Portable digital pianos, for the sake of lower production cost, were often equipped with a less complex system for the weighted keys. As a result, the feel of the keys is usually much less realistic than other digital pianos. However, it still retain the emulated weight mechanism (lower keys are heavier than higher ones), though not as precise as more expensive pianos. However, certain models include synthetic ivory-like keys as opposed to standard plastic keys.
Regardless of your playing style or skill level, there is a kit here that will suit all your needs. Keep in mind the features that are important to you while you're taking a look around this section and you'll be working out your fills and rolls in no time. For example, if you're looking for your very first drum kit, an option like the Sound Percussion 5-Piece Drum Shell Pack might be just what you need. This kit is full of deep, powerful tone that is sure to get crowds grooving. With memory lock hardware, it's easy to set up and take down, allowing you to get from the jam space to the gig with no issues. Versatile and durable, this is the perfect kit for beginners, as well as established players looking for a second option.
Many students that are interested in learning to play the piano don’t start by playing a large grand piano. Because of the high cost and amount of space required, most people who are just starting to learn the piano will buy a digital piano or a keyboard. It’s not uncommon for people to erroneously use the terms “digital piano” and “keyboard” interchangeably. What these people don’t know is that there are many significant differences between digital or electronic pianos and keyboards. In this article, we’ll go into some of the differences as well as what they mean for the music that each instrument is able to produce.
In the 1980s and beyond, electric bass was used in works by Hans Werner Henze (El Rey de Harlem, 1980; and Il ritorno d'Ulisse in patria, 1981), Harold Shapero, On Green Mountain (Chaconne after Monteverdi), 1957, orchestrated 1981; Alfred Schnittke's Symphony No. 3 (1981); Steve Reich's Electric Counterpoint (1987) and 2x5 (2008), Wolfgang Rihm (Die Eroberung von Mexico, 1987–91), Arvo Pärt (Miserere, 1989/92), Steve Martland (Dance works, 1993; and Horses of Instruction, 1994), Sofia Gubaidulina (Aus dem Stundenbuch, 1991), Giya Kancheli (Wingless, 1993), John Adams (I Was Looking at the Ceiling and Then I Saw the Sky, 1995; and Scratchband, 1996/97), Michael Nyman (various works for the Michael Nyman Band), Mark-Anthony Turnage (Blood on the Floor, 1993–1996), numerous works by Art Jarvinen.[63]
Drummers use a variety of accessories when practicing. Metronomes and beat counters are used to develop a sense of a steady pulse. Drum muffling pads may be used to lessen the volume of drums during practicing. A practice pad, held on the lap, on a leg, or mounted on a stand, is used for near-silent practice with drumsticks. A set of practice pads mounted to simulate an entire drum kit is known as a practice kit. In the 2010s, these have largely been superseded by electronic drums, which can be listened to with headphones for quiet practice and kits with non-sounding mesh heads.
While the electric guitar is mostly played with a pick, the bass or jazz bass can be played with either a pick or your fingers. Because of the sensitivity of the pickup on the bass, the two tend to produce somewhat different tones. For example, finger style play can create additional sound from the impact of the strings against the frets, while playing with a pick offers a sharper, more staccato sound. Neither style is better than the other, and there are many famous examples of players using each one. Sometimes, there are conventions of play for a particular genre, but more often it comes down to how a bassist originally learned to play.
Eight and twelve-string models are both built on the same "course string" concept found on twelve-string guitars, where sets of strings are spaced together in groups of two or three that are primarily played simultaneously. These instruments typically have one of the strings in each course tuned an octave above the 'standard' string, although a fifth above is also used. Instruments with ten and fifteen strings, grouped in five courses, also exist, as do "extended-range basses" or ERBs with non-coursed string counts rivaling those of coursed-string basses.
As with any instrument, the perfect digital piano for you is going to be based on one part function and two parts preference. It doesn't matter if you're a beginner or a master pianist: the first step to your new digital piano is simply to decide which one suits you best. With that accomplished, you're well on your way to making the next step in your career with a brand new instrument you can truly call your own
I then set out to a few local Los Angeles music stores to get my hands on some keys, talk to the store employees who work around these instruments every day, and start to whittle down the list. After contacting manufacturers to request samples and/or to get suggestions on pianos that might better fit our guidelines (or, in one case, to inform us of a model that was being discontinued), the list was narrowed down to seven keyboards.
In piano lingo, “action” describes the way the piano keys feel when you press on them. With a digital piano, the closer the action is to that of an acoustic piano, the better. Semi-weighted action uses a spring to create the resistance felt when pressing a key and its rebound when you lift your finger. Hammer action uses a hammer mechanism like that found in an acoustic piano to replicate the feel. Graded, or progressive, hammer action takes that a step further by increasing the weight of the action as you descend to the lower notes on the keyboard. Using a keyboard with weighted action is beneficial for multiple reasons. It helps build finger strength while practicing (a spring-based action will only minimally address this), and it allows for more variation and musicality in the way you play a note. While a piano keyboard might look like nothing more than a bunch of on/off switches, in reality there’s a range of volumes and timbres that can be achieved depending on how quickly or strongly you depress the keys. Hammer action best replicates those possibilities.
If a second hanging tom is used, it is 10" diameter and 8" deep for fusion, or 13" diameter and one inch deeper than the 12" diameter tom. Otherwise, a 14" diameter hanging tom is added to the 12", both being 8" deep. In any case, both toms are most often mounted on the bass drum with the smaller of the two next to the hi-hats (on the left for a right-handed drummer). These kits are particularly useful for smaller venues where space is limited, such as coffeehouses and small pubs.
However, contemporary classical composers may also write for the bass guitar to get its unique sound, and in particular its precise and piercing attack and timbre. For example, Steve Reich, explaining his decision to score 2x5 for two bass guitars, stated that, "[With electric bass guitars] you can have interlocking bass lines, which on an acoustic bass, played pizzicato, would be mud."[62]
Much the same considerations apply to bass drum pedals and the stool, but these are not always considered breakables, particularly if changeover time between bands is very limited. Swapping the snare drum in a standard kit can be done very quickly. Replacing cymbals on stands takes longer, particularly if there are many of them, and cymbals are easily damaged by incorrect mounting, so many drummers prefer to bring their own cymbal stands.
What started as a simple string and pedal sales catalog has grown exponentially over the past thirty years. The early days were a time where catalogs didn't have much of a presence in the industry, but what began as a college dorm room operation grew rapidly. In 1986 we moved to a full product offering and 64-page catalog, which over the years has grown to 162 pages. Join the AMS family and get your free catalog now!
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A fill is a departure from the repetitive rhythm pattern in a song. A drum fill is used to "fill in" the space between the end of one verse and the beginning of another verse or chorus. Fills vary from a simple few strokes on a tom or snare, to a distinctive rhythm played on the hi-hat, to sequences several bars long that are short virtuosic drum solos. As well as adding interest and variation to the music, fills serve an important function in preparing and indicating significant changes of sections in songs and linking sections. A vocal cue is a short drum fill that introduces a vocal entry. A fill ending with a cymbal crash on beat one is often used to lead into a chorus or verse.
Extended-range basses (ERBs) are basses with six to twelve strings—with the additional strings used for range rather than unison or octave pairs. A seven-string bass (B0–E1–A1–D2–G2–C3–F3) was built by luthier Michael Tobias in 1987. This instrument, commissioned by bassist Garry Goodman, was an early example of a bass with more than six single course strings. In 1999 South American ERB player Igor Saavedra designed one of the first eight-string ERBs known, and asked Luthier Alfonso Iturra to build it for him. [38] Conklin builds custom ERB basses.[39] The Guitarbass is a ten-string instrument with four bass strings (tuned E–A–D–G) and six guitar strings (tuned E–A–D–G–B–E).[40] Luthier Michael Adler built the first eleven-string bass in 2004 and completed the first single-course 12-string bass in 2005. Adler's 11- and 12-string instruments have the same range as a grand piano.[41] Subcontrabasses, such as C♯–F♯–B–E (the lowest string, C♯0 being at 17.32 Hz at around the limit of human hearing)[42] have been created. Ibanez had released SR7VIISC in 2009, featuring a 30-inch (762 mm) scale and narrower width, and tuned as B–E–A–D–G–C–E; the company dubbed it a cross between bass and guitar.[43][better source needed]
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Instruments handmade by highly skilled luthiers are becoming increasingly available in the 2010s. Exotic materials in high-end instruments include woods such as bubinga, wenge, ovangkol, ebony, and goncalo alves. Some makers use graphite composite to make lightweight necks[23][24] More expensive basses often feature exotic woods. For example, Alembic uses cocobolo as a body or top layer material because of its attractive grain. Warwick bass guitars are well known for exotic hardwoods, making most necks out of ovangkol, and fingerboards from wenge or ebony. Some makers use solid bubinga bodies for their tonal and aesthetic qualities.
Snare drum and tom-tom Typical ways to muffle a snare or tom include placing an object on the outer edge of the drumhead. A piece of cloth, a wallet, gel, or fitted rings made of mylar are common objects. Also used are external clip-on muffles that work using the same principle. Internal mufflers that lie on the inside of the drumhead are often built into a drum, but are generally considered less effective than external muffles, as they stifle the initial tone, rather than simply reducing the sustain of it.
These are a sub-type of traditional digital pianos that offers a more classical design which closely resemble an acoustic upright piano. Upright digital pianos are mainly intended for home use, and is usually more expensive than the other types. Some models, especially the higher-end ones, often feature an actual wooden keys as opposed to regular plastic keybed.
In 1953, following Fender's lead, Gibson released the first short scale violin-shaped electric bass, with an extendable end pin so a bassist could play it upright or horizontally. Gibson renamed the Electric Bass in 1958 to the EB-1.[16] Also in 1958 Gibson released the maple arched top EB-2 described in the Gibson catalogue as "A hollow-body electric bass that features a Bass/Baritone pushbutton for two different tonal characteristics".[17] In 1959 these were followed by the more conventional-looking EB-0 Bass. The EB-0 was very similar to a Gibson SG in appearance (although the earliest examples have a slab-sided body shape closer to that of the double-cutaway Les Paul Special).
Manowar's bassist Joey DeMaio uses special piccolo bass for his extremely fast bass solos like "Sting of the Bumblebee" and "William's Tale". Green Day bassist Mike Dirnt played a bass solo on the song "Welcome To Paradise" from the 1994 album Dookie and on the song "Makeout Party" from the 2012 album ¡Dos!. U2 includes a bass solo most notably on "Gloria", in which Adam Clayton uses several playing techniques. Matt Freeman of Rancid performs a very fast, guitar-like bass solo in the song "Maxwell Murder". Blink-182's "Voyeur" has a bass solo, which is featured on both their studio album Dude Ranch & their live album The Mark, Tom and Travis Show (The Enema Strikes Back!).

These keyboards are perfect for any student, child to elder, who is interested in learning how to play piano. They are inexpensive, have built-in speakers so an extra amplifier isn’t necessary, and include multiple piano sounds and simulated acoustic-piano action (aka “key feel”). These keyboards are relatively light—all our picks weigh around 26 pounds—so it’s possible for one person to carry the piano when necessary.
Drum kit music is either written down in music notation (called "drum parts"), learned and played "by ear", improvised or some combination of some or all three of these methods. Professional session musician drummers and Big Band jazz drummers are often required to read drum parts. Drum parts are most commonly written on a standard five-line staff. In 2016, a special percussion clef is used, while previously the bass clef was used. However, even if the bass or no clef is used, each line and space is assigned an instrument of the kit, rather than to a pitch. In jazz, traditional music, folk music, rock music and pop music, drummers are expected to be able to learn songs by ear (from a recording or from another musician who is playing or singing the song) and improvise. The degree of improvisation differs in different styles. Jazz and jazz fusion drummers may have lengthy improvised solos in every song. In rock music and blues, there are also drum solos in some songs, although they tend to be shorter than those in jazz. Drummers in all popular music and traditional music styles are expected to be able to improvise accompaniment parts to songs, once they are told the genre or style (e.g., shuffle, ballad, slow blues, etc.).

There are many different types of keyboards available. On the lower end are keyboards that you’d find in a toy store, while music stores have keyboards that are more fully-featured and intended for serious musicians and producers. These types of keyboards are commonly loaded with different voices, tones, rhythms, and sound effects to give a player or producer a lot of control over their sound. Within this type of keyboard, you’ll find synthesizers and MIDI controllers. Another differentiator among keyboards is the number of keys. Some keyboards have fewer than the traditional 88 keys you’d find on a digital piano. This allows certain keyboards to be more compact and generally doesn’t impact the ability for the player to create music. While some keyboards have keys that are weighted, many do not. This means that keyboards do not move or react like piano keys.

Trigger pads and drums, on the other hand, when deployed in a conventional set-up, are most commonly used to produce sounds not possible with an acoustic kit, or at least not with what is available. Any sound that can be sampled/recorded can be played when the pad is struck, by assigning the recorded sounds to specific triggers . Recordings or samples of barking dogs, sirens, breaking glass and stereo recordings of aircraft taking off and landing have all been used. Along with the more obvious electronically generated sounds there are synthesized human voices or song parts or even movie audio or digital video/pictures that (depending on device used) can also be played/triggered by electronic drums.
Composers using electric bass include Christian Wolff (Electric Spring 1, 1966; Electric Spring 2, 1966/70; Electric Spring 3, 1967; and Untitled, 1996); Francis Thorne (Liebesrock 1968–69); Krzysztof Penderecki (Cello Concerto no. 1, 1966/67, rev. 1971/72; Capriccio for Violin and Orchestra, 1967); The Devils of Loudun, 1969; Kosmogonia, 1970; and Partita, 1971); Louis Andriessen (Spektakel, 1970; De Staat, 1972–1976; Hoketus, 1976; De Tijd, 1980–81; and De Materie, 1984–1988); Pelle Gudmundsen-Holmgreen (Symfoni på Rygmarven, 1966; Rerepriser, 1967; and Piece by Piece, 1968); and Irwin Bazelon (Churchill Downs, 1970).

In the mid-1970s, Alembic and other boutique bass manufacturers, such as Tobias, produced four-string and five-string basses with a low "B" string. In 1975, bassist Anthony Jackson commissioned luthier Carl Thompson to build a six-string bass tuned (low to high) B0, E1, A1, D2, G2, C3. In comparison with a standard four-string bass, Jackson's six-string adds a low B string and a high C string. These 5 and 6-string "extended-range basses" would become popular with session bassists as they reduced the need for re-tuning to alternate detuned configurations like "drop D", and also allowed the bassist to play more notes from the same position on the fretboard with fewer shifts up and down the fingerboard, a crucial benefit for a session player sightreading basslines at a recording session.
At the heart of most stages is the acoustic drum set. It's made up of tom-toms, snares, at least one bass drum and an array of cymbals. You'll find all of those here, and there are choices for anyone. If you're just getting started as a drummer, you can get up and running fast with a shell pack or drum kit that gives you everything at once. Or, if you prefer, you can pick individual pieces ""a la carte"" to customize your own set from the ground up. The choice is yours.
If a second hanging tom is used, it is 10" diameter and 8" deep for fusion, or 13" diameter and one inch deeper than the 12" diameter tom. Otherwise, a 14" diameter hanging tom is added to the 12", both being 8" deep. In any case, both toms are most often mounted on the bass drum with the smaller of the two next to the hi-hats (on the left for a right-handed drummer). These kits are particularly useful for smaller venues where space is limited, such as coffeehouses and small pubs.
Various electronic bass effects such as preamplifiers, "stomp box"-style pedals and signal processors and the configuration of the amplifier and speaker can be used to alter the basic sound of the instrument. In the 1990s and early 2000s (decade), signal processors such as equalizers, overdrive devices (sometimes referred to as "fuzz bass"[54]), and compressors or limiters became increasingly popular. Modulation effects like chorus, flanging, phase shifting, and time effects such as delay and looping are less commonly used with bass than with electric guitar, but they are used in some styles of music.

No matter how you choose to distinguish yourself - acoustic-electric, custom, signature model, extended range or the tried-and-true standbys - one thing that will never change is that music is a personal thing. Only you can decide which bass guitar belongs onstage and in the studio with you, so you've got every reason to check out all the instruments here: chances are you'll know the right one when you find it.
In 1918 Baby Dodds (Warren "Baby" Dodds, circa 1898–1959), playing on riverboats with Louis Armstrong on the Mississippi, was modifying the military marching set-up and experimenting with playing the drum rims instead of woodblocks, hitting cymbals with sticks (1919), which was not yet common, and adding a side cymbal above the bass drum, what became known as the ride cymbal. Drum maker William Ludwig developed the "sock" or early low-mounted high-hat after observing Dodd's drumming. Ludwig noticed that Dodd tapped his left foot all the time. Dodds had Ludwig raise the newly produced low hats 9 inches higher to make it easier to play, thus creating the modern hi-hat cymbal.[12] Dodds was one of the first drummers to also play the broken-triplet beat that became the standard pulse and roll of modern ride cymbal playing. Dodds also popularized the use of Chinese cymbals.[13]
The digital piano is a specific kind of electronic keyboard that acts as a compact and lightweight alternative to a standard piano. Today's digital pianos feature hammer action keys (88-key being the norm) to emulate the sound and playability of their acoustic counterparts very accurately; some models can even replicate the sound of a pipe organ, Hammond organ and harpsichord. They have many other advantages as well: digital pianos are more affordable, their volume can be controlled and they never have to be tuned. Most digital pianos even have a headphone option for musicians who live in apartments where volume might be an issue. Because of these many benefits, digital pianos are often preferred over acoustic pianos by music educators and their pupils - this includes for amateur performances and school recitals.
The keyboard action of an acoustic grand piano is composed of black and white keys, graded hammers, and numerous other components working in harmony when each note is pressed. This beautifully designed mechanism allows gifted pianists to express a wealth of feeling and emotion in their music, as they appreciate and respond to the tactile nuances transmitted through the keyboard.
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The first thing you need to look for when buying your bass guitar is the number of strings it has. A bass guitar can come with four, five, or six strings. The four string bass is the one that you may see most often and it is the easiest one for beginners to learn. The five or six string bass is for players who like to play around with different musical styles or perform a lot of solos. For a beginning bass player, I would recommend that you may start with the four string bass.
A trigger pad could contain up to four independent sensors, each of them capable of sending information describing the timing and dynamic intensity of a stroke to the drum module/brain. A circular drum pad may have only one sensor for triggering, but a 2016-era cymbal-shaped rubber pad/cymbal will often contain two; one for the body and one for the bell at the centre of the cymbal, and perhaps a cymbal choke trigger, to allow drummers to produce this effect.

The keyboard action of an acoustic grand piano is composed of black and white keys, graded hammers, and numerous other components working in harmony when each note is pressed. This beautifully designed mechanism allows gifted pianists to express a wealth of feeling and emotion in their music, as they appreciate and respond to the tactile nuances transmitted through the keyboard.

If you’re trying to decide whether to get a digital piano or a keyboard, you should consider what you’re hoping to accomplish. As has been said, digital pianos are a great option for anyone who is just starting to learn to play the piano or for those who play a traditional piano but would like another option that is more convenient. If, on the other hand, you’re looking to play the keyboard and take full advantage of all of the various options that they have, then a digital piano would likely not be as useful for you.
If you're a beginner, you'll love an option like the Yamaha RBX170 Bass or the Epiphone Thunderbird IV Bass. These bass guitars offer great tone and style all at a price you can easily afford. Best of all, their durable construction will withstand all the paces an eager learner will put them through. Maybe you're already an established player and are looking for a new challenge? If that's the case, you'll love the American Deluxe Jazz Bass V 5-String Electric Bass from Fender. This beautiful five string is loaded with updated electronics and Noiseless pickups for a tight low-end response you're definitely going to appreciate. Its alder body helps to give it a wonderfully clear tone that any bassist will want to hear every time they strap in. You'll also find acoustic basses in this section such as the EAB Acoustic-Electric Bass from Dean and the stunning A5 Ultra Bass Fretless SA 5-String Acoustic-Electric Bass Guitar from Godin. These basses are perfect for performers who demand the ultimate versatility. It won't matter where you're gigging with these gorgeous basses, you'll have the freedom to play them acoustic or plug in for a louder sound that can fill larger venues. The bass has always been an unsung hero in popular music, but that doesn't mean it doesn't play a crucial note. With any of the top quality basses available here, you'll have no trouble keeping the band in the groove and having them sound tighter than ever before.
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"Precision" pickups (which refers to the Fender Precision Bass), also referred to as "P pickups", are two distinct single-coil pickups. Each is offset a small amount along the length of the body so that each half is underneath two strings. The pickups are reverse-wound with reversed magnetic polarity to reduce unwanted hum. This makes the 'P' pickup a humbucking single coil pickup. Less common is the "single-coil P" pickup, used on the original 1951 Fender Precision bass.[53] P-style pickups are generally placed in the "neck" or "middle" position, but some luthiers and performers have used P pickups in the bridge position, or in between two jazz pickups.
In some cases, to play the bass through PA amplification, it is plugged into a direct box or DI, which routes the signal to the bass amp while also sending the signal directly into a mixing console, and thence to the main and monitor speakers. When a recording of bass is being made, engineers may use a microphone set up in front of the amplifier's speaker cabinet for the amplified signal, a direct box signal that feeds the recording console, or a mix of both.
Bass drum Muffling the bass can be achieved with the same muffling techniques as the snare, but bass drums in a drum kit are more commonly muffled by adding pillows, a sleeping bag or another soft filling inside the drum, between the heads. Cutting a small hole in the resonant head can also produce a more muffled tone, and allows manipulation in internally placed muffling. The Evans EQ pad places a pad against the batterhead and, when struck, the pad moves off the head momentarily, then returns to rest against the head, thus reducing the sustain without choking the tone.
No matter which digital piano you choose, you're in for something special. The instruments found on these pages all offer different features, so take a few minutes to think about your needs as a musician and go from there. Whether you go with a higher-end stage piano like the top-selling KAWAI MP11 Professional Piano or a student model Yamaha's NP12 61-Key Entry-Level Piaggero Ultra-Portable Digital Piano, any digital pianos here will enhance your musical journey.
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