In contrast to the upright bass (also called "double bass"), the electric bass guitar is played horizontally across the body, like an electric guitar. When the strings are plucked with the fingers (pizzicato), the index and middle fingers (and sometimes the thumb, ring, and little fingers as well) are used. James Jamerson, an influential bassist from the Motown era, played intricate bass lines using only his index finger, which he called "The Hook." There are also variations in how a bassist chooses to rest the right-hand thumb (or left thumb in the case of left-handed players). A player may rest his or her thumb on the top edge of one of the pickups or on the side of the fretboard, which is especially common among bassists who have an upright bass influence. Some bassists anchor their thumbs on the lowest string and move it off the lowest string when they need to play on the low string. Alternatively, the thumb can be rested loosely on the strings to mute the unused strings.
As for the experienced and more dedicated guitarists who’d love to set their standards higher, the high-end guitars are the ones to go for. These come with a better electronic system and the top-notch hardware; the same also goes for the tonewoods. Besides sounding better to the ear, a high-end bass guitar will serve you longer and of course, you will feel better.

The Berklee College of Music in Boston offers training for electric bass players. Electric bass students get private lessons and there is a choice of over 270 ensembles to play in. Specific electric bass courses include funk/fusion styles for bass; slap techniques for electric bass; fingerstyle R&B; five- and six-string electric bass playing (including performing chords); and how to read bass sheet music.[64] Berklee College alumni include Jeff Andrews, Victor Bailey, Jeff Berlin, Michael Manring, and Neil Stubenhaus.[64] The Bass Department has two rooms with bass amps for classes and ten private lesson studios equipped with audio recording gear. Berklee offers instruction for the four-, five-, and six-string electric bass, the fretless bass, and double bass. "Students learn concepts in Latin, funk, Motown, and hip-hop, ... jazz, rock, and fusion."[64]

There's no question about the importance of drums and percussion in music. If you're playing energetic songs for a live audience, it's the rhythm that'll get them moving and the drums have to create that rhythm. Even in more subtle, softer genres and styles, the right application of percussion sounds and effects goes an incredibly long way to setting mood and atmosphere. This isn't just the oldest instrument family on the stage: it just might be the most crucial one as well. Some of our top brands in this category are: Zildjian, Paiste, Meinl Percussion, Pearl, Remo,
Before buying your first bass guitar, you need to make sure to consider each and every one of the factors above before settling on a specific model you want to buy. As you look at the various models, also make sure that the guitar feels comfortable to you personally as you test it out. Remember, you will be using this bass for a while, so you need to make that sure you are picking the best bass guitar in your budget for you.
Some digital piano implementations, like Roland V-Piano[2], Yamaha MODUS, Casio Celviano Grand Hybrid, and the software-based Pianoteq,[3] use mathematical models based on real pianos to generate sound, which brings the ability to generate sounds that vary more freely depending on how the keys have been struck, in addition to allow a more realistic implementation of the distinctive resonances and acoustical noises of real pianos.

In the 1980s, bass designers continued to explore new approaches. Ned Steinberger introduced a headless bass in 1979 and continued his innovations in the 1980s, using graphite and other new materials and (in 1984) introducing the TransTrem tremolo bar. In 1982, Hans-Peter Wilfer founded Warwick, to make a European bass, as the market at the time was dominated by Asian and American basses. Their first bass was the Streamer Bass, which is similar to the Spector NS. In 1987, the Guild Guitar Corporation launched the fretless Ashbory bass, which used silicone rubber strings and a piezoelectric pickup to achieve an "upright bass" sound with a short 18-inch (457 mm) scale length. In the late 1980s, MTV's "Unplugged" show, which featured bands performing with acoustic instruments, helped to popularize hollow-bodied acoustic bass guitars amplified with piezoelectric pickups built into the bridge of the instrument.

Heavy metal bass players such as Geezer Butler (Black Sabbath), Alex Webster (Cannibal Corpse), Cliff Burton (Metallica), and Les Claypool (Primus, Blind Illusion) have used chime-like harmonics and rapid plucking techniques in their bass solos. Geddy Lee of Rush has made frequent use of bass solos, such as on the instrumental "YYZ". In both published Van Halen concert videos, Michael Anthony performs unique maneuvers and actions during his solos. Funk bassists such as Larry Graham began using slapping and popping techniques for their solos, which coupled a percussive thumb-slapping technique of the lower strings with an aggressive finger-snap of the higher strings, often in rhythmic alternation. The slapping and popping technique incorporates a large number of muted (or 'ghost' tones) to normal notes to add to the rhythmic effect. Slapping and popping solos were prominent in 1980s pop and R&B, and they are still used by some modern funk and Latin bands.
Drummers' usage of electronic drum equipment can range from adding a single electronic pad to an acoustic kit (e.g., to have access to an instrument that might otherwise be impractical, such as a large gong), to using a mix of acoustic drums/cymbals and electronic pads, to using an acoustic kit in which the drums and cymbals have triggers, which can be used to sound electronic drums and other sounds, to having an exclusively electronic kit, which is often set up with the rubber or mesh drum pads and rubber "cymbals" in the usual drum kit locations. A fully electronic kit weighs much less and takes up less space to transport than an acoustic kit and it can be set up more quickly. One of the disadvantages of a fully electronic kit is that it may not have the same "feel" as an acoustic kit, and the drum sounds, even if they are high-quality samples, may not sound the same as acoustic drums.
Toward the end of the 1920s, variations of the hi-hats were introduced. One of the most popular hand held hi-hat cymbal variations used was called the "hand sock cymbals". The reason for the name "hi-hat" was because earlier versions of the hi-hat were referred to as a "low boy". The evolution that became the "hi-hats" allowed drummers to play the two cymbals with drum sticks while simultaneously controlling how open or closed the two cymbals were with their foot. The pedal could also be used to play the cymbals with the foot alone, while the right hand played other drums. By the 1930s, Ben Duncan and others popularized streamlined trap kits leading to a basic four piece drum set standard: bass, snare, tom-tom, and a larger floor tom. In time, legs were fitted to larger floor toms, and "consolettes" were devised to hold smaller tom-toms (ride toms) on the bass drum.
The placement of the pickup greatly affects the sound, timbre and tone of the instrument. A pickup near the neck joint emphasizes the fundamental and low-order harmonics and thus produces a deeper, bassier sound, while a pickup near the bridge emphasizes higher-order harmonics and makes a "tighter" or "sharper" sound. Usually basses with multiple pickups allow blending of the output from the pickups, with electrical and acoustical interactions between the two pickups (such as partial phase cancellations) allowing a range of tonal and timbral effects.
Drummers use a variety of accessories when practicing. Metronomes and beat counters are used to develop a sense of a steady pulse. Drum muffling pads may be used to lessen the volume of drums during practicing. A practice pad, held on the lap, on a leg, or mounted on a stand, is used for near-silent practice with drumsticks. A set of practice pads mounted to simulate an entire drum kit is known as a practice kit. In the 2010s, these have largely been superseded by electronic drums, which can be listened to with headphones for quiet practice and kits with non-sounding mesh heads.
The keyboard action of an acoustic grand piano is composed of black and white keys, graded hammers, and numerous other components working in harmony when each note is pressed. This beautifully designed mechanism allows gifted pianists to express a wealth of feeling and emotion in their music, as they appreciate and respond to the tactile nuances transmitted through the keyboard.
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A unique effect can be created by striking an open hi-hat (i.e., in which the two cymbals are apart) and then closing the cymbals with the foot pedal; this effect is widely used in disco and funk. The hi-hat has a similar function to the ride cymbal. The two are rarely played consistently for long periods at the same time, but one or the other is used to keep the faster-moving rhythms (e.g., sixteenth notes) much of the time in a song. The hi-hats are played by the right stick of a right-handed drummer. Changing between ride and hi-hat, or between either and a "leaner" sound with neither, is often used to mark a change from one passage to another, for example; to distinguish between a verse and chorus.
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