The shell almost invariably has a circular opening over which the drumhead is stretched, but the shape of the remainder of the shell varies widely. In the western musical tradition, the most usual shape is a cylinder, although timpani, for example, use bowl-shaped shells.[1] Other shapes include a frame design (tar, Bodhrán), truncated cones (bongo drums, Ashiko), goblet shaped (djembe), and joined truncated cones (talking drum).
The string can be plucked (or picked) at any point between the bridge and the point where the fretting hand is holding down the string on the fingerboard; different timbres (tones) are produced depending on where along the string it is plucked. When plucked closer to the bridge, the string's harmonics are more pronounced, giving a brighter tone. Closer to the middle of the string, these harmonics are less pronounced, giving a more mellow, darker tone.
In 1929, when the stock market crash resulted in a global depression, one of the things that helped people cope with the trying years was swing jazz music. By the early to mid 1930's, big band swing was being embraced throughout the US, becoming the country's most popular form of music. The other contributing factor to the big band's success during the 1930s was the popularity of radio. The drum kit played a key role in the big band swing sound. Throughout the 1930s Chick Webb and Gene Krupa at the Savoy Ballroom in Harlem, increased the visual and musical driving force of the drummer and their equipment by simply being so popular and in demand- and they ensured that their drum kits became not only functionally developed but dazzling and well designed.[14] Jazz drummers were influential in developing the concept of the modern drum kit and extending playing techniques. Gene Krupa was the first drummer to head his own orchestra and thrust the drums into the spotlight with his drum solos.[citation needed] Others would soon follow his lead.
William F. Ludwig, Sr., and his brother, Theobald Ludwig, founded the Ludwig & Ludwig Co. in 1909 and patented the first commercially successful bass drum pedal system, paving the way for the modern drum kit.[9] It was the golden age of drum building for many famous drum companies, with Ludwig introducing... "The ornately engraved" Black Beauty Brass Snare drum; Slingerland premiered its Radio King solid-maple shell; Leedy invented the floating drum head & self-aligning lug;& Gretsch originated the three-way tension system of the Gladstone snare drum".[10] Wire brushes for use with drums and cymbals were introduced in 1912. The need for brushes arose due to the problem of the drum sound overshadowing the other instruments on stage. Drummers began using metal fly swatters to reduce the volume on stage next to the other acoustic instruments. Drummers could still play the rudimentary snare figures and grooves with brushes that they would normally play with drumsticks.
Torzal Natural Twist is a bass guitar body and neck style invented by luthier Jerome Little from Amherst, Massachusetts. It consists of a neck rotated by a total of 35 degrees, with (+)15 degrees at the bridge and (-)20 at the nut. The designer claims that the ergonomic design increases efficiency of the hands, wrists and arms, which reduces the risk of developing repetitive strain injuries like carpal tunnel syndrome or tendonitis. This design is also beneficial to players who have already suffered from such injuries. This patented design differs from traditional bass guitar design by twisting the neck, and bringing the strings toward a more natural hand position at either end of the instrument. The rotation at either side of the instrument in the direction of the hand creates a neck plane that models the natural motion of the hand as it reaches outward. The fretboard also forms a straight line at the location of each string, which should improve the ease of performance.[52]
The bare minimum requirements for a budget digital piano are to have 88 keys (the same number found on traditional acoustic pianos) and internal speakers to facilitate practicing without an amplifier. Beyond that, some amount of weighted key action (either semi-weighted or hammer action, more on this in a moment) and an accurate piano sound were the primary deciding factors for our picks. An included stand and sustain pedal were not requirements, as aftermarket options are readily available and inexpensive. (We discuss some options below.)
In addition to pressing down one note at a time, bassists can also press down several notes at one time with their fretting hand to perform a double stop (two notes at once) or a chord. While double stops and chords are used less often by bassists than by electric guitarists playing rhythm guitar, a variety of double stops and chords can be performed on the electric bass. Some double stops used by bassists include octaves. Chords can be especially with effective on instruments with higher ranges such as six-string basses. Another variation to fully pressing down a string is to gently graze the string with the finger at the harmonic node points on the string, which creates chime-like upper partials (also called "overtones"). Glissando is an effect in which the fretting hand slides up or down the neck, which can be used to create a slide in pitch up or down. A subtle glissando can be performed by moving the fretting hand without plucking or picking the string; for a more pronounced effect, the string is plucked or picked first, or, in a metal or hardcore punk context, a pick may be scraped along the sides of the lower strings.

Digital pianos typically use analog sensors for its keyboard action, as opposed to digital sensors of a regular keyboard and synthesizer. These sensors notably works in a similar way to those used in analog joysticks found on video game controllers, in which they the velocity input is converted from the key movement as well, not just the initial pressure of the key sensor.
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Bassists often play a bass line composed by an arranger, songwriter or composer of a song—or, in the case of a cover song, the bass line from the original. In other bands—e.g., jazz-rock bands that play from lead sheets and country bands using the Nashville number system—bassists are expected to improvise or prepare their own part to fit the song's chord progression and rhythmic style.
I then set out to a few local Los Angeles music stores to get my hands on some keys, talk to the store employees who work around these instruments every day, and start to whittle down the list. After contacting manufacturers to request samples and/or to get suggestions on pianos that might better fit our guidelines (or, in one case, to inform us of a model that was being discontinued), the list was narrowed down to seven keyboards.
Hi, I’m John Anthony, Playing and collecting Cool Guitars is my hobby, and all of my friends and relatives know it. For the reason, I receive many queries over the phone, email and social media about Best Guitar Recommendation. Which one they should buy now, which will fit them etc. And finally, I created this and started putting my suggestions and reviews here.

The fretting hand—the left hand for right-handed bass players and right hand for left-handed bass players—presses down the strings to play different notes and shape the tone or timbre of a plucked or picked note. One fretting technique is a finger per fret, where each finger in the fretting hand plays one fret in a given position, giving the advantage that full chromatic scale of over an octave and a half can be played with no up-down wrist movement. Also, the double bass-style technique can be used for fretting. This technique involves using four fingers in the space of three frets, especially in the lower positions (i.e., the fretting positions closer to the nut, where the space between notes is the widest). When considering the spacing between notes, this is a comfortable distance for the average person's hand size, however it requires more up-down hand movements. The main advantage of the "four fingers in three frets technique is less tendon strain, leading to a diminished likelihood of Repetitive Strain Injury (RSI). The image below (of a bassist performing tapping) shows the four-in-three.

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While the electric guitar is mostly played with a pick, the bass or jazz bass can be played with either a pick or your fingers. Because of the sensitivity of the pickup on the bass, the two tend to produce somewhat different tones. For example, finger style play can create additional sound from the impact of the strings against the frets, while playing with a pick offers a sharper, more staccato sound. Neither style is better than the other, and there are many famous examples of players using each one. Sometimes, there are conventions of play for a particular genre, but more often it comes down to how a bassist originally learned to play.

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This guitar has got a maple C-shape neck with a 9.5-inch radius and 20 medium jumbo frets. Most bass playing occurs in the lower fret positions that make 20 frets ideal for bass playing. The single coil feature is quite simple to use and it will create both a bright and focused sound quality. If you are looking for a bass guitar that plays on a small scale, this is just the right one for you.
On modern band and orchestral drums, the drumhead is placed over the opening of the drum, which in turn is held onto the shell by a "counterhoop" (or "rim"), which is then held by means of a number of tuning screws called "tension rods" that screw into lugs placed evenly around the circumference. The head's tension can be adjusted by loosening or tightening the rods. Many such drums have six to ten tension rods. The sound of a drum depends on many variables—including shape, shell size and thickness, shell materials, counterhoop material, drumhead material, drumhead tension, drum position, location, and striking velocity and angle.[1]

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