Drum sets are the backbone of your band. Keeping the pace and driving the rhythm section, the drummer makes sure that everything clicks. With that in mind, it's important that every drummer have a quality drum kit to keep them sounding their absolute best. The real benefit to purchasing a complete kit as opposed to individual components is convenience. You won't have to take the time to pore over separate drums, searching for just the right complementary sounds. These kits are made up of drums that are designed to sound great together from day one, allowing you to focus on your playing.
These keyboards are perfect for any student, child to elder, who is interested in learning how to play piano. They are inexpensive, have built-in speakers so an extra amplifier isn’t necessary, and include multiple piano sounds and simulated acoustic-piano action (aka “key feel”). These keyboards are relatively light—all our picks weigh around 26 pounds—so it’s possible for one person to carry the piano when necessary.
The second biggest factor that affects drum sound is head tension against the shell. When the hoop is placed around the drum head and shell and tightened down with tension rods, the tension of the head can be adjusted. When the tension is increased, the amplitude of the sound is reduced and the frequency is increased, making the pitch higher and the volume lower.
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Picking from the huge variety of bass guitars available in the market can be a daunting task for any beginning bass guitar player. There are many factors that you need to take into account first, before making your first purchase. It is important that you spend some time to look at every factor carefully so you will be happy with the guitar you buy.
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Detuners, such as the Hipshot, are mechanical devices the player operates with the thumb on the fretting hand to quickly retune one or more strings to a pre-set lower pitch. Hipshots typically drop the E-string down to D on a four-string bass.[34] Rarely, some bassists (e.g., Michael Manring) add detuners to more than one string, or even more than one detuner to each string, so they can retune during a performance and access a wider range of chime-like harmonics.
Palm-muting is a widely used bass technique. The outer edge of the palm of the picking hand is rested on the bridge while picking, and "mutes" the strings, shortening the sustain time. The harder the palm presses, or the more string area that is contacted by the palm, the shorter the string's sustain. The sustain of the picked note can be varied for each note or phrase. The shorter sustain of a muted note on an electric bass can be used to imitate the shorter sustain and character of an upright bass. Palm-muting is commonly done while using a pick, but can also be done without a pick, as when doing down-strokes with the thumb.
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On modern band and orchestral drums, the drumhead is placed over the opening of the drum, which in turn is held onto the shell by a "counterhoop" (or "rim"), which is then held by means of a number of tuning screws called "tension rods" that screw into lugs placed evenly around the circumference. The head's tension can be adjusted by loosening or tightening the rods. Many such drums have six to ten tension rods. The sound of a drum depends on many variables—including shape, shell size and thickness, shell materials, counterhoop material, drumhead material, drumhead tension, drum position, location, and striking velocity and angle.[1]
Bass drum Muffling the bass can be achieved with the same muffling techniques as the snare, but bass drums in a drum kit are more commonly muffled by adding pillows, a sleeping bag or another soft filling inside the drum, between the heads. Cutting a small hole in the resonant head can also produce a more muffled tone, and allows manipulation in internally placed muffling. The Evans EQ pad places a pad against the batterhead and, when struck, the pad moves off the head momentarily, then returns to rest against the head, thus reducing the sustain without choking the tone.
The snare drum is the heart of the drum kit, particularly in rock, due its utility of providing the backbeat. When applied in this fashion, it supplies strong regular accents, played by the left hand (if right handed), and the backbone for many fills. Its distinctive sound can be attributed to the bed of stiff snare wires held under tension to the underside of the lower drum head. When the stiff wire are "engaged" (held under tension), they vibrate with the top (snare-side) drum skin (head), creating a snappy, staccato buzzing sound, along with the sound of the stick striking the batter head.
Drummers use a drum key for tuning their drums and adjusting some drum hardware. Besides the basic type of drum key (a T-handled wrench) there are various tuning wrenches and tools. Basic drum keys are divided in three types which allows tuning of three types of tuning screws on drums: square (most used), slotted and hexagonal. Ratchet-type wrenches allow high-tension drums to be tuned easily. Spin keys (utilizing a ball joint) allow rapid head changing. Torque-wrench type keys are available, graphically revealing the torque at each lug. Also, tension gauges, or meters, which are set on the head, aid drummers to achieve a consistent tuning. Drummers can tune drums "by ear" or, in the 2010s, use a digital drum tuner, which "measures tympanic pressure" on the drumhead to provide accurate tuning.[33]
In traditional music such as country music, folk rock, and related styles, the bass often plays the roots and fifth (typically the fifth below the root) of each chord in alternation. In these styles, bassists often use scalar "walkups" or "walkdowns" when there is a chord change. In Chicago blues, the electric bass often performs a walking bassline made up of scales and arpeggios. In blues rock bands, the bassist often plays blues scale-based riffs and chugging boogie-style lines. In metal, the bass guitar may perform complex riffs along with the rhythm guitarist or play a low, rumbling pedal point to anchor the group's sound.
Tapewound (double bass type) and flatwound strings are sometimes used with the fretless bass so the metal string windings do not wear down the fingerboard. Tapewound and flatwound strings have a distinctive tone and sound. Some fretless basses have epoxy-coated fingerboards, or fingerboards made of an epoxy composite like micarta, to increase the fingerboard's durability, enhance sustain, and give a brighter tone.
The hi-hat cymbals (nicknamed "hats") consist of two cymbals mounted facing each other on a metal pole with folding support legs that keep a hollow support cylinder standing up. Like the bass drum, the hi-hat has a foot pedal. The bottom cymbal is fixed in place. The top cymbal is mounted on a thin pole which is inserted into the hollow cymbal stand cylinder. The thin pole is connected to a foot pedal. When the foot pedal is pressed down, a mechanism causes the thin pole to move down, causing the cymbals to move together. When the foot is lifted off the pedal, the cymbals move apart, due to the pedal's spring-loaded mechanism. The hi-hats can be sounded by striking the cymbals with one or two sticks or just by opening and closing the cymbals with the footpedal, without striking the cymbals. The ability to create rhythms on the hi-hats with the foot alone enables drummers to use both sticks on other drums or cymbals. Different sounds can be created by striking "open hi-hats" (without the pedal depressed, which creates a noisy sound nicknamed "sloppy hats") or a crisp "closed hi-hats" sound (with the pedal pressed down). As well, the high hats can be played with a partially depressed pedal.
There are many different types of keyboards available. On the lower end are keyboards that you’d find in a toy store, while music stores have keyboards that are more fully-featured and intended for serious musicians and producers. These types of keyboards are commonly loaded with different voices, tones, rhythms, and sound effects to give a player or producer a lot of control over their sound. Within this type of keyboard, you’ll find synthesizers and MIDI controllers. Another differentiator among keyboards is the number of keys. Some keyboards have fewer than the traditional 88 keys you’d find on a digital piano. This allows certain keyboards to be more compact and generally doesn’t impact the ability for the player to create music. While some keyboards have keys that are weighted, many do not. This means that keyboards do not move or react like piano keys.

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"Soapbar" Pickups are so-named due to their resemblance to a bar of soap and originally referred to the Gibson P-90 guitar pickup. The term is also used to describe any pickup with a rectangular shape (no protruding screw mounting "ears" like on P, J or MM pickups) and no visible pole pieces. Most of the pickups falling into this category are humbucking, though a few single-coil soapbar designs exist. They are commonly found in basses designed for the rock and metal genres, such as Gibson, ESP Guitars, and Schecter, however they are also found on 5- and 6-string basses made popular by jazz and jazz fusion music, such as Yamaha's TRB and various Peavey model lines. 'Soapbar pickups' are also called 'extended housing pickups', because the rectangular shape is achieved simply by making the pickup cover longer or wider than it would have to be to only cover the pickup coils, and then the mounting holes are recessed inside these wider dimensions of the housing.
It comes with 4 strings that make it the ideal choice for anyone who is trying out the bass guitar for the first time. The 4 strings mean that the guitar will have a narrower body hence convenient for younger guitarists with smaller hands. The E-A-D-G format is also easy to master and play. The body is quite lightweight which gives you the comfortable feel as you use it with minimal fatigue.

Drummers' usage of electronic drum equipment can range from adding a single electronic pad to an acoustic kit (e.g., to have access to an instrument that might otherwise be impractical, such as a large gong), to using a mix of acoustic drums/cymbals and electronic pads, to using an acoustic kit in which the drums and cymbals have triggers, which can be used to sound electronic drums and other sounds, to having an exclusively electronic kit, which is often set up with the rubber or mesh drum pads and rubber "cymbals" in the usual drum kit locations. A fully electronic kit weighs much less and takes up less space to transport than an acoustic kit and it can be set up more quickly. One of the disadvantages of a fully electronic kit is that it may not have the same "feel" as an acoustic kit, and the drum sounds, even if they are high-quality samples, may not sound the same as acoustic drums.


In 1929, when the stock market crash resulted in a global depression, one of the things that helped people cope with the trying years was swing jazz music. By the early to mid 1930's, big band swing was being embraced throughout the US, becoming the country's most popular form of music. The other contributing factor to the big band's success during the 1930s was the popularity of radio. The drum kit played a key role in the big band swing sound. Throughout the 1930s Chick Webb and Gene Krupa at the Savoy Ballroom in Harlem, increased the visual and musical driving force of the drummer and their equipment by simply being so popular and in demand- and they ensured that their drum kits became not only functionally developed but dazzling and well designed.[14] Jazz drummers were influential in developing the concept of the modern drum kit and extending playing techniques. Gene Krupa was the first drummer to head his own orchestra and thrust the drums into the spotlight with his drum solos.[citation needed] Others would soon follow his lead.
At the heart of most stages is the acoustic drum set. It's made up of tom-toms, snares, at least one bass drum and an array of cymbals. You'll find all of those here, and there are choices for anyone. If you're just getting started as a drummer, you can get up and running fast with a shell pack or drum kit that gives you everything at once. Or, if you prefer, you can pick individual pieces ""a la carte"" to customize your own set from the ground up. The choice is yours.
Since its inception, Virtual Piano has been used as a learning tool in the world’s most prestigious schools – it has helped young children to get a feel for music – it has been the stepping stone for some of the world’s greatest artists. Virtual Piano is fast becoming a form of expression and communication between different cultures and regions of the world – crossing language, space and time. Our vision is to spread the joy of playing the piano to every corner of the globe. Our goal is to engage and inspire people of all ages and abilities, to nurture a passion for music.
An acoustic piano produces reverberation in its soundboard and in the room where it is played. Digital pianos often have a feature to electronically simulate reverberation as well. Other digital pianos may have additional reverberation options such as a "stage simulation." Some also have chorus, tremolo, and phaser effects, all of which are generated by digital signal processing.
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