A common feature of more expensive basses is "neck-through" construction. Instead of milling the body from a single piece of wood (or "bookmatched" halves) and then attaching the neck into a pocket (so-called "bolt-on" design), neck-through basses are constructed first by assembling the neck, which may comprise one, three, five or more layers of wood in vertical stripes, which are longer than the length of the fretboard. To this elongated neck, the body is attached as two wings, which may also be made up of several layers. The entire bass is then milled and shaped. Neck-through construction advertisements claim this approach provides better sustain and a mellower tone than bolt-on neck construction. While neck-through construction is most common in handmade "boutique" basses, some models of mass-produced basses such as Ibanez's BTB series also have neck-through construction. Bolt-on neck construction does not necessarily imply a cheaply made instrument; virtually all traditional Fender designs still use bolt-on necks, including its high-end instruments costing thousands of dollars, and many boutique luthiers such as Sadowsky build bolt-on basses as well as neck-through instruments.
Drum muffles are types of mutes that can reduce the ring, boomy overtone frequencies, or overall volume on a snare, bass, or tom. Controlling the ring is useful in studio or live settings when unwanted frequencies can clash with other instruments in the mix. There are internal and external muffling devices which rest on the inside or outside of the drumhead, respectively. Common types of mufflers include muffling rings, gels and duct tape, and improvised methods, such as placing a wallet near the edge of the head.[25] Some drummers muffle the sound of a drum by putting a cloth over the drumhead.
Strumming, usually with finger nails, is a common technique on acoustic guitar, but it is not a commonly used technique for bass. However, notable examples are Stanley Clarke's bass playing on the introduction to "School Days", on the album of the same name[57], and Lemmy who was noted for his use of chords, often playing the bass like a rhythm guitar.
It's a fact that standard drum sets and cymbals are only scratching the surface of what percussion can do. In this section, it's easy to see just how deep your potential is as a drummer with plenty of the usual suspects as well as a ton of more exotic instruments and accessories. If you're ready to bring the rhythms and beats to the stage, you've got thousands of ways right here to make it happen.

The fretting hand—the left hand for right-handed bass players and right hand for left-handed bass players—presses down the strings to play different notes and shape the tone or timbre of a plucked or picked note. One fretting technique is a finger per fret, where each finger in the fretting hand plays one fret in a given position, giving the advantage that full chromatic scale of over an octave and a half can be played with no up-down wrist movement. Also, the double bass-style technique can be used for fretting. This technique involves using four fingers in the space of three frets, especially in the lower positions (i.e., the fretting positions closer to the nut, where the space between notes is the widest). When considering the spacing between notes, this is a comfortable distance for the average person's hand size, however it requires more up-down hand movements. The main advantage of the "four fingers in three frets technique is less tendon strain, leading to a diminished likelihood of Repetitive Strain Injury (RSI). The image below (of a bassist performing tapping) shows the four-in-three.
If you’re looking for more traditional hand drums, you can travel the world with our assortment of hand drums from all over the world. Djembes are rich-sounding, African drums that can produce a variety of tones. Check out our selection of doumbeks, Arabic drums, usually made of metal, that provide crisp, melodic cracks and pops. Hand drums and other handheld percussions, like tambourines and shakers, are great for impromptu jam sessions and for kids to learn basic rhythms. Our bongos are fun for reliving the glory of the beat poets of the 1950s, or for a foray into the lively musical traditions of salsa, son, or samba.
The placement of the pickup greatly affects the sound, timbre and tone of the instrument. A pickup near the neck joint emphasizes the fundamental and low-order harmonics and thus produces a deeper, bassier sound, while a pickup near the bridge emphasizes higher-order harmonics and makes a "tighter" or "sharper" sound. Usually basses with multiple pickups allow blending of the output from the pickups, with electrical and acoustical interactions between the two pickups (such as partial phase cancellations) allowing a range of tonal and timbral effects.
A midi controller does not have any sounds of its own. It requires a virtual instrument (as a trigger) to produce sounds. So, if you get an acoustic piano virtual instrument, your midi controller will be an acoustic piano. If your virtual instrument is a drum, violin, electric piano etc., your midi controller will be exactly those instruments because it takes its tone from the virtual instrument.
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Over the decades, the possibilities of what a musician can do with a digital piano have grown tremendously. With technology advancing by the second, players are discovering new, innovative ways to manipulate their sound - even beyond the use of volume, expression and sustain pedals. MIDI (short for Musical Instrument Digital Interface) was introduced in the early 1980s and allows digital pianists to connect their instrument to a computer so it can control (or be controlled by) other sequencers and instruments. MIDI digital pianos often have a disk drive to upload other MIDI data. Common effects and instruments that MIDI can offer are: tremolo, phasers, chorus, stringed instruments and drum sounds. Digital Pianos (including models with MIDI connection) are offered by many respected musical instrument brands, with Williams and Yamaha being among the most popular.
In 1929, when the stock market crash resulted in a global depression, one of the things that helped people cope with the trying years was swing jazz music. By the early to mid 1930's, big band swing was being embraced throughout the US, becoming the country's most popular form of music. The other contributing factor to the big band's success during the 1930s was the popularity of radio. The drum kit played a key role in the big band swing sound. Throughout the 1930s Chick Webb and Gene Krupa at the Savoy Ballroom in Harlem, increased the visual and musical driving force of the drummer and their equipment by simply being so popular and in demand- and they ensured that their drum kits became not only functionally developed but dazzling and well designed.[14] Jazz drummers were influential in developing the concept of the modern drum kit and extending playing techniques. Gene Krupa was the first drummer to head his own orchestra and thrust the drums into the spotlight with his drum solos.[citation needed] Others would soon follow his lead.

Just like a traditional piano, a digital piano features a keyboard. A digital piano's keyboard is weighted to simulate the action of a traditional piano and is velocity sensitive so that the volume of the sounds depends on how hard the keys are pressed.[6] Many instruments now have a complex action incorporating actual hammers in order to better simulate the touch of a grand piano.[7]
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In most genres, a "clean" bass tone (without any amplifier-induced "overdrive" or "distortion") is desirable, and so while guitarists often prefer the more desirable distorted tones of tube-transistor amplifiers, bassists commonly use solid-state amplifier circuitry to achieve the necessary high output wattages with less weight than tubes (though smaller tubes can often still be found in the low-power "preamplifier" sections of the system, where they provide a warmer, smoother character to the bass tone for relatively little additional weight). A few all-tube bass amplifiers are still available, notably from the Ampeg brand.

Combining rich acoustic sound with modern music technology, digital pianos are sophisticated instruments that are played and favoured by professionals and amateur musicians around the world. More lightweight and affordable than full-size grand pianos, today's digital pianos sound so close to their classic counterparts that untrained ears would have a hard time telling the sound produced by the two apart! In this section you'll find a wide variety of home and stage digital pianos from all the big brands. Yamaha, Suzuki, Roland and more, they're all here, so if you're in the market for a digital piano that was designed to perform, you're definitely in the right spot. 
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