In piano lingo, “action” describes the way the piano keys feel when you press on them. With a digital piano, the closer the action is to that of an acoustic piano, the better. Semi-weighted action uses a spring to create the resistance felt when pressing a key and its rebound when you lift your finger. Hammer action uses a hammer mechanism like that found in an acoustic piano to replicate the feel. Graded, or progressive, hammer action takes that a step further by increasing the weight of the action as you descend to the lower notes on the keyboard. Using a keyboard with weighted action is beneficial for multiple reasons. It helps build finger strength while practicing (a spring-based action will only minimally address this), and it allows for more variation and musicality in the way you play a note. While a piano keyboard might look like nothing more than a bunch of on/off switches, in reality there’s a range of volumes and timbres that can be achieved depending on how quickly or strongly you depress the keys. Hammer action best replicates those possibilities.
This guitar has got a maple C-shape neck with a 9.5-inch radius and 20 medium jumbo frets. Most bass playing occurs in the lower fret positions that make 20 frets ideal for bass playing. The single coil feature is quite simple to use and it will create both a bright and focused sound quality. If you are looking for a bass guitar that plays on a small scale, this is just the right one for you.

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The long scale necks on Leo Fender's basses—with a scale length (distance between nut and bridge) of 34 inches (864 mm) — set the standard for electric basses, although 30-inch (762 mm) "short scale" instruments, such as the Höfner 500/1 "violin bass" played by Paul McCartney, and the Fender Mustang Bass are also common. Short scale instruments use the same E-A-D-G tuning as a regular long scale instrument. Short scale instruments are good choices for bassists with smaller hands, such as children or young teens who are just starting the instrument. While 35-inch (889 mm), 35 1⁄2-inch (902 mm), and 36-inch (914 mm) scale lengths were once only available in "boutique" instruments, in the 2000s (decade), many manufacturers began offering these "extra long" scale lengths. This extra long scale provides a higher string tension, which may yield a more defined, deep tone on the low "B" string of five- and six-stringed instruments (or detuned four-string basses).

A four-piece kit extends the three-piece by adding one tom, either a second hanging tom mounted on the bass drum (a notable user is Chris Frantz of Talking Heads) and often displacing the cymbal, or by adding a floor tom. Normally another cymbal is added as well, so there are separate ride and crash cymbals, either on two stands, or the ride cymbal mounted on the bass drum to the player's right and the crash cymbal on a separate stand. The standard cymbal sizes are 16" crash and 18"–20" ride, with the 20" ride most common.
Some cymbals may be considered effects in some kits but "basic" in another set of components. A swish cymbal may, for example serve, as the main ride in some styles of music, but in a larger kit, which includes a conventional ride cymbal as well, it may well be considered an effects cymbal per se. Likewise, Ozone crashes have the same purpose as a standard crash cymbal, but are considered to be effects cymbals due to their rarity, and the holes cut into them, which provide a darker, more resonant attack.
Bassists often play a bass line composed by an arranger, songwriter or composer of a song—or, in the case of a cover song, the bass line from the original. In other bands—e.g., jazz-rock bands that play from lead sheets and country bands using the Nashville number system—bassists are expected to improvise or prepare their own part to fit the song's chord progression and rhythmic style.

The fretting hand can also be used to sound notes, either by plucking an open string with the fretting hand, or, in the case of a string that has already been plucked or picked, by "hammering on" a higher pitch or "pulling off" a finger to pluck a lower fretted or open stringed note. Jazz bassists use a subtle form of fretting hand pizzicato by plucking a very brief open string grace note with the fretting hand right before playing the string with the plucking hand. When a string is rapidly hammered on, the note can be prolonged into a trill.

The 88-key Yamaha YPG-535 Portable Grand Piano Keyboard offers you great-feeling graded soft-touch action atop a sturdy, good-looking built-in stand. Its Performance Assistance Technology ensures the Yamaha YPG-535 delivers error-free performances. And the digital piano’s music database provides complete keyboard setups organized by song title. Learn More

Detuners, such as the Hipshot, are mechanical devices the player operates with the thumb on the fretting hand to quickly retune one or more strings to a pre-set lower pitch. Hipshots typically drop the E-string down to D on a four-string bass.[34] Rarely, some bassists (e.g., Michael Manring) add detuners to more than one string, or even more than one detuner to each string, so they can retune during a performance and access a wider range of chime-like harmonics.
The snare drum is the heart of the drum kit, particularly in rock, due its utility of providing the backbeat. When applied in this fashion, it supplies strong regular accents, played by the left hand (if right handed), and the backbone for many fills. Its distinctive sound can be attributed to the bed of stiff snare wires held under tension to the underside of the lower drum head. When the stiff wire are "engaged" (held under tension), they vibrate with the top (snare-side) drum skin (head), creating a snappy, staccato buzzing sound, along with the sound of the stick striking the batter head.
Drum muffles are types of mutes that can reduce the ring, boomy overtone frequencies, or overall volume on a snare, bass, or tom. Controlling the ring is useful in studio or live settings when unwanted frequencies can clash with other instruments in the mix. There are internal and external muffling devices which rest on the inside or outside of the drumhead, respectively. Common types of mufflers include muffling rings, gels and duct tape, and improvised methods, such as placing a wallet near the edge of the head.[25] Some drummers muffle the sound of a drum by putting a cloth over the drumhead.
Bass solos are performed using a range of different techniques, such as plucking or fingerpicking. In the 1960s, The Who's bassist, John Entwistle, performed a bass break on the song "My Generation" using a plectrum. He originally intended to use his fingers, but could not put his plectrum down quickly enough.[citation needed] This is considered as one of the first bass solos in rock music, and also one of the most recognizable. Led Zeppelin's "Good Times Bad Times", the first song on their first album, contains two brief bass solos, occurring after the song's first and third choruses. Queen's bassist, John Deacon, occasionally played bass solos, such as on the song "Liar". Metallica's 1983 debut Kill Em All includes the song "(Anesthesia) Pulling Teeth," consisting entirely of a bass solo played by Cliff Burton.
If you choose to venture beyond the traditional acoustic drum set, the variety here will reward you for it. One great way to expand your percussion options is with an electronic drum kit, which gives you the opportunity to program any samples you want into the sound module. That means you get not only a huge range of natural drum sounds, but also the ability to queue up virtually any other effect you want. As well as electronic drums, there are plenty of world percussion options here for you to peruse. Those range from hand drums like the cajon and djembe to all kinds of distinctive instruments such as tambourines, chimes and, of course, the iconic cowbell.
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Jump up ^ Information on Dodds is found in his own contemporary journals/biography "The Baby Dodds Story" -Louisiana State University Press, 1992, and by contemporary witness- drummer Gearge Wettling, who confirms Dodds was the first drummer to also keep the now-famous broken-triplet beat that became the standard pulse/roll of what we call ride cymbal playing.
The bass guitar[1] (also known as electric bass,[2][3][4] or bass) is a stringed instrument similar in appearance and construction to an electric guitar, except with a longer neck and scale length, and four to six strings or courses. The four-string bass is usually tuned the same as the double bass,[5] which corresponds to pitches one octave lower than the four lowest pitched strings of a guitar (E, A, D, and G).[6] The bass guitar is a transposing instrument, as it is notated in bass clef an octave higher than it sounds. It is played primarily with the fingers or thumb, by plucking, slapping, popping, strumming, tapping, thumping, or picking with a plectrum, often known as a pick. The electric bass guitar has pickups and must be connected to an amplifier and speaker, to be loud enough to compete with other instruments.

Combining rich acoustic sound with modern music technology, digital pianos are sophisticated instruments that are played and favoured by professionals and amateur musicians around the world. More lightweight and affordable than full-size grand pianos, today's digital pianos sound so close to their classic counterparts that untrained ears would have a hard time telling the sound produced by the two apart! In this section you'll find a wide variety of home and stage digital pianos from all the big brands. Yamaha, Suzuki, Roland and more, they're all here, so if you're in the market for a digital piano that was designed to perform, you're definitely in the right spot.

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