Another design consideration for the bass is whether to use frets on the fingerboard. On a fretted bass, the metal frets divide the fingerboard into semitone divisions (as on an electric guitar or acoustic guitar). Fretless basses have a distinct sound, because the absence of frets means that the string must be pressed down directly onto the wood of the fingerboard with the fingers, as with the double bass. The string buzzes against the wood and is somewhat muted because the sounding portion of the string is in direct contact with the flesh of the player's finger. The fretless bass lets players use expressive approaches such as glissando (sliding up or down in pitch, with all of the pitches in between sounding), and vibrato (in which the player rocks a finger that is stopping a string to oscillate the pitch slightly). Fretless players can also play microtones, or temperaments other than equal temperament, such as just intonation.
If you really want to distinguish yourself as a bassist, it can pay to think outside the box and go for something a bit less traditional. For example, there are musical styles and occasions where an electric bass may be slightly out of place. In those cases, you can turn to an acoustic-electric bass. These have a classic sound all their own, and if you're headed to a festival or singing around a campfire, they'll do the job even without an amplifier handy.

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However, contemporary classical composers may also write for the bass guitar to get its unique sound, and in particular its precise and piercing attack and timbre. For example, Steve Reich, explaining his decision to score 2x5 for two bass guitars, stated that, "[With electric bass guitars] you can have interlocking bass lines, which on an acoustic bass, played pizzicato, would be mud."[62]

Drummers using electronic drums, drum machines, or hybrid acoustic-electric kits (which blend traditional acoustic drums and cymbals with electronic pads) typically use a monitor speaker, keyboard amplifier or even a small PA system to hear the electronic drum sounds. Even a drummer playing entirely acoustic drums may use a monitor speaker to hear her drums, especially if she is playing in a loud rock or metal band, where there is substantial onstage volume from huge, powerful guitar stacks. Since the drum kit uses the deep bass drum, drummers are often given a large speaker cabinet with a 15" subwoofer to help them monitor their bass drum sound (along with a full-range monitor speaker to hear the rest of their kit). Some sound engineers and drummers prefer to use an electronic vibration system, colloquially known as a "butt shaker" or "throne thumper" to monitor the bass drum, because this lowers the stage volume. With a "butt shaker", the "thump" of each bass drum strike causes a vibration in the drum stool; this way the drummer feels their beat on the posterior, rather than hears it.

There are a range of different string types including all-metal strings, which are available in many varieties of winding or finishing, each of which produce different tone, including roundwound, flatwound, halfwound, ground wound, and pressure wound); as well as metal strings with different coverings, such as tapewound and wound with plastic coatings. The variety of materials used in the strings gives bass players a range of tonal options. In the 1950s and early 1960s, bassists mostly used flatwound strings with a smooth surface, which had a smooth, damped sound reminiscent of a double bass. In the late 1960s and 1970s, players began using roundwound bass strings, which produce a brighter tone similar to steel guitar strings, though flatwounds also remained in use by players seeking a vintage tone. Roundwounds have a brighter timbre (tone) with longer sustain than flatwounds.
Timbales are tuned much higher than a tom of the same diameter, and normally played with very light, thin, non-tapered sticks. They have relatively thin heads and a very different tone than a tom, but are used by some drummers/percussionists to extend the tom range upwards. Alternatively, they can be fitted with tom heads and tuned as shallow concert toms. Attack timbales and mini timbales are reduced-diameter timbales designed for drum kit usage, the smaller diameter allowing for thicker heads providing the same pitch and head tension. They are recognizable in 2010s genres and in more traditional forms of Latin, reggae & numerous world music styles. Timbales were also used on occasion by Led Zeppelin drummer John Bonham. Gong drums are a rare extension to a drum kit. The single-headed mountable drum appears similar to a bass drum (sizing around 20–24 inches in diameter), but has the same purpose as that of a floor tom. Similarly, most hand drum percussion cannot be played easily or suitably with drum sticks without risking damage to the head and to the bearing edge, which is not protected by a metal drum rim, like a snare or tom. For use in a drum kit, they may be fitted with a metal drum head and played with care, or played by hand.
Think of some of your favorite songs. Maybe they get your toes tapping, or get you pumped up and ready to take on the world. Regardless of your musical preferences, the odds are that one thing all of our favorite songs have in common is an absolutely killer bass line. The bass has played a key role in holding down the rhythm throughout the history of popular music, and continues to make an impact to this day. Another One Bites the Dust by Queen, Been Caught Stealing by Jane's Addiction, Money by Pink Floyd, Sweet Emotion by Aerosmith, and Longview by Green Day are just a few examples of songs that are taken to the next level thanks to their incredible bass lines. Now it's your time to make your mark on this instrument with some serious grooves of your own. You'll find bass guitars for every skill level and playing style in this section.
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Drum sets are the backbone of your band. Keeping the pace and driving the rhythm section, the drummer makes sure that everything clicks. With that in mind, it's important that every drummer have a quality drum kit to keep them sounding their absolute best. The real benefit to purchasing a complete kit as opposed to individual components is convenience. You won't have to take the time to pore over separate drums, searching for just the right complementary sounds. These kits are made up of drums that are designed to sound great together from day one, allowing you to focus on your playing.
Whereas Fender basses had pickups mounted in positions in between the base of the neck and the top of the bridge, many of Gibson's early basses featured one humbucking pickup mounted directly against the neck pocket. The EB-3, introduced in 1961, also had a "mini-humbucker" at the bridge position. Gibson basses also tended to be smaller, sleeker instruments; Gibson did not produce a 34-inch (864 mm) scale bass until 1963 with the release of the Thunderbird, which was also the first Gibson bass to use dual-humbucking pickups in a more traditional position, about halfway between the neck and bridge. A number of other companies also began manufacturing bass guitars during the 1950s: Kay in 1952, Hofner and Danelectro in 1956, Rickenbacker in 1957 and Burns/Supersound in 1958.[14]
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All cymbals other than rides, hi-hats and crashes/splashes are usually called effects cymbals when used in a drum kit, though this is a non-classical or colloquial designation that has become a standardized label. Most extended kits include one or more splash cymbals and at least one china cymbal. Major cymbal makers produce cymbal extension packs consisting of one splash and one china, or more rarely a second crash, a splash and a china, to match some of their starter packs of ride, crash and hi-hats. However any combination of options can be found in the marketplace.
A number of accessories are designed for the bass drum (also called "kick drum"). Ported tubes for the bass drum are available to take advantage of the bass reflex speaker design, in which a tuned port (a hole and a carefully measured tube) are put in a speaker enclosure to improve the bass response at the lowest frequencies.[32] Bass drumhead patches are available, which protect the drumhead from the impact of the felt beater. Bass drum pillows are fabric bags with filling or stuffing that can be used to alter the tone or resonance of the bass drum. A less expensive alternative to using a specialized bass drum pillow is to use an old sleeping bag.
Much the same considerations apply to bass drum pedals and the stool, but these are not always considered breakables, particularly if changeover time between bands is very limited. Swapping the snare drum in a standard kit can be done very quickly. Replacing cymbals on stands takes longer, particularly if there are many of them, and cymbals are easily damaged by incorrect mounting, so many drummers prefer to bring their own cymbal stands.
When you need the low-end, Dean Guitars brings the bass. The bass guitar truly is the unglorified leader of the group. Here at Dean, we have a deep understanding of the intricacies involved in the design and construction process. Through that process, we have fine-tuned the needs of today's modern bass player. The point being, whatever your bass needs, Dean Guitars is sure to have a choice like no other. Count on us to make sure your musical path is well traveled. Get Your Wings today!
Drummers' usage of electronic drum equipment can range from adding a single electronic pad to an acoustic kit (e.g., to have access to an instrument that might otherwise be impractical, such as a large gong), to using a mix of acoustic drums/cymbals and electronic pads, to using an acoustic kit in which the drums and cymbals have triggers, which can be used to sound electronic drums and other sounds, to having an exclusively electronic kit, which is often set up with the rubber or mesh drum pads and rubber "cymbals" in the usual drum kit locations. A fully electronic kit weighs much less and takes up less space to transport than an acoustic kit and it can be set up more quickly. One of the disadvantages of a fully electronic kit is that it may not have the same "feel" as an acoustic kit, and the drum sounds, even if they are high-quality samples, may not sound the same as acoustic drums.

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A pick (or plectrum) produces a more pronounced attack, for speed, or personal preference. Bass with a pick is primarily associated with rock and punk rock, but player in other styles also use them. Jazz bassist Steve Swallow often plays with a pick,[56] while Pink Floyd bassist Roger Waters uses one for a heavier tone. Mike Gordon of Phish uses a pick while also incorporating slapping techniques into his playing. Picks can be used with alternating downstrokes and upstrokes, or with all downstrokes for a more consistent attack. The pick is usually held with the index and thumb, with the up-and-down plucking motion supplied by the wrist.

Hi, I’m John Anthony, Playing and collecting Cool Guitars is my hobby, and all of my friends and relatives know it. For the reason, I receive many queries over the phone, email and social media about Best Guitar Recommendation. Which one they should buy now, which will fit them etc. And finally, I created this GuitarListy.com and started putting my suggestions and reviews here.

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Most basses have a volume potentiometer ("pot" or "knob"), which can be turned up or down, and a tone potentiometer, which rolls off the high frequencies when it is turned to the player's right. Some basses may also have a pickup selector control or switch, to select single-coil or humbucking pickups. Since the 1980s, basses are often available with battery-powered "active" electronics that boost the signal with a preamplifier and provide equalization controls to boost or cut bass and treble frequencies, or both. Some expensive basses have even more equalization options, such as bass, middle and treble.

Chords are not used that often by electric bass players. However, in some styles, bassists may sound "double stops", such as octaves with open strings and powerchords. In Latin music, double stops with fifths are used.[59] Robert Trujillo of Metallica is known for playing "massive chords" [60] and "chord-based harmonics" [61] on the bass. Lemmy of Motörhead often played power chords in his bass lines.
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It's a fact that standard drum sets and cymbals are only scratching the surface of what percussion can do. In this section, it's easy to see just how deep your potential is as a drummer with plenty of the usual suspects as well as a ton of more exotic instruments and accessories. If you're ready to bring the rhythms and beats to the stage, you've got thousands of ways right here to make it happen.
Instruments handmade by highly skilled luthiers are becoming increasingly available in the 2010s. Exotic materials in high-end instruments include woods such as bubinga, wenge, ovangkol, ebony, and goncalo alves. Some makers use graphite composite to make lightweight necks[23][24] More expensive basses often feature exotic woods. For example, Alembic uses cocobolo as a body or top layer material because of its attractive grain. Warwick bass guitars are well known for exotic hardwoods, making most necks out of ovangkol, and fingerboards from wenge or ebony. Some makers use solid bubinga bodies for their tonal and aesthetic qualities.
When you hear a person humming music, what is it that you hear? Commonly, it's the bass line. Something about those low, rhythmic notes really have a big impact, with some of the best examples being "Seven Nation Army" by the White Stripes and "Under Pressure" by Queen. There are countless others you could surely name, but the bottom line is that the bass guitar is a crucial part of modern music and definitely an instrument to be proud of. Fortunately, with dozens of bass guitars for sale here, you're sure to find one that strikes the right chord with you.
If the toms are omitted completely, or the bass drum is replaced by a pedal-operated beater on the bottom skin of a floor tom and the hanging toms omitted, the result is a two-piece "cocktail" (lounge) kit. Such kits are particularly favoured in musical genres such as trad jazz, rockabilly and jump blues. Some rockabilly kits and beginners kits for very young players omit the hi-hat stand. In rockabilly, this allows the drummer to play standing rather than seated.
If our top pick isn’t available or you’re looking to save $50, the Yamaha P-45 is an excellent alternative. It was the favorite of one panelist, and the other three each ranked it second. It plays as well as our top pick, although I found the key weight to be a bit heavy for my tastes; it took a little more finger effort to play. Jack liked that heavier feel but could see it causing problems for beginners. Brent thought the action was about as good as it gets in this price range, and Liz thought it was easy to play.
Keyboards, on the other hand, were designed to produce a much wider range of sounds than traditional pianos. Though they are sometimes good options for beginners, the range of available features on a keyboard make them more appropriate for intermediate to advanced musicians who are interested and capable of developing their own sound. It’s uncommon for such musicians to use a keyboard to create the same sounds that a traditional piano would make. Keyboards are usually much lighter than digital pianos, and they often do not have weighted keys. In short, keyboards are designed to be used by musicians and producers with more experience. Keyboards are often much lighter than digital pianos and have tones which number in the hundreds and sometimes thousands. They include a lot of technical options to allow the player to fully customize their sound.
Although these kits may be small with respect to the number of drums used, the drums themselves are most often normal sizes, or even larger in the case of the bass drum. Kits using smaller drums in both smaller and larger configurations are also produced for particular uses, such as boutique kits designed to reduce the visual impact that a large kit creates or due space constraints in coffeehouses, travelling kits to reduce luggage volume, and junior kits for very young players. Smaller drums also tend to be quieter, again suiting smaller venues, and many of these kits extend this with extra muffling which allows quiet or even silent practice in a hotel room or bedroom.

The string can be plucked (or picked) at any point between the bridge and the point where the fretting hand is holding down the string on the fingerboard; different timbres (tones) are produced depending on where along the string it is plucked. When plucked closer to the bridge, the string's harmonics are more pronounced, giving a brighter tone. Closer to the middle of the string, these harmonics are less pronounced, giving a more mellow, darker tone.


The keyboards all came in to our Los Angeles office. After unboxing them and setting them up, I invited Liz, Jack, and Brent to come in and try them out. I asked them to rate the key action and the sound of the piano and to evaluate features from the perspective of a beginner. After playing through all of them over a couple hours, we talked through the pros and cons of each keyboard, and they gave me their top three choices.
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