Bass bodies are typically made of wood, although other materials such as graphite (for example, some of the Steinberger designs) and other lightweight composite materials have also been used. While a wide variety of woods are suitable for use in the body, neck, and fretboard of the bass guitar, the most common types of wood used are similar to those used for electric guitars; alder, ash or mahogany for the body, maple for the neck, and rosewood or ebony for the fretboard. While these traditional standards are most common, for tonal or aesthetic reasons luthiers more commonly experiment with different tonewoods on basses than with electric guitars (though this is changing), and rarer woods like walnut and figured maple, as well as exotic woods like bubinga, wenge, koa, and purpleheart, are often used as accent woods in the neck or on the face of mid- to high-priced production basses and on custom-made and boutique instruments.
In other less mainstream genres, such as hardcore punk or metal, the pedagogical systems and training sequences are typically not formalized and institutionalized. As such, many players learn by ear, by copying bass lines from records and CDs, and by playing in a number of bands. Even in non-mainstream styles, though, students may be able to take lessons from experts in these or other styles, adapting learned techniques to their own style. As well, there are a range of books, playing methods, and, since the 1990s, instructional DVDs (e.g., how to play metal bass). In the 2010s, many instructional videos are available online on video-sharing websites such as YouTube.
Since 2011 German bass luthier Warwick built several fretless Thumb NT 7 basses for Jeroen Paul Thesseling, featuring a 34-inch (864 mm) scale with subcontra tuning F♯–B–E–A–D–G–C [44][45][46]. Yves Carbonne developed ten- and twelve-string fretless subbass guitars.[47][48][49] In 2017 a 13 string bass tuned Ab00–Gb–Db–B–E–A–D–G–C–F–Bb–Eb–Ab4 was built by Prometeus guitars giving the fullest range to a string instrument allowable by current string technology.
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If you choose to venture beyond the traditional acoustic drum set, the variety here will reward you for it. One great way to expand your percussion options is with an electronic drum kit, which gives you the opportunity to program any samples you want into the sound module. That means you get not only a huge range of natural drum sounds, but also the ability to queue up virtually any other effect you want. As well as electronic drums, there are plenty of world percussion options here for you to peruse. Those range from hand drums like the cajon and djembe to all kinds of distinctive instruments such as tambourines, chimes and, of course, the iconic cowbell.
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With rock and roll coming into place, a watershed moment occurred between 1962 and 1964 when the Surfaris released "Wipe Out", as well as when Ringo Starr of The Beatles played his Ludwig kit on American television. As rock moved from the nightclubs and bars and into stadiums in the 1960s, there was a trend towards bigger drum kits. The trend towards larger drum kits took momentum in the 1970s with the emergence of progressive rock. By the 1980s, widely popular drummers like Billy Cobham, Carl Palmer, Nicko McBrain, Phil Collins, Stewart Copeland, Simon Phillips and Neil Peart were using large numbers of drums and cymbals. In the 1980s, some drummers began to use electronic drums.
Another design consideration for the bass is whether to use frets on the fingerboard. On a fretted bass, the metal frets divide the fingerboard into semitone divisions (as on an electric guitar or acoustic guitar). Fretless basses have a distinct sound, because the absence of frets means that the string must be pressed down directly onto the wood of the fingerboard with the fingers, as with the double bass. The string buzzes against the wood and is somewhat muted because the sounding portion of the string is in direct contact with the flesh of the player's finger. The fretless bass lets players use expressive approaches such as glissando (sliding up or down in pitch, with all of the pitches in between sounding), and vibrato (in which the player rocks a finger that is stopping a string to oscillate the pitch slightly). Fretless players can also play microtones, or temperaments other than equal temperament, such as just intonation.
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Budget constraints and space considerations in musical theatre pit orchestras led bandleaders to pressure fewer percussionists to cover more percussion parts. Metal consoles were developed to hold Chinese tom-toms, with swing-out stands for snare drums and cymbals. On top of the console was a "contraption" tray (shortened to "trap"), used to hold items like whistles, klaxons, and cowbells, so these drums/kits were dubbed "trap kits". Hi-hat stands became available around 1926.[9]
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When playing bass solos, rock and metal bassists sometimes use effects such as fuzz bass or a wah-wah pedal to produce a more pronounced sound. Notably, Cliff Burton of Metallica used both effects. Due to the lower range of the bass, bass guitar solos usually have a much lighter accompaniment than solos for other instruments. In some cases, the bass guitar solo is unaccompanied, or accompanied only by the drums.
A well-known bass humbucker is the pickup used on the Music Man series of basses; it has two coils, each with four large polepieces. This style is known as the "MM" pickup for this reason, and many aftermarket pickup manufacturers (companies that make and sell pickups that you can custom-add to your bass) and custom bass builders incorporate these pickups in their designs. The most common configurations are a single pickup at the bridge, two pickups similar in placement to a Jazz Bass, or an MM pickup at the bridge with a single-coil pickup (often a "J") at the neck. These pickups can often be "tapped", meaning one of the two coils can be essentially turned off, giving a sound similar to a single-coil pickup.

The fretting hand can add vibrato to a plucked or picked note, either a gentle, narrow vibrato or a more exaggerated, wide vibrato with bigger pitch variations. For fretted basses, vibrato is always an alternation between the pitch of the note and a slightly higher pitch. For fretless basses, the player can use this style of vibrato, or they can alternate between the note and a slightly lower pitch, as is done with the double bass and on other unfretted stringed instruments. While vibrato is mostly done on "stopped" notes—that is, notes that are pressed down on the fingerboard—open strings can also be vibratoed by pressing down on the string behind the nut. As well, the fretting hand can be used to "bend" a plucked or picked note up in pitch, by pushing or pulling the string so that the note sounds at a higher pitch. To create the opposite effect, a "bend down", the string is pushed to a higher pitch before being plucked or picked and then allowed to fall to the lower, regular pitch after it is sounded. Though rare, some bassists may use a tremolo bar-equipped bass to produce the same effect.


Just like a traditional piano, a digital piano features a keyboard. A digital piano's keyboard is weighted to simulate the action of a traditional piano and is velocity sensitive so that the volume of the sounds depends on how hard the keys are pressed.[6] Many instruments now have a complex action incorporating actual hammers in order to better simulate the touch of a grand piano.[7]
If you want to learn to play the piano, digital pianos offer many benefits compared to acoustic grand pianos. Most digital pianos we sell offer split or dual mode. Engaging this feature separates the keyboard into two identical keyboards with the same notes and octave. This allows you to play along with your piano teacher so they can walk you through chords, melodies and full songs. Select models also offer built-in demo songs with step by step instructions on how to play them.
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Trigger pads and drums, on the other hand, when deployed in a conventional set-up, are most commonly used to produce sounds not possible with an acoustic kit, or at least not with what is available. Any sound that can be sampled/recorded can be played when the pad is struck, by assigning the recorded sounds to specific triggers . Recordings or samples of barking dogs, sirens, breaking glass and stereo recordings of aircraft taking off and landing have all been used. Along with the more obvious electronically generated sounds there are synthesized human voices or song parts or even movie audio or digital video/pictures that (depending on device used) can also be played/triggered by electronic drums.

Percussion instruments are the most ancient instruments of all, and were present in the early tribal days of nearly every civilization. Drums today are an important part of human culture, not just because they speak to a variety of musical heritages, but because it’s said we all carry around a personal rhythm in our beating hearts. At Amazon.com, we honor one of the world’s oldest traditions by offering drums and percussion accessories for every level of player.


The purpose that why you need to get a guitar should be one of the key things to consider. Taking a simple scenario, the bass guitar needed by a beginner but not the choice that an expert will go for. It is important to know why you really need it, if you just want to get one for fun, you should go for the basic guitar. On the other hand, if you want more than just basic use and you need a better and more punchy bass, then you can spend more on your guitar.
Our massive selection of acoustic drums and electronic drums, world percussion instruments, drumming accessories, replacement parts, and cymbals all come with our lowest price and total satisfaction guarantees. Browse around and you'll see drums and percussion instruments from Pearl, Tama, Zildjian, Sabian, and more. Looking for a great gift? We've got hand drums including bongo drums and congas, as well as kids drums and electronic drum sets.
Palm-muting is a widely used bass technique. The outer edge of the palm of the picking hand is rested on the bridge while picking, and "mutes" the strings, shortening the sustain time. The harder the palm presses, or the more string area that is contacted by the palm, the shorter the string's sustain. The sustain of the picked note can be varied for each note or phrase. The shorter sustain of a muted note on an electric bass can be used to imitate the shorter sustain and character of an upright bass. Palm-muting is commonly done while using a pick, but can also be done without a pick, as when doing down-strokes with the thumb.
Traditional digital pianos vaguely resemble an electronic organ or a spinet harpsichord but usually lacking a fully enclosed lower section, while some models are based on the casework of traditional upright pianos with a fully enclosed bottom part and pedals that look like actual piano pedals. An opposite and recent trend is to produce an instrument which has a unique and distinctive appearance, unobtainable with a conventional instrument. Yamaha , Kawai and Casio makes a model which is designed to stand against a wall and is far shallower from keyboard to back than any possible upright design, as well as shorter height.
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