Mus. and M.Mus degrees that accepts students who play bass (double bass and electric bass), guitar, piano, drums, and melody instruments (e.g., saxophone, trumpet, etc.).
Bass bodies are typically made of wood, although other materials such as graphite (for example, some of the Steinberger designs) and other lightweight composite materials have also been used. While a wide variety of woods are suitable for use in the body, neck, and fretboard of the bass guitar, the most common types of wood used are similar to those used for electric guitars; alder, ash or mahogany for the body, maple for the neck, and rosewood or ebony for the fretboard. While these traditional standards are most common, for tonal or aesthetic reasons luthiers more commonly experiment with different tonewoods on basses than with electric guitars (though this is changing), and rarer woods like walnut and figured maple, as well as exotic woods like bubinga, wenge, koa, and purpleheart, are often used as accent woods in the neck or on the face of mid- to high-priced production basses and on custom-made and boutique instruments.
At Sam Ash, we carry digital pianos from all the premier brands including Yamaha, Casio, Korg, Kawai, Roland, Medeli, and many more. Nearly all of these brands offer digital pianos in two distinct formats, digital stage pianos and digital upright pianos. Digital stage pianos are more portable and offer features like audio outputs for connecting to portable keyboard amplifiers or house PA Systems. You should buy a digital stage piano if you want an instrument you can bring back and forth to different live shows. We offer great keyboard accessories for stage digital pianos including keyboard stands, keyboard travel bags, keyboard benches, and more. Be sure to check out our keyboard packages which include everything you need to perform and practice with your new instrument. Upright digital pianos resemble the standard grand piano format. They offer built-in stands and look great in your home or apartment. Upright digital pianos are less portable but they offer larger built-in speakers for more intimate performances.
But maybe you're looking for a kit that is truly special, one that will make jaws drop with its looks and ears perk up with its sounds. If that's what you have in mind, then you're really going to adore the DW Collector's Series Satin Specialty 5-Piece Shell Pack. This customizable kit is part of DW's flagship line, representing a pinnacle of performance power. This kit features maple shells that offer a great low-end punch and is absolutely loaded with massive tones and unparalleled versatility. Without a doubt, this kit makes the statement that you've arrived as a drummer. When you're pounding out the beat, you want it to sound great. That's why you should trust your sound to one of the great kits available here. Whether you're a first time drummer, or a legendary rocker headed on another world tour, we've got you covered.
Swing drummers such as Max Roach and Kenny Clarke had already deviated from the large marching band-style bass drums, finding that they were too loud and boomy. Bebop drummers continued this trend, and they started trying out smaller bass drum sizes in the drum set. Bebop drummers' experimentations with new drum sizes and new sounds led to the innovative concept of applying the busy "four on the floor" bass drum rhythms to a new larger cymbal called the ride cymbal. By focusing on keeping time on the new ride cymbal instead of the bass drum, the "feel" went from bass drum and hi-hat heavy, to a lighter melodic feel that has been explained as "floating on top of the time". This allowed drummers to express themselves in a more melodic fashion by playing the rhythms used by the guitar, piano and sax players using the new smaller, more focused bass drums and snare. Louie Bellson also assisted in the innovative sizes and sounds of the 1940s drum set by pioneering the use of two bass drums, or the double bass drum kit.
Several factors determine the sound a drum produces, including the type, shape and construction of the drum shell, the type of drum heads it has, and the tension of these drumheads. Different drum sounds have different uses in music. Take, for example, the modern Tom-tom drum. A jazz drummer may want drums that are high pitched, resonant and quiet whereas a rock drummer may prefer drums that are loud, dry and low-pitched. Since these drummers want different sounds, their drums are constructed and tuned differently.

In the very smallest kits, in jazz, and at very high volumes, ride cymbals may be played in with the technique and sound of a crash cymbal. Some hi-hats will also give a useful crash, particularly thinner hats or those with an unusually severe taper. At low volumes, producing a good crash from a cymbal not particularly suited to it is a highly skilled art. Alternatively, specialised crash/ride and ride/crash cymbals are specifically designed to combine both functions.
Looking for complete drum sets for the drummer in your life? You’ll feel like a king when you sit at the throne of a new five-piece drum set from one of the industry’s most popular brands, such as Pearl, Tama, Mapex, and more. We even offer all the extra bells and whistles so you can start rocking away. Find all the drum accessories you need, from double bass pedals, cymbals, and triangles, to replacement drum heads, drum stools, and stands. When you need more cow bell, or your intense, gut-busting, around-the-world drum fills break the heads off of your sticks, be sure to stock up on replacement sticks and other drum accessories.
In general, the sounds produced by a digital piano are based on sampling, by which real piano sound samples are stored in ROM. The samples stored in digital pianos are usually of very precision recording and made using high-quality pianos, expensive microphones, and high-quality preamps in a professional recording studio.[2] ROM may include multiple samples for the same keystroke, attempting to reproduce diversity observed on the real piano, but the number of these recorded alternatives is limited.
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The placement of the pickup greatly affects the sound, timbre and tone of the instrument. A pickup near the neck joint emphasizes the fundamental and low-order harmonics and thus produces a deeper, bassier sound, while a pickup near the bridge emphasizes higher-order harmonics and makes a "tighter" or "sharper" sound. Usually basses with multiple pickups allow blending of the output from the pickups, with electrical and acoustical interactions between the two pickups (such as partial phase cancellations) allowing a range of tonal and timbral effects.
Most drummers have a single main ride, located near their right hand—within easy playing reach, as it is used very regularly—most often a 20" sizing but, 16"-24" diameters are not uncommon. It is most often a heavy, or medium-weighted cymbal that cuts through other instrumental sounds, but some drummers use a swish cymbal, sizzle cymbal or other exotic or lighter metal ride, as the main or only ride in their kit, particularly for jazz, gospel or ballad/folk sounds. In the 1960s Ringo Starr used a sizzle cymbal as a second ride, particularly during guitar solos.
Fender's Bass Guitar is right at the top of the market, thanks to its robust, buzz-free sound and excellent playability. It features a classic light wood finish that looks great and a graphite-reinforced neck. It also comes with responsive, lightweight tuning pegs that won't slide out of tune easily, as well as a real high-quality bridge that doesn't buzz.
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Think of some of your favorite songs. Maybe they get your toes tapping, or get you pumped up and ready to take on the world. Regardless of your musical preferences, the odds are that one thing all of our favorite songs have in common is an absolutely killer bass line. The bass has played a key role in holding down the rhythm throughout the history of popular music, and continues to make an impact to this day. Another One Bites the Dust by Queen, Been Caught Stealing by Jane's Addiction, Money by Pink Floyd, Sweet Emotion by Aerosmith, and Longview by Green Day are just a few examples of songs that are taken to the next level thanks to their incredible bass lines. Now it's your time to make your mark on this instrument with some serious grooves of your own. You'll find bass guitars for every skill level and playing style in this section.
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The crash cymbals are usually the strongest accent markers within the kit, marking crescendos and climaxes, vocal entries, and major changes of mood/swells and effects. A crash cymbal is often accompanied by a strong kick on the bass drum pedal, both for musical effect and to support the stroke. It provides a fuller sound and is a commonly taught technique.
Jump up ^ "Warren 'Baby' Dodds". The Percussive Arts Society. Archived from the original on 27 September 2011. Retrieved 21 November 2011. Dodds' way of playing press rolls ultimately evolved into the standard jazz ride-cymbal pattern. Whereas many drummers would play very short press rolls on the backbeats, Dodds would start his rolls on the backbeats but extend each one to the following beat, providing a smoother time flow.
Casio definitely thought about the student/teacher relationship when designing the PX-160. It has a duet play mode, which splits the keyboard into two halves. Each half is the same octave range (about three and a half octaves per side), so a teacher can demonstrate on one side while the student plays on the other at the same pitch. Two headphone jacks allow both players to use headphones without the need for a splitter. If the speakers are being used, they can also be configured to output sound from the left keyboard side to the left speaker and vice versa.
Casio definitely thought about the student/teacher relationship when designing the PX-160. It has a duet play mode, which splits the keyboard into two halves. Each half is the same octave range (about three and a half octaves per side), so a teacher can demonstrate on one side while the student plays on the other at the same pitch. Two headphone jacks allow both players to use headphones without the need for a splitter. If the speakers are being used, they can also be configured to output sound from the left keyboard side to the left speaker and vice versa.
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"Soapbar" Pickups are so-named due to their resemblance to a bar of soap and originally referred to the Gibson P-90 guitar pickup. The term is also used to describe any pickup with a rectangular shape (no protruding screw mounting "ears" like on P, J or MM pickups) and no visible pole pieces. Most of the pickups falling into this category are humbucking, though a few single-coil soapbar designs exist. They are commonly found in basses designed for the rock and metal genres, such as Gibson, ESP Guitars, and Schecter, however they are also found on 5- and 6-string basses made popular by jazz and jazz fusion music, such as Yamaha's TRB and various Peavey model lines. 'Soapbar pickups' are also called 'extended housing pickups', because the rectangular shape is achieved simply by making the pickup cover longer or wider than it would have to be to only cover the pickup coils, and then the mounting holes are recessed inside these wider dimensions of the housing.
Fender also began production of the Mustang Bass; a 30-inch (762 mm) scale length instrument used by bassists such as Tina Weymouth of Talking Heads and Bill Wyman of The Rolling Stones ("P" and "J" basses have a scale length of 34 inches (864 mm), a design echoed on most current production electric basses of all makes). In the 1950s and 1960s, the instrument was often called the "Fender bass", due to Fender's early dominance in the market. The Fender VI, a baritone guitar, was tuned one octave lower than standard guitar tuning. It was released in 1961, and was favored by Jack Bruce of Cream.[20]
Jump up ^ "Warren 'Baby' Dodds". The Percussive Arts Society. Archived from the original on 27 September 2011. Retrieved 21 November 2011. Dodds' way of playing press rolls ultimately evolved into the standard jazz ride-cymbal pattern. Whereas many drummers would play very short press rolls on the backbeats, Dodds would start his rolls on the backbeats but extend each one to the following beat, providing a smoother time flow.
Bassists trying to emulate the sound of a double bass sometimes pluck the strings with their thumb and use palm-muting to create a short, "thumpy" tone. Monk Montgomery (who played in Lionel Hampton's big band) and Bruce Palmer (who performed with Buffalo Springfield) use thumb downstrokes. The use of the thumb was acknowledged by early Fender models, which came with a "thumbrest" or "Tug Bar" attached to the pickguard below the strings. Contrary to its name, this was not used to rest the thumb, but to provide leverage while using the thumb to pluck the strings. The thumbrest was moved above the strings in 1970s models (as a true thumbrest) and eliminated in the 1980s. Nevertheless, some reissued versions of vintage Fender basses in the 2010s do include a thumbrest.
On the topic of performing: is it the stage you have your sights on? In that case, set your sights on stage pianos, like the Roland RD-300NX for example. Powered by Roland's proprietary "SuperNATURAL" sound engine, it's so true-to-life that an audience just might find themselves wondering where you've hidden the baby grand. Another great suggestion is the Nord Stage 2 88-Key Stage Keyboard, which uses three sound-generating sections working together to provide outstanding versatility.
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