The bass guitarist sometimes breaks out of the strict rhythm section role to perform bass breaks or bass solos. The types of bass lines used for bass breaks or bass solos vary by style. In a rock band, a bass break may consist of the bassist playing a riff or lick during a pause in the song. In some styles of metal, a bass break may consist of "shred guitar"-style tapping on the bass. In a funk or funk rock band, a bass solo may showcase the bassist's percussive slap and pop playing. In genres such as progressive rock, art rock, or progressive metal, the bass guitar player may play melody lines along with the lead guitar (or vocalist) and perform extended guitar solos.

On the other hand, perhaps you've worked hard to build your abilities and are finally ready to upgrade your kit to something a little more suitable to your skills. If that's the case, you may be interested in something like the PDP Concept Maple by DW 7-Piece Shell Pack. This pack is fueled by seriously warm depth and range, making it perfect for nearly any musical style. With its versatility, gorgeous looks, and punchy attack, this is a great option for a regularly gigging drummer. 

The fretless comes with smooth wood as you would get on an upright bass or violin. Though many assume this may be the best to use, but the sound quality entirely depends on your finger position. This is why the skilled players depend on the memory of their muscles for perfect positioning of their hands. Nevertheless, the more you practice, the better you’ll get.
When playing bass solos, rock and metal bassists sometimes use effects such as fuzz bass or a wah-wah pedal to produce a more pronounced sound. Notably, Cliff Burton of Metallica used both effects. Due to the lower range of the bass, bass guitar solos usually have a much lighter accompaniment than solos for other instruments. In some cases, the bass guitar solo is unaccompanied, or accompanied only by the drums.

The fretting hand—the left hand for right-handed bass players and right hand for left-handed bass players—presses down the strings to play different notes and shape the tone or timbre of a plucked or picked note. One fretting technique is a finger per fret, where each finger in the fretting hand plays one fret in a given position, giving the advantage that full chromatic scale of over an octave and a half can be played with no up-down wrist movement. Also, the double bass-style technique can be used for fretting. This technique involves using four fingers in the space of three frets, especially in the lower positions (i.e., the fretting positions closer to the nut, where the space between notes is the widest). When considering the spacing between notes, this is a comfortable distance for the average person's hand size, however it requires more up-down hand movements. The main advantage of the "four fingers in three frets technique is less tendon strain, leading to a diminished likelihood of Repetitive Strain Injury (RSI). The image below (of a bassist performing tapping) shows the four-in-three.
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While the electric guitar is mostly played with a pick, the bass or jazz bass can be played with either a pick or your fingers. Because of the sensitivity of the pickup on the bass, the two tend to produce somewhat different tones. For example, finger style play can create additional sound from the impact of the strings against the frets, while playing with a pick offers a sharper, more staccato sound. Neither style is better than the other, and there are many famous examples of players using each one. Sometimes, there are conventions of play for a particular genre, but more often it comes down to how a bassist originally learned to play.
As for the experienced and more dedicated guitarists who’d love to set their standards higher, the high-end guitars are the ones to go for. These come with a better electronic system and the top-notch hardware; the same also goes for the tonewoods. Besides sounding better to the ear, a high-end bass guitar will serve you longer and of course, you will feel better.
Before buying your first bass guitar, you need to make sure to consider each and every one of the factors above before settling on a specific model you want to buy. As you look at the various models, also make sure that the guitar feels comfortable to you personally as you test it out. Remember, you will be using this bass for a while, so you need to make that sure you are picking the best bass guitar in your budget for you.

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Budget constraints and space considerations in musical theatre pit orchestras led bandleaders to pressure fewer percussionists to cover more percussion parts. Metal consoles were developed to hold Chinese tom-toms, with swing-out stands for snare drums and cymbals. On top of the console was a "contraption" tray (shortened to "trap"), used to hold items like whistles, klaxons, and cowbells, so these drums/kits were dubbed "trap kits". Hi-hat stands became available around 1926.[9]
Five strings usually tuned B0–E1–A1–D2–G2, providing extended lower range. Another common tuning on early 1970s five-string basses added a high note instead of a low note: E–A–D–G–C, known as tenor tuning. This tuning is still popular among jazz and solo bassists. Other tunings, such as C–E–A–D–G are rare. Some bassists like C as the lowest pitch because that's the lowest note on an upright bass with a C, and C is a common note in a few popular keys C (e.g., C major, G major, F major). Some players may detune the lowest string to B♭ or A. B♭ is common for bassists who play in brass bands, as B♭ is an important and common key for this type of ensemble. Relative to a four-string bass, the fifth string provides a greater lower range (with a low B, C, or A) or a greater upper range (with a high C or B is added) and provides more notes for any single hand position. The earliest five string was created by Fender in 1965. The Fender Bass V used the E–A–D–G–C tuning, but was unpopular and discontinued in 1970. The type of low B five-string was created by Jimmy Johnson as a custom instrument in 1975. He bought an E–A–D–G–C 5-string Alembic bass, replaced the nut, and used a new, thick low B string from GHS. Steinberger made a 5-string headless instrument called the L-2/5 in 1982, and later Yamaha offered the first production model as the BB5000 in 1984.
Drums with cylindrical shells can be open at one end (as is the case with timbales), or can have two drum heads, one head on each end. Single-headed drums typically consist of a skin stretched over an enclosed space, or over one of the ends of a hollow vessel. Drums with two heads covering both ends of a cylindrical shell often have a small hole somewhat halfway between the two heads; the shell forms a resonating chamber for the resulting sound. Exceptions include the African slit drum, also known as a log drum as it is made from a hollowed-out tree trunk, and the Caribbean steel drum, made from a metal barrel. Drums with two heads can also have a set of wires, called snares, held across the bottom head, top head, or both heads, hence the name snare drum.[1] On some drums with two heads, a hole or bass reflex port may be cut or installed onto one head, as with some 2010s era bass drums in rock music.
Although there are far fewer university programs that offer electric bass instruction in jazz and popular music, some universities offer bachelor's degrees (B.Mus.) and Master of Music (M.Mus.) degrees in jazz performance or "commercial music", where electric bass can be the main instrument. In the US, the Manhattan School of Music has a jazz program leading to B.Mus. and M.Mus degrees that accepts students who play bass (double bass and electric bass), guitar, piano, drums, and melody instruments (e.g., saxophone, trumpet, etc.).
1956 saw the appearance at the German trade fair "Musikmesse Frankfurt" of the distinctive Höfner 500/1 violin bass made using violin construction techniques by Walter Höfner, a second generation violin luthier.[18] The instrument is often known as the "Beatle Bass", due to its endorsement and use by Beatles bassist Paul McCartney. In 1957 Rickenbacker introduced the model 4000 bass,[19] the first bass to feature a neck-through-body design in which the neck is part of the body wood. The Fender and Gibson versions used bolt-on and glued-on necks.
Extended-range basses (ERBs) are basses with six to twelve strings—with the additional strings used for range rather than unison or octave pairs. A seven-string bass (B0–E1–A1–D2–G2–C3–F3) was built by luthier Michael Tobias in 1987. This instrument, commissioned by bassist Garry Goodman, was an early example of a bass with more than six single course strings. In 1999 South American ERB player Igor Saavedra designed one of the first eight-string ERBs known, and asked Luthier Alfonso Iturra to build it for him. [38] Conklin builds custom ERB basses.[39] The Guitarbass is a ten-string instrument with four bass strings (tuned E–A–D–G) and six guitar strings (tuned E–A–D–G–B–E).[40] Luthier Michael Adler built the first eleven-string bass in 2004 and completed the first single-course 12-string bass in 2005. Adler's 11- and 12-string instruments have the same range as a grand piano.[41] Subcontrabasses, such as C♯–F♯–B–E (the lowest string, C♯0 being at 17.32 Hz at around the limit of human hearing)[42] have been created. Ibanez had released SR7VIISC in 2009, featuring a 30-inch (762 mm) scale and narrower width, and tuned as B–E–A–D–G–C–E; the company dubbed it a cross between bass and guitar.[43][better source needed]

One of the main things to consider when looking at a 4-string bass (and every bass for that matter) is the material used to make its body. Bass guitars are traditionally made of different varieties of wood and feature a solid, hard-bodied design. Alder is a favorite amongst musicians because it produces a clear, full-bodied sound. For warmer, smoother tones, a mahogany bass might be the one for you. Another aspect to look into is a fretted or fretless electric bass guitar. On a fretted bass, the frets divide the fingerboard into semi tone divisions. These models make learning the bass easier because you have a guide for finger placement. Fretless basses offer a different sound because without frets the strings are directly pressed into the wood of the neck. This produces a softer sound because the string is in direct contact with the musician's finger and also allows you to slide up and down the neck with ease. The electric bass guitar is said to be the cornerstone of the band. It establishes the beat and brings a booming, punchy sound to the music. From Flea of the Red Hot Chili Peppers to Paul McCartney of the Beatles, musicians have been playing the bass for decades in modern, mainstream music groups. No matter what skill level you're at right now, these is certainly an electric bass guitar that will meet and exceed all your sound and style needs.

Historical uses Muffled drums are often associated with funeral ceremonies as well, such as the funerals of John F. Kennedy and Queen Victoria.[26][27] The use of muffled drums has been written about by such poets as Henry Wadsworth Longfellow, John Mayne, and Theodore O'Hara.[28][29][30] Drums have also been used for therapy and learning purposes, such as when an experienced player will sit with a number of students and by the end of the session have all of them relaxed and playing complex rhythms.[31]
What started as a simple string and pedal sales catalog has grown exponentially over the past thirty years. The early days were a time where catalogs didn't have much of a presence in the industry, but what began as a college dorm room operation grew rapidly. In 1986 we moved to a full product offering and 64-page catalog, which over the years has grown to 162 pages. Join the AMS family and get your free catalog now!
A drum kit — also called a drum set, trap set (a term using a contraction of the word, “contraption”), or simply drums — is a collection of drums and other percussion instruments, typically cymbals, which are set up on stands to be played by a single player,[1] with drumsticks held in both hands, and the feet operating pedals that control the hi-hat cymbal and the beater for the bass drum. A drum kit consists of a mix of drums (categorized classically as membranophones, Hornbostel-Sachs high-level classification 2) and idiophones – most significantly cymbals, but can also include the woodblock and cowbell (classified as Hornbostel-Sachs high-level classification 1).[2] In the 2000s, some kits also include electronic instruments (Hornbostel-Sachs classification 53). Also, both hybrid (mixing acoustic instruments and electronic drums) and entirely electronic kits are used.

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Drum sets are the backbone of your band. Keeping the pace and driving the rhythm section, the drummer makes sure that everything clicks. With that in mind, it's important that every drummer have a quality drum kit to keep them sounding their absolute best. The real benefit to purchasing a complete kit as opposed to individual components is convenience. You won't have to take the time to pore over separate drums, searching for just the right complementary sounds. These kits are made up of drums that are designed to sound great together from day one, allowing you to focus on your playing.
William F. Ludwig, Sr., and his brother, Theobald Ludwig, founded the Ludwig & Ludwig Co. in 1909 and patented the first commercially successful bass drum pedal system, paving the way for the modern drum kit.[9] It was the golden age of drum building for many famous drum companies, with Ludwig introducing... "The ornately engraved" Black Beauty Brass Snare drum; Slingerland premiered its Radio King solid-maple shell; Leedy invented the floating drum head & self-aligning lug;& Gretsch originated the three-way tension system of the Gladstone snare drum".[10] Wire brushes for use with drums and cymbals were introduced in 1912. The need for brushes arose due to the problem of the drum sound overshadowing the other instruments on stage. Drummers began using metal fly swatters to reduce the volume on stage next to the other acoustic instruments. Drummers could still play the rudimentary snare figures and grooves with brushes that they would normally play with drumsticks.
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In the Australian state of Victoria, the Victorian Curriculum and Assessment Authority has set out minimum standards for its electric bass students doing their end-of-year Solo performance recital. To graduate, students must perform pieces and songs from a set list that includes Baroque suite movements that were originally written for cello, 1960s Motown tunes, 1970s fusion jazz solos, and 1980s slap bass tunes. A typical program may include a Prelude by J.S. Bach; "Portrait of Tracy" by Jaco Pastorius; "Twisted" by Wardell Gray and Annie Ross; "What's Going On" by James Jamerson; and the funky Disco hit "Le Freak" by Chic.[66]
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Torzal Natural Twist is a bass guitar body and neck style invented by luthier Jerome Little from Amherst, Massachusetts. It consists of a neck rotated by a total of 35 degrees, with (+)15 degrees at the bridge and (-)20 at the nut. The designer claims that the ergonomic design increases efficiency of the hands, wrists and arms, which reduces the risk of developing repetitive strain injuries like carpal tunnel syndrome or tendonitis. This design is also beneficial to players who have already suffered from such injuries. This patented design differs from traditional bass guitar design by twisting the neck, and bringing the strings toward a more natural hand position at either end of the instrument. The rotation at either side of the instrument in the direction of the hand creates a neck plane that models the natural motion of the hand as it reaches outward. The fretboard also forms a straight line at the location of each string, which should improve the ease of performance.[52]
Prior to the invention of tension rods, drum skins were attached and tuned by rope systems—as on the Djembe—or pegs and ropes such as on Ewe Drums. These methods are rarely used today, though sometimes appear on regimental marching band snare drums.[1] The head of a talking drum, for example, can be temporarily tightened by squeezing the ropes that connect the top and bottom heads. Similarly, the tabla is tuned by hammering a disc held in place around the drum by ropes stretching from the top to bottom head. Orchestral timpani can be quickly tuned to precise pitches by using a foot pedal.
N 092 Limited series Heavy Google it The man behind this snare drum has been the official drum tech for John Bonham and recently Cindy Blackman of Santana’s fame A generously loud snare Amazing attack and response to any dynamic level Own a piece of history No longer made Offers considered Would prefer to sell locally but will ship of course if sold on ebay Sorry trades are not accepted here We have info on this and many other snares on the official 247drums store

On the topic of performing: is it the stage you have your sights on? In that case, set your sights on stage pianos, like the Roland RD-300NX for example. Powered by Roland's proprietary "SuperNATURAL" sound engine, it's so true-to-life that an audience just might find themselves wondering where you've hidden the baby grand. Another great suggestion is the Nord Stage 2 88-Key Stage Keyboard, which uses three sound-generating sections working together to provide outstanding versatility.

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