The fact that it comes with 4 strings means that it will be narrower. One of the best-fretted guitars you can get for your money. The fret design has been around for long and this is so because of its simplicity. With the frets dividing the fingerboard, you'll get to see the position to play each note on the neck. Definitely, makes guitar playing much easier. Warm resonance, comfortable balance and fat tones, that’s the guitar offer to you.

Eight and twelve-string models are both built on the same "course string" concept found on twelve-string guitars, where sets of strings are spaced together in groups of two or three that are primarily played simultaneously. These instruments typically have one of the strings in each course tuned an octave above the 'standard' string, although a fifth above is also used. Instruments with ten and fifteen strings, grouped in five courses, also exist, as do "extended-range basses" or ERBs with non-coursed string counts rivaling those of coursed-string basses.

In 1918 Baby Dodds (Warren "Baby" Dodds, circa 1898–1959), playing on riverboats with Louis Armstrong on the Mississippi, was modifying the military marching set-up and experimenting with playing the drum rims instead of woodblocks, hitting cymbals with sticks (1919), which was not yet common, and adding a side cymbal above the bass drum, what became known as the ride cymbal. Drum maker William Ludwig developed the "sock" or early low-mounted high-hat after observing Dodd's drumming. Ludwig noticed that Dodd tapped his left foot all the time. Dodds had Ludwig raise the newly produced low hats 9 inches higher to make it easier to play, thus creating the modern hi-hat cymbal.[12] Dodds was one of the first drummers to also play the broken-triplet beat that became the standard pulse and roll of modern ride cymbal playing. Dodds also popularized the use of Chinese cymbals.[13]
The electric bass is a relative newcomer to the world of jazz. The big bands of the 1930s and 1940s Swing era and the small combos of the 1950s Bebop and Hard Bop movements all used the double bass. The electric bass was introduced in some bands in the 1950s and it became prominent during the late 1960s and early 1970s, when rock influences were blended with jazz to create jazz-rock fusion.
Among digital pianos, there are several differences. The three main types of digital pianos are standard digital pianos, upright digital pianos, and stage pianos. Upright vertical pianos are built with a large cabinet, not unlike a real upright piano. They are often fitted with the best hammer action key systems and tone generation engines so that they are comparable to real upright pianos. Obviously, they still take up as much space as a real one, but there is less maintenance required. Stage pianos are digital pianos designed to be used in live performances, or on stage. They are much more portable than traditional pianos, and much sturdier than standard digital pianos. Standard digital pianos are intended more for practice and play at home. They are not as large or fully featured but offer an excellent balance of sound and portability.
The number of frets installed on a bass guitar neck may vary. The original Fender basses had 20 frets, and most bass guitars have between 20 and 24 frets or fret positions. Instruments with between 24 and 36 frets (2 and 3 octaves) also exist. Instruments with more frets are used by bassists who play bass solos, as more frets gives them additional upper range notes. When a bass has a large number of frets, such as a 36 fret instrument, the bass may have a deeper "cutaway" to enable the performer to reach the higher pitches. Like electric guitars, fretted basses typically have markers on the fingerboard and on the side of the neck to assist the player in determining where notes and important harmonic points are. The markers indicate the 3rd, 5th, 7th, 9th fret and 12th fret (the 12th fret being the octave of the open string) and on the octave-up equivalents of the 3rd fret and as many additional positions as an instrument has frets for. Typically, one marker is on the 3rd, 5th, 7th and 9th fret positions and two markers on the 12th fret.
A drum kit — also called a drum set, trap set (a term using a contraction of the word, “contraption”), or simply drums — is a collection of drums and other percussion instruments, typically cymbals, which are set up on stands to be played by a single player,[1] with drumsticks held in both hands, and the feet operating pedals that control the hi-hat cymbal and the beater for the bass drum. A drum kit consists of a mix of drums (categorized classically as membranophones, Hornbostel-Sachs high-level classification 2) and idiophones – most significantly cymbals, but can also include the woodblock and cowbell (classified as Hornbostel-Sachs high-level classification 1).[2] In the 2000s, some kits also include electronic instruments (Hornbostel-Sachs classification 53). Also, both hybrid (mixing acoustic instruments and electronic drums) and entirely electronic kits are used.
I then set out to a few local Los Angeles music stores to get my hands on some keys, talk to the store employees who work around these instruments every day, and start to whittle down the list. After contacting manufacturers to request samples and/or to get suggestions on pianos that might better fit our guidelines (or, in one case, to inform us of a model that was being discontinued), the list was narrowed down to seven keyboards.
At Sam Ash we understand that the needs of drummers and percussionists extend well beyond the needs of other musicians. The Sam Ash drum department reflects that. We don't just have a huge selection of drum sets – with or without hardware - and the latest electronic kits and cymbals, we have all the bells and whistles (and cowbells and egg shakers and didgeridoos and the myriad items that enhance and customize the experience of drums and percussion) and accessories that make drumming exciting.
The snare drum is the heart of the drum kit, particularly in rock, due its utility of providing the backbeat. When applied in this fashion, it supplies strong regular accents, played by the left hand (if right handed), and the backbone for many fills. Its distinctive sound can be attributed to the bed of stiff snare wires held under tension to the underside of the lower drum head. When the stiff wire are "engaged" (held under tension), they vibrate with the top (snare-side) drum skin (head), creating a snappy, staccato buzzing sound, along with the sound of the stick striking the batter head.
A three-piece drum set is the most basic set. A conventional three-piece kit consists of a bass drum, a 14" diameter snare drum, 12"–14" hi-hats, a single 12" diameter hanging tom, 8"–9" in depth, and a suspended cymbal, in the range of 14"–18", both mounted on the bass drum. These kits were common in the 1950s and 1960s and are still used in the 2010s in small acoustic dance bands. It is a common configuration for kits sold through mail order, and, with smaller sized drums and cymbals, for kits for children.
The smallest and largest drums without snares, octobans and gong drums respectively, are sometimes considered toms. The naming of common configurations (four-piece, five-piece, etc.) is largely a reflection of the number of toms, as only the drums are conventionally counted, and these configurations all contain one snare and one or more bass drums, (though not regularly any standardized use of 2 bass/kick drums) the balance usually being in toms.
Sample-based digital pianos do have limitations on the faithfulness with which they reproduce the sound of an acoustic piano. These might include the lack of implementation of harmonic tones that result when certain combinations of notes are sounded, limited polyphony, and a lack of natural reverberation when the instrument is played percussively. They often lack the incidental acoustic noises associated with piano playing, such as the sounds of pedals being depressed and the associated machinery shifting within the piano, which some actually consider a benefit. These limitations apply to most acoustic instruments and their sampled counterparts, the difference often being described as "visceral". On an acoustic piano, the sustain pedal lifts the dampers for all strings, allowing them to resonate naturally with the notes played. Digital pianos all have a similar pedal switch to hold notes in suspension, but only high-end models can reproduce the sympathetic resonance effect.

In Canada, the Humber College Institute of Technology & Advanced Learning offers an Advanced Diploma (a three-year program) in jazz and commercial music. The program accepts performers who play bass, guitar, keyboard, drums, melody instruments (e.g., saxophone, flute, violin) and who sing. Students get private lessons and perform in 40 student ensembles.[65]

In the 1980s and beyond, electric bass was used in works by Hans Werner Henze (El Rey de Harlem, 1980; and Il ritorno d'Ulisse in patria, 1981), Harold Shapero, On Green Mountain (Chaconne after Monteverdi), 1957, orchestrated 1981; Alfred Schnittke's Symphony No. 3 (1981); Steve Reich's Electric Counterpoint (1987) and 2x5 (2008), Wolfgang Rihm (Die Eroberung von Mexico, 1987–91), Arvo Pärt (Miserere, 1989/92), Steve Martland (Dance works, 1993; and Horses of Instruction, 1994), Sofia Gubaidulina (Aus dem Stundenbuch, 1991), Giya Kancheli (Wingless, 1993), John Adams (I Was Looking at the Ceiling and Then I Saw the Sky, 1995; and Scratchband, 1996/97), Michael Nyman (various works for the Michael Nyman Band), Mark-Anthony Turnage (Blood on the Floor, 1993–1996), numerous works by Art Jarvinen.[63]

Matt Abts • Alex Acuña • Daniel Adair • Chris Adler • Morgan Agren • Airto • Tommy Aldridge • Rashied Ali • Don Alias • Carl Allen • Cliff Almond • Barry Altschul • Robby Ameen • Scott Amendola • Animal • Charly Antolini • Carmine Appice • Vinny Appice • Kenny Aronoff • Billy Ashbaugh • Mick Avory • Marcel Bach • Colin Bailey • Donald Bailey • Ginger Baker • Jeff Ballard • Alex Bally • Joe La Barbera • Danny Barcelona • Travis Barker • Barriemore Barlow • Joey Baron • Ranjit Barot • Julio Barreto • Ray Barretto • Ray Bauduc • Eddie Bayers • Marcus Baylor • Frank Beard • Carter Beauford • Poogie Bell • Louie Bellson • Frank Bellucci • Brian Bennett • Han Bennink • Joe Bergamini • Tal Bergman • Jon "Bermuda" Schwartz • Ignacio Berroa • Pete Ray Biggin • Curt Bisquera • Gregg Bissonette • Jason Bittner • Roger Biwandu • Dave Black • James Black • Cindy Blackman • John Blackwell • Brian Blade • Hal Blaine • Art Blakey • Jason Bonham • John Bonham • Gergo Borlai • Paul Bostaph • Terry Branam • Dirk Brand • Jimmy Branly • Tom Brechtlein • Amir Bresler • Don Brewer • Gerry Brown • Bill Bruford • Ronald Bruner Jr. • Jack Bruno • Mark Brzezicki • Roy Burns • William Calhoun • Matt Cameron • Clayton Cameron • Gorden Campbell • Teddy Campbell • Tommy Campbell • Emmanuelle Caplette • Danny Carey • Keith Carlock • Bun E. Carlos • Karen Carpenter • Terri Lyne Carrington • Joey Castillo • Lenny Castro • Deen Castronovo • Big Sid Catlett • André Ceccarelli • Dave DiCenso • Gary Chaffee • Matt Chamberlain • Stephane Chamberland • Jimmy Chamberlin • Dennis Chambers • Ndugu Chancler • Jim Chapin • Gary Chester • Jon Christensen • Kenny Clare • Greg Clark • Mike Clark • Kenny Clarke • Tommy Clufetos • Jimmy Cobb • Billy Cobham • Vinnie Colaiuta • Cozy Cole • Chris Coleman • Cora Coleman-Dunham • Tony Coleman • Phil Collins • Aaron Comess • Luis Conte • Tré Cool • Ray Cooper • Stewart Copeland • Paulinho Da Costa • Kirk Covington • René Creemers • Adam Cruz • Abe Cunningham • Mickey Curry • Andrew Cyrille • Nick D'Virgilio • Paulinho Da Costa • Brann Dailor • Dino Danelli • Zach Danziger • Flo Dauner • Chris "Daddy" Dave • Mike Davila • Alan Dawson • Mikkey Dee • Barrett Deems • Jimmy DeGrasso • Adam Deitch • Jack DeJohnette • Kenwood Dennard • John Densmore • Liberty De Vitto • Wim De Vries • Dave DiCenso • Marko Djordjevic • Warren "Baby" Dodds • John Dolmayan • Peter Donald • Virgil Donati • Famadou Don Moye • Paul Douglas • Brian Downey • Hamid Drake • Martin Drew • The Drumbassadors • Billy Drummond • Aynsley Dunbar • Sly Dunbar • Mario Duplantier • Sheila E. • Phil Ehart • Dave Elitch • Paul Elliott • Sonny Emory • Peter Erskine • Dom Famularo • Pierre Favre • Steve Ferrone • Anton Fig • Vera Figueiredo • Sammy Figueroa • Larry Finn • Eric Fischer • Mick Fleetwood • D.J. Fontana • Hannah Ford • Shannon Forrest • Al Foster • Vernel Fournier • Panama Francis • Brian Frasier-Moore • Josh Freese • Kiko Freitas • Steve Gadd • James Gadson • Richie Gajate-Garcia • David Garibaldi • Matt Garstka • Bob Gatzen • Mel Gaynor • Leonard "Doc" Gibbs • Andy Gillmann • Daniel Glass • Evelyn Glennie • Jim Gordon • Danny Gottlieb • Jimmy DeGrasso • Rick Gratton • Eric Kamau Gravatt • Milford Graves • Benny Greb • Sonny Greer • Rayford Griffin • Dave Grohl • Freddie Gruber • Donny Gruendler • Mark Guiliana • Terreon Gully • Trilok Gurtu • Ralf Gustke • Tomas Haake • Wolfgang Haffner • Omar Hakim • Matt Halpern • Chico Hamilton • Jeff Hamilton • Lionel Hampton • Jake Hanna • Eric Harland • Buddy Harman • Gavin Harrison • Mickey Hart • Billy Hart • Steve Hass • Fritz Hauser • Roger Hawkins • Taylor Hawkins • Louis Hayes • Roy Haynes • Richie Hayward • Albert Tootie Heath • Hernan Hecht • Levon Helm • Don Henley • Joey Heredia • Horacio Hernandez • Raymond Herrera • Claus Hessler • Gerald Heyward • Giovanni Hidalgo • Billy Higgins • Jon Hiseman • Ari Hoenig • Gene Hoglan • Rodney Holmes • Steve Holmes • Steve Houghton • Boris Hrebtukov • Daniel Humair • Gary Husband • Zakir Hussain • Greg Hutchinson • Susie Ibarra • Tommy Igoe • Tris Imboden • Al Jackson • Huub Janssen • Bobby Jarzombek • Akira Jimbo • Jack DeJohnette • Mike Johnston • Daru Jones • Elvin Jones • Harold Jones • Hilary Jones • Papa Jo Jones • Philly Joe Jones • Randy Jones • Rufus "Speedy" Jones • Steve Jordan • Joey Jordison • Jonathan Joseph • Manu Katché • Senri Kawaguchi • Jim Keltner • Will Kennedy • Billy Kilson • George Kollias • Glenn Kotche • Joey Kramer • Bill Kreutzmann • Gene Krupa • Russ Kunkel • Joe La Barbera • Abe Laboriel jr. • Gene Lake • Don Lamond • Thomas Lang • Dave Langguth • Shannon Larkin • Pete LaRoca Sims • Karl Latham • Rick Latham • Trevor Lawrence Jr. • Ricky Lawson • Chris Layton • Tommy Lee • Felix M. Lehrmann • Paul Leim • Stan Levey • Larnell Lewis • Mel Lewis • Victor Lewis • Pete Lockett • Dave Lombardo • Larrie Londin • Hakim Ludin • Andy Lüscher • Ray Luzier • Mike Mangini • Shelly Manne • Brian "Brain" Mantia • Sherrie Maricle • Rick Marotta • Bill Marschall • John Marshall • Billy Martin • Pedrito Martinez • Ken Mary • Harvey Mason • Nick Mason • Pat Mastelotto • Dave Mattacks • Phil Maturano • JoJo Mayer • Marilyn Mazur • Nicko McBrain • Joe McCarthy • George "Spanky" McCurdy • Jason McGerr • Russ McKinnon • Marvin McQuitty • Buddy Miles • Butch Miles • Russ Miller • Marco Minnemann • Mike Mitchell • Mitch Mitchell • Joseph Ziggy Modeliste • Jonathan Moffett • Drori Mondlak • Keith Moon • Eric Moore • Stanton Moore • Steve Moore • Airto Moreira • Joe Morello • Rod Morgenstein • Joe Morris • Paul Motian • Alphonse Mouzon • Jonathan Mover • Don Moye • Moritz Mueller • Idris Muhammad • Larry Mullen Jr. • Narada • Lewis Nash • Sandy Nelson • Andy Newmark • Jost Nickel • Anika Nilles • Gary Novak • Adam Nussbaum • Volkan Öktem • Jamie Oldaker • Nigel Olsson • John Otto • Ian Paice • Carl Palmer • Earl Palmer • Francis Panama • Toss Panos • Chris Parker • Leon Parker • Vinnie Paul • Jim Payne • Sonny Payne • Lee Pearson • Neil Peart • Shawn Pelton • Clarence Penn • Chris Pennie • Armando Peraza • Karl Perazzo • Stephen Perkins • Charli Persip • Ralph Peterson • Pat Petrillo • Simon Phillips • Felix Pollard • Joe Porcaro • Jeff Porcaro • Mike Portnoy • Cozy Powell • Bobby Previte • Thomas Pridgen • Aquiles Priester • Dafnis Prieto • Tito Puente • Bernard "Pretty" Purdie • Alvin Queen • Jeff Queen • Questlove • Johnny Rabb • Tobias Ralph • Stanley Randolph • Rich Redmond • Raul Rekow • Walfredo Reyes • Walfredo Reyes, Jr. • Buddy Rich • Dannie Richmond • Sean Rickman • Alex Riel • Kariem Riggins • Ben Riley • Herlin Riley • Jim Riley • John Riley • Ringo • Chip Ritter • Max Roach • Lil John Roberts • John "J.R." Robinson • Pete LaRoca Sims • Derek Roddy • Mickey Roker • Bobby Rondinelli • Joel Rosenblatt • Tony Royster Jr. • Ilan Rubin • Phil Rudd • Daniel Sadownick • Bobby Sanabria • Antonio Sanchez • Poncho Sanchez • Mongo Santamaria • Robyn Schulkowsky • Mark Schulman • Jon Bermuda Schwartz • Robert "Sput" Searight • Denny Seiwell • Danny Seraphine • Paco Séry • Chad Sexton • Gil Sharone • Ed Shaughnessy • Michael Shrieve • Pete LaRoca Sims • Eric Singer • Zutty Singleton • Chad Smith • Marvin "Smitty" Smith • Nate Smith • Nick Smith • Steve Smith • Ash Soan • Glen Sobel • Ed Soph • Matt Sorum • Richard Spaven • Aaron Spears • David Stanoch • Zak Starkey • John "Jabo" Starks • Ringo Starr • Ronnie Stephenson • Bill Stewart • Nisan Stewart • Clyde Stubblefield • Fredy Studer • Todd Sucherman • James "The Reverend" Sullivan • Grady Tate • Art Taylor • Mel Taylor • Roger Taylor • John Tempesta • Jon Theodore • Aaron Thier • Ed Thigpen • Ian Thomas • Ahmir Questlove Thompson • Chester Thompson • Brian Tichy • Top Secret Drum Corps • Efrain Toro • Pat Torpey • Tico Torres • Dave Tough • Nat Townsley • Ron Tutt • Lars Ulrich • Vadrum Andrea Vadrucci • Christian Vander • Alex Van Halen • Ronnie Vannucci • Nana Vasconcelos • Carlos Vega • Glen Velez • Nicolas Viccaro • Johnny Vidacovich • Jimmy Vincent • Nick D'Virgilio • Wim De Vries • Chad Wackerman • Nasheet Waits • Narada Michael Walden • Bill Ward • Billy Ward • Kenny Washington • Derico Watson • Charlie Watts • Jeff "Tain" Watts • Chick Webb • Dave Weckl • Max Weinberg • Klaus Weiss • Paul Wertico • George Wettling • Alan White • Lenny White • Steve White • Pete Wilhoit • Brad Wilk • Tony Williams • Matt Wilson • Shadow Wilson • Kenny Wollesen • Sam Woodyard • Pete York • Pete Zeldman • Zoro

On the other hand, perhaps you've worked hard to build your abilities and are finally ready to upgrade your kit to something a little more suitable to your skills. If that's the case, you may be interested in something like the PDP Concept Maple by DW 7-Piece Shell Pack. This pack is fueled by seriously warm depth and range, making it perfect for nearly any musical style. With its versatility, gorgeous looks, and punchy attack, this is a great option for a regularly gigging drummer.
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There are a range of different string types including all-metal strings, which are available in many varieties of winding or finishing, each of which produce different tone, including roundwound, flatwound, halfwound, ground wound, and pressure wound); as well as metal strings with different coverings, such as tapewound and wound with plastic coatings. The variety of materials used in the strings gives bass players a range of tonal options. In the 1950s and early 1960s, bassists mostly used flatwound strings with a smooth surface, which had a smooth, damped sound reminiscent of a double bass. In the late 1960s and 1970s, players began using roundwound bass strings, which produce a brighter tone similar to steel guitar strings, though flatwounds also remained in use by players seeking a vintage tone. Roundwounds have a brighter timbre (tone) with longer sustain than flatwounds.

A common feature of more expensive basses is "neck-through" construction. Instead of milling the body from a single piece of wood (or "bookmatched" halves) and then attaching the neck into a pocket (so-called "bolt-on" design), neck-through basses are constructed first by assembling the neck, which may comprise one, three, five or more layers of wood in vertical stripes, which are longer than the length of the fretboard. To this elongated neck, the body is attached as two wings, which may also be made up of several layers. The entire bass is then milled and shaped. Neck-through construction advertisements claim this approach provides better sustain and a mellower tone than bolt-on neck construction. While neck-through construction is most common in handmade "boutique" basses, some models of mass-produced basses such as Ibanez's BTB series also have neck-through construction. Bolt-on neck construction does not necessarily imply a cheaply made instrument; virtually all traditional Fender designs still use bolt-on necks, including its high-end instruments costing thousands of dollars, and many boutique luthiers such as Sadowsky build bolt-on basses as well as neck-through instruments.
Since the 1960s, the bass guitar has largely replaced the double bass in popular music as the bass instrument in the rhythm section.[7] While types of basslines vary widely from one style of music to another, the bassist usually plays a similar role: anchoring the harmonic framework and establishing the beat. Many styles of music include the bass guitar, including rock, heavy metal, pop, punk rock, country, reggae, gospel, blues, symphonic rock, and jazz. It is often a solo instrument in jazz, jazz fusion, Latin, technical death metal, funk, progressive rock and other rock and metal styles.
To keep proper pitch across all frets in a multi-scale bass guitar, a fanned fret design is applied to the fingerboard. In this case, the frets extend from the neck of the instrument at an angle, in contrast to the standard perpendicular arrangement in standard neck designs, in which the fret spacing is wider for the long scale and closer for the short scale. This is not to be confused with perfect intonation across the whole neck, which is a feature of true temperament frets. Proponents of multi-scale and fanned frets designs also claim benefits such as comfort and better ergonomics[51].
Chinese troops used tàigǔ drums to motivate troops, to help set a marching pace, and to call out orders or announcements. For example, during a war between Qi and Lu in 684 BC, the effect of drum on soldier's morale is employed to change the result of a major battle. Fife-and-drum corps of Swiss mercenary foot soldiers also used drums. They used an early version of the snare drum carried over the player's right shoulder, suspended by a strap (typically played with one hand using traditional grip). It is to this instrument that the English word "drum" was first used. Similarly, during the English Civil War rope-tension drums would be carried by junior officers as a means to relay commands from senior officers over the noise of battle. These were also hung over the shoulder of the drummer and typically played with two drum sticks. Different regiments and companies would have distinctive and unique drum beats only they recognized. In the mid-19th century, the Scottish military started incorporating pipe bands into their Highland Regiments.[9]
This guitar has got a maple C-shape neck with a 9.5-inch radius and 20 medium jumbo frets. Most bass playing occurs in the lower fret positions that make 20 frets ideal for bass playing. The single coil feature is quite simple to use and it will create both a bright and focused sound quality. If you are looking for a bass guitar that plays on a small scale, this is just the right one for you.
A sizzler is a metal chain or combination of chains that is hung across a cymbal, creating a distinctive metallic sound when the cymbal is struck similar to that of a sizzle cymbal. Using a sizzler is the non-destructive alternative to drilling holes in a cymbal and putting metal rivets in the holes. Another benefit of using a "sizzler" chain is that the chain can be removed and the cymbal will return to its normal sound (in contrast, a cymbal with rivets would have to have the rivets removed). Some sizzlers feature pivoting arms that allow the chains to be quickly raised from the cymbal, or lowered onto it, allowing the effect to be used for some songs and removed for others.
In the 1980s, bass designers continued to explore new approaches. Ned Steinberger introduced a headless bass in 1979 and continued his innovations in the 1980s, using graphite and other new materials and (in 1984) introducing the TransTrem tremolo bar. In 1982, Hans-Peter Wilfer founded Warwick, to make a European bass, as the market at the time was dominated by Asian and American basses. Their first bass was the Streamer Bass, which is similar to the Spector NS. In 1987, the Guild Guitar Corporation launched the fretless Ashbory bass, which used silicone rubber strings and a piezoelectric pickup to achieve an "upright bass" sound with a short 18-inch (457 mm) scale length. In the late 1980s, MTV's "Unplugged" show, which featured bands performing with acoustic instruments, helped to popularize hollow-bodied acoustic bass guitars amplified with piezoelectric pickups built into the bridge of the instrument.
When you need the low-end, Dean Guitars brings the bass. The bass guitar truly is the unglorified leader of the group. Here at Dean, we have a deep understanding of the intricacies involved in the design and construction process. Through that process, we have fine-tuned the needs of today's modern bass player. The point being, whatever your bass needs, Dean Guitars is sure to have a choice like no other. Count on us to make sure your musical path is well traveled. Get Your Wings today!

Of course, for any student or beginner, Sam Ash carries a full assortment of sheet music and books specifically geared toward budding piano players. We recommend starting with a piano instructional book or piano instructional DVD to learn the basics of music theory, chord progressions, and techniques like which fingers to use on certain scales and the proper ready position. We also have manuscripts for tracking your progress. Once you master the essentials, you can move on to piano music books that will teach you how to play your favorite songs on piano. Here at Sam Ash, we have an incredible selection of music books ranging from books focused on specific albums to compilation books that offer guides to mastering the best hits from a certain decade or genre.
Of all of the genres, jazz and the mainstream commercial genres (rock, R&B, etc.) have the most established and comprehensive systems of instruction and training for electric bass. In the jazz scene, teens can begin taking private lessons on the instrument and performing in amateur big bands at high schools or run by the community. Young adults who aspire to be come professional jazz bassists or studio rock bassists can continue their studies in a variety of formal training settings, including colleges and some universities.
Some drummers arrive at the venue with their drum kit and use the mics and mic stands provided by the venue's sound engineer. Other drummers bring their all of their own mics, or selected mics (e.g., a good quality bass drum mic and a good mic for the snare) to ensure that they have good quality mics for each show. In bars and nightclubs, the microphones supplied by the venue can sometimes be in substandard condition, due to the heavy use they experience.
Drummers often bring a carpet, mats or rugs to venues to prevent the bass drum and hi-hat stand from "crawling" (moving away) on a slippery surface from the drum head striking the bass drum. The carpet also reduces short reverberation (which is generally but not always an advantage), and helps to prevent damage to the flooring or floor coverings. In shows where multiple drummers will bring their kits onstage over the night, it is common for drummers to mark the location of their stands and pedals with tape, to allow for quicker positioning of a kits in a drummer's accustomed position. Bass drums and hi-hat stands commonly have retractable spikes to help them to grip surfaces such as carpet, or stay stationary (on hard surfaces) with rubber feet.
Most electric bass guitars use magnetic pickups. The vibrations of the instrument's ferrous metal strings within the magnetic field of the permanent magnets in magnetic pickups produce small variations in the magnetic flux threading the coils of the pickups. This in turn produces small electrical voltages in the coils. Many bass players connect the signal from the bass guitar's pickups to a bass amplifier and loudspeaker using a 1/4" patch cord. These low-level signals are then strengthened by the bass amp's preamplifier electronic circuits, and then amplified with the bass amp's power amplifier and played through one or more speaker(s) in a cabinet.
Established in 2006, Virtual Piano is now played by more than 19 million people a year. This free to use platform enables you to play the piano through your computer keyboard, without the need to download or install an app. The best part is that you don’t need prior knowledge of the music notation. The Virtual Piano music sheets use plain English alphabet and simple semantics, so you can enjoy the experience of playing the piano instantly.
Heavy metal bass players such as Geezer Butler (Black Sabbath), Alex Webster (Cannibal Corpse), Cliff Burton (Metallica), and Les Claypool (Primus, Blind Illusion) have used chime-like harmonics and rapid plucking techniques in their bass solos. Geddy Lee of Rush has made frequent use of bass solos, such as on the instrumental "YYZ". In both published Van Halen concert videos, Michael Anthony performs unique maneuvers and actions during his solos. Funk bassists such as Larry Graham began using slapping and popping techniques for their solos, which coupled a percussive thumb-slapping technique of the lower strings with an aggressive finger-snap of the higher strings, often in rhythmic alternation. The slapping and popping technique incorporates a large number of muted (or 'ghost' tones) to normal notes to add to the rhythmic effect. Slapping and popping solos were prominent in 1980s pop and R&B, and they are still used by some modern funk and Latin bands.
Bassists trying to emulate the sound of a double bass sometimes pluck the strings with their thumb and use palm-muting to create a short, "thumpy" tone. Monk Montgomery (who played in Lionel Hampton's big band) and Bruce Palmer (who performed with Buffalo Springfield) use thumb downstrokes. The use of the thumb was acknowledged by early Fender models, which came with a "thumbrest" or "Tug Bar" attached to the pickguard below the strings. Contrary to its name, this was not used to rest the thumb, but to provide leverage while using the thumb to pluck the strings. The thumbrest was moved above the strings in 1970s models (as a true thumbrest) and eliminated in the 1980s. Nevertheless, some reissued versions of vintage Fender basses in the 2010s do include a thumbrest.
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