All in all, what matters above all is your own style. Whether you choose to emulate a famous bassist with a signature model or forge your own path with something that caters to your personal tastes, it's all good. There's no shortage of bass guitars for sale, just like there's no limit on what you can do to make your new instrument all your own once you have it in your hands.
A drum solo is an instrumental section that highlights the virtuosity, skill and musical creativity of the drummer. While other instrument solos such as guitar solos are typically accompanied by the other rhythm section instruments (e.g., bass guitar and electric guitar), for most drum solos, all the other band members stop playing so that all of the audience's focus will be on the drummer. In some drum solos, the other rhythm section instrumentalists may play "punches" at certain points–sudden, loud chords of a short duration. Drum solos are common in jazz, but they are also used in a number of rock genres, such as heavy metal and progressive rock. During drum solos, drummers have a great deal of creative freedom, and drummers often use the entire drum kit. In live concerts, drummers may be given long drum solos, even in genres where drum solos are rare on singles.
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Among digital pianos, there are several differences. The three main types of digital pianos are standard digital pianos, upright digital pianos, and stage pianos. Upright vertical pianos are built with a large cabinet, not unlike a real upright piano. They are often fitted with the best hammer action key systems and tone generation engines so that they are comparable to real upright pianos. Obviously, they still take up as much space as a real one, but there is less maintenance required. Stage pianos are digital pianos designed to be used in live performances, or on stage. They are much more portable than traditional pianos, and much sturdier than standard digital pianos. Standard digital pianos are intended more for practice and play at home. They are not as large or fully featured but offer an excellent balance of sound and portability.

The Berklee College of Music in Boston offers training for electric bass players. Electric bass students get private lessons and there is a choice of over 270 ensembles to play in. Specific electric bass courses include funk/fusion styles for bass; slap techniques for electric bass; fingerstyle R&B; five- and six-string electric bass playing (including performing chords); and how to read bass sheet music.[64] Berklee College alumni include Jeff Andrews, Victor Bailey, Jeff Berlin, Michael Manring, and Neil Stubenhaus.[64] The Bass Department has two rooms with bass amps for classes and ten private lesson studios equipped with audio recording gear. Berklee offers instruction for the four-, five-, and six-string electric bass, the fretless bass, and double bass. "Students learn concepts in Latin, funk, Motown, and hip-hop, ... jazz, rock, and fusion."[64]
Something else that you might like to consider is taking a cue from the bassists who have inspired you. Music is an art in which there's no shame in having an idol, and with plenty of signature bass guitars available, you can gear yourself up to follow in legendary footsteps. Take the Fender Jaco Pastorius Fretless Jazz Bass Guitar, for instance. Meticulously modelled after Jaco's own instrument, it carries on his spirit with a fretless design that lets you really unleash your creativity on the stage.
Some bassists use other types of tuning to extend the range or get other benefits, such as providing multiple octaves of notes at any given position, or a larger tonal range. Instrument types or tunings used for this purpose include basses with fewer than four strings (one-string bass guitars,[35] two-string bass guitars, three-string bass guitars [tuned to E–A–D])[36] and alternative tunings (e.g., tenor bass).[37]
Whereas Fender basses had pickups mounted in positions in between the base of the neck and the top of the bridge, many of Gibson's early basses featured one humbucking pickup mounted directly against the neck pocket. The EB-3, introduced in 1961, also had a "mini-humbucker" at the bridge position. Gibson basses also tended to be smaller, sleeker instruments; Gibson did not produce a 34-inch (864 mm) scale bass until 1963 with the release of the Thunderbird, which was also the first Gibson bass to use dual-humbucking pickups in a more traditional position, about halfway between the neck and bridge. A number of other companies also began manufacturing bass guitars during the 1950s: Kay in 1952, Hofner and Danelectro in 1956, Rickenbacker in 1957 and Burns/Supersound in 1958.[14]
In 1953, following Fender's lead, Gibson released the first short scale violin-shaped electric bass, with an extendable end pin so a bassist could play it upright or horizontally. Gibson renamed the Electric Bass in 1958 to the EB-1.[16] Also in 1958 Gibson released the maple arched top EB-2 described in the Gibson catalogue as "A hollow-body electric bass that features a Bass/Baritone pushbutton for two different tonal characteristics".[17] In 1959 these were followed by the more conventional-looking EB-0 Bass. The EB-0 was very similar to a Gibson SG in appearance (although the earliest examples have a slab-sided body shape closer to that of the double-cutaway Les Paul Special).
Among digital pianos, there are several differences. The three main types of digital pianos are standard digital pianos, upright digital pianos, and stage pianos. Upright vertical pianos are built with a large cabinet, not unlike a real upright piano. They are often fitted with the best hammer action key systems and tone generation engines so that they are comparable to real upright pianos. Obviously, they still take up as much space as a real one, but there is less maintenance required. Stage pianos are digital pianos designed to be used in live performances, or on stage. They are much more portable than traditional pianos, and much sturdier than standard digital pianos. Standard digital pianos are intended more for practice and play at home. They are not as large or fully featured but offer an excellent balance of sound and portability.
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A fully electronic kit is also easier to soundcheck than acoustic drums, assuming that the electronic drum module has levels that the drummer has pre-set in her/his practice room; in contrast, when an acoustic kit is sound checked, most drums and cymbals need to be miked and each mic needs to be tested by the drummer so its level and tone equalization can be adjusted by the sound engineer. As well, even after all the individual drum and cymbal mics are soundchecked, the engineer needs to listen to the drummer play a standard groove, to check that the balance between the kit instruments is right. Finally, the engineer needs to set up the monitor mix for the drummer, which the drummer uses to hear her/his instruments and the instruments and vocals of the rest of the band. With a fully electronic kit, many of these steps could be eliminated.
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In the early 1940s, many jazz musicians, especially African American jazz musicians, started to stray from the popular big band dance music of the 1930s. Their experimentation and quest for deeper expression and freedom on the instrument led to the birth of a new style of music based from Harlem called bebop music. Whereas swing was a popular music designed for dancing, bebop was a "musician's music" designed for listening. During the bebop era, given that bands no longer had to accompany dancers, bandleaders could speed up the tempo. Bebop was also much more based on improvisation, in comparison to the heavily arranged big band scores. Bebop musicians would take an old standard and re-write the melody, add more complex chord changes, resulting in a new composition.
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The string can be plucked (or picked) at any point between the bridge and the point where the fretting hand is holding down the string on the fingerboard; different timbres (tones) are produced depending on where along the string it is plucked. When plucked closer to the bridge, the string's harmonics are more pronounced, giving a brighter tone. Closer to the middle of the string, these harmonics are less pronounced, giving a more mellow, darker tone.
On the other hand, perhaps you've worked hard to build your abilities and are finally ready to upgrade your kit to something a little more suitable to your skills. If that's the case, you may be interested in something like the PDP Concept Maple by DW 7-Piece Shell Pack. This pack is fueled by seriously warm depth and range, making it perfect for nearly any musical style. With its versatility, gorgeous looks, and punchy attack, this is a great option for a regularly gigging drummer.
At the heart of most stages is the acoustic drum set. It's made up of tom-toms, snares, at least one bass drum and an array of cymbals. You'll find all of those here, and there are choices for anyone. If you're just getting started as a drummer, you can get up and running fast with a shell pack or drum kit that gives you everything at once. Or, if you prefer, you can pick individual pieces ""a la carte"" to customize your own set from the ground up. The choice is yours.

Drum sets are the backbone of your band. Keeping the pace and driving the rhythm section, the drummer makes sure that everything clicks. With that in mind, it's important that every drummer have a quality drum kit to keep them sounding their absolute best. The real benefit to purchasing a complete kit as opposed to individual components is convenience. You won't have to take the time to pore over separate drums, searching for just the right complementary sounds. These kits are made up of drums that are designed to sound great together from day one, allowing you to focus on your playing.


The keyboards all came in to our Los Angeles office. After unboxing them and setting them up, I invited Liz, Jack, and Brent to come in and try them out. I asked them to rate the key action and the sound of the piano and to evaluate features from the perspective of a beginner. After playing through all of them over a couple hours, we talked through the pros and cons of each keyboard, and they gave me their top three choices.
In Canada, the Humber College Institute of Technology & Advanced Learning offers an Advanced Diploma (a three-year program) in jazz and commercial music. The program accepts performers who play bass, guitar, keyboard, drums, melody instruments (e.g., saxophone, flute, violin) and who sing. Students get private lessons and perform in 40 student ensembles.[65]
The electric bass is a relative newcomer to the world of jazz. The big bands of the 1930s and 1940s Swing era and the small combos of the 1950s Bebop and Hard Bop movements all used the double bass. The electric bass was introduced in some bands in the 1950s and it became prominent during the late 1960s and early 1970s, when rock influences were blended with jazz to create jazz-rock fusion.
If our top pick isn’t available or you’re looking to save $50, the Yamaha P-45 is an excellent alternative. It was the favorite of one panelist, and the other three each ranked it second. It plays as well as our top pick, although I found the key weight to be a bit heavy for my tastes; it took a little more finger effort to play. Jack liked that heavier feel but could see it causing problems for beginners. Brent thought the action was about as good as it gets in this price range, and Liz thought it was easy to play.
In the 2010s, some drummers use a variety of auxiliary percussion instruments, found objects, and electronics as part of their "drum" kits. Popular electronics include: electronic sound modules; laptop computers used to activate loops, sequences and samples; metronomes and tempo meters; recording devices; and personal sound reinforcement equipment (e.g., a small PA system to amplify electronic drums and provide a monitor).
Established in 2006, Virtual Piano is now played by more than 19 million people a year. This free to use platform enables you to play the piano through your computer keyboard, without the need to download or install an app. The best part is that you don’t need prior knowledge of the music notation. The Virtual Piano music sheets use plain English alphabet and simple semantics, so you can enjoy the experience of playing the piano instantly.
A midi controller does not have any sounds of its own. It requires a virtual instrument (as a trigger) to produce sounds. So, if you get an acoustic piano virtual instrument, your midi controller will be an acoustic piano. If your virtual instrument is a drum, violin, electric piano etc., your midi controller will be exactly those instruments because it takes its tone from the virtual instrument.

Five strings usually tuned B0–E1–A1–D2–G2, providing extended lower range. Another common tuning on early 1970s five-string basses added a high note instead of a low note: E–A–D–G–C, known as tenor tuning. This tuning is still popular among jazz and solo bassists. Other tunings, such as C–E–A–D–G are rare. Some bassists like C as the lowest pitch because that's the lowest note on an upright bass with a C, and C is a common note in a few popular keys C (e.g., C major, G major, F major). Some players may detune the lowest string to B♭ or A. B♭ is common for bassists who play in brass bands, as B♭ is an important and common key for this type of ensemble. Relative to a four-string bass, the fifth string provides a greater lower range (with a low B, C, or A) or a greater upper range (with a high C or B is added) and provides more notes for any single hand position. The earliest five string was created by Fender in 1965. The Fender Bass V used the E–A–D–G–C tuning, but was unpopular and discontinued in 1970. The type of low B five-string was created by Jimmy Johnson as a custom instrument in 1975. He bought an E–A–D–G–C 5-string Alembic bass, replaced the nut, and used a new, thick low B string from GHS. Steinberger made a 5-string headless instrument called the L-2/5 in 1982, and later Yamaha offered the first production model as the BB5000 in 1984.
Fender also began production of the Mustang Bass; a 30-inch (762 mm) scale length instrument used by bassists such as Tina Weymouth of Talking Heads and Bill Wyman of The Rolling Stones ("P" and "J" basses have a scale length of 34 inches (864 mm), a design echoed on most current production electric basses of all makes). In the 1950s and 1960s, the instrument was often called the "Fender bass", due to Fender's early dominance in the market. The Fender VI, a baritone guitar, was tuned one octave lower than standard guitar tuning. It was released in 1961, and was favored by Jack Bruce of Cream.[20]

Jump up ^ Tunings such as B–E–A–D (this requires a low "B" string in addition to the other three "standard" strings, and omits the G string), D–A–D–G (a "standard" set of strings, with only the lowest string detuned from E down to D), and D–G–C–F or C–G–C–F (a "standard" set of strings, all of which are detuned either a whole tone, or a whole tone for the three higher-pitched strings and two tones for the E, which is dropped to a low C) give bassists an extended lower range. A tenor bass tuning of A–D–G–C, in which the low E is omitted and a high C is added, provides a higher range.


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The "Fender Bass" was a revolutionary new instrument for gigging musicians. In comparison with the large, heavy upright bass, which had been the main bass instrument in popular music, folk and country music from the early 1900s to the 1940s, the Fender bass could be easily transported to shows. The bass guitar was also less prone to unwanted feedback sounds when amplified, than acoustic bass instruments.[11] In 1953 Monk Montgomery became the first bass player to tour with the Fender bass guitar, in Lionel Hampton's postwar big band.[12] Montgomery was also possibly the first to record with the bass guitar, on 2 July 1953 with The Art Farmer Septet.[13] Roy Johnson (with Lionel Hampton), and Shifty Henry (with Louis Jordan & His Tympany Five), were other early Fender bass pioneers.[10] Bill Black, playing with Elvis Presley, switched from upright bass to the Fender Precision Bass around 1957.[14] The bass guitar was intended to appeal to guitarists as well as upright bass players, and many early pioneers of the instrument, such as Carol Kaye and Joe Osborn, were originally guitarists.[15]
If a second hanging tom is used, it is 10" diameter and 8" deep for fusion, or 13" diameter and one inch deeper than the 12" diameter tom. Otherwise, a 14" diameter hanging tom is added to the 12", both being 8" deep. In any case, both toms are most often mounted on the bass drum with the smaller of the two next to the hi-hats (on the left for a right-handed drummer). These kits are particularly useful for smaller venues where space is limited, such as coffeehouses and small pubs.
A digital piano is a type of electronic keyboard designed to serve primarily as an alternative to the traditional piano, both in the way it feels to play and in the sound produced. It is intended to provide an accurate simulation of an acoustic piano. Some digital pianos are also designed to look like an ordinary piano, both the upright or grand piano. Digital pianos use either a synthesized emulation or samples of an actual piano, which are then amplified through an internal loudspeaker. Digital pianos incorporate weighted keys, which recreate the feel of an acoustic piano.
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