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The 88-key Yamaha YPG-535 Portable Grand Piano Keyboard offers you great-feeling graded soft-touch action atop a sturdy, good-looking built-in stand. Its Performance Assistance Technology ensures the Yamaha YPG-535 delivers error-free performances. And the digital piano’s music database provides complete keyboard setups organized by song title. Learn More
Some bassists use other types of tuning to extend the range or get other benefits, such as providing multiple octaves of notes at any given position, or a larger tonal range. Instrument types or tunings used for this purpose include basses with fewer than four strings (one-string bass guitars,[35] two-string bass guitars, three-string bass guitars [tuned to E–A–D])[36] and alternative tunings (e.g., tenor bass).[37]
Virtual drums are a type of audio software that simulates the sound of a drum kit using synthesized drum kit sounds or digital samples of acoustic drum sounds. Different drum software products offer a recording function, the ability to select from several acoustically distinctive drum kits (e.g., jazz, rock, metal), as well as the option to incorporate different songs into the session. Some software for the personal computer (PC) can turn any hard surface into a virtual drum kit using only one microphone.

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In some cases, to play the bass through PA amplification, it is plugged into a direct box or DI, which routes the signal to the bass amp while also sending the signal directly into a mixing console, and thence to the main and monitor speakers. When a recording of bass is being made, engineers may use a microphone set up in front of the amplifier's speaker cabinet for the amplified signal, a direct box signal that feeds the recording console, or a mix of both.

Traditional digital pianos vaguely resemble an electronic organ or a spinet harpsichord but usually lacking a fully enclosed lower section, while some models are based on the casework of traditional upright pianos with a fully enclosed bottom part and pedals that look like actual piano pedals. An opposite and recent trend is to produce an instrument which has a unique and distinctive appearance, unobtainable with a conventional instrument. Yamaha , Kawai and Casio makes a model which is designed to stand against a wall and is far shallower from keyboard to back than any possible upright design, as well as shorter height.
A three-piece drum set is the most basic set. A conventional three-piece kit consists of a bass drum, a 14" diameter snare drum, 12"–14" hi-hats, a single 12" diameter hanging tom, 8"–9" in depth, and a suspended cymbal, in the range of 14"–18", both mounted on the bass drum. These kits were common in the 1950s and 1960s and are still used in the 2010s in small acoustic dance bands. It is a common configuration for kits sold through mail order, and, with smaller sized drums and cymbals, for kits for children.
A player can use the fretting hand to change a sounded note, either by fully muting it after plucking it, or by partially muting it near the bridge to reduce volume, or make the note fade faster. The fretting hand often mutes strings that are not being played to stop sympathetic vibrations, particularly when the player wants a "dry" or "focused" sound. On the other hand, the sympathetic resonance of harmonically related strings are sometimes desirable. In these cases, a bassist can fret harmonically related notes. For example, while fretting a sustained "F" (on the third fret of the "D" string), underneath an F major chord being played by a piano player, a bassist might hold down the "C" and low "F" below this note so their harmonics sound sympathetically.
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Depending on the individual features of each digital piano, they may include many more instrument sounds other than regular piano samples. Many less expensive or average-priced digital pianos often include basic instruments such as string ensemble, electric piano, organs, harpsichord, guitar, and vibraphone, while a more expensive and advanced digital pianos may have a wider range of instruments such as synthesized sounds, wind instruments, traditional instruments, violins, drums, percussion, and a variety of effects, similar to that of a typical digital keyboard or synthesizer. Some digital pianos may also have a complete set of General MIDI implementation, in addition to the aforementioned basic sounds.

The digital piano is a specific kind of electronic keyboard that acts as a compact and lightweight alternative to a standard piano. Today's digital pianos feature hammer action keys (88-key being the norm) to emulate the sound and playability of their acoustic counterparts very accurately; some models can even replicate the sound of a pipe organ, Hammond organ and harpsichord. They have many other advantages as well: digital pianos are more affordable, their volume can be controlled and they never have to be tuned. Most digital pianos even have a headphone option for musicians who live in apartments where volume might be an issue. Because of these many benefits, digital pianos are often preferred over acoustic pianos by music educators and their pupils - this includes for amateur performances and school recitals.
I brought in several other pianists for our test panel. Liz Kinnon is a pianist/arranger/composer/educator from Los Angeles who has performed with artists such as Dizzy Gillespie and Andy Williams. She was an orchestrator on the animated shows Animaniacs, Pinky and the Brain, and Histeria. At the Colburn Community School of Performing Arts in Los Angeles, she teaches jazz piano and is the Director of Adult Jazz Combos. She was Ryan Gosling’s piano coach for La La Land and recently worked with Simon Pegg and Juno Temple for the film Lost Transmissions.
I then set out to a few local Los Angeles music stores to get my hands on some keys, talk to the store employees who work around these instruments every day, and start to whittle down the list. After contacting manufacturers to request samples and/or to get suggestions on pianos that might better fit our guidelines (or, in one case, to inform us of a model that was being discontinued), the list was narrowed down to seven keyboards.
Bass bodies are typically made of wood, although other materials such as graphite (for example, some of the Steinberger designs) and other lightweight composite materials have also been used. While a wide variety of woods are suitable for use in the body, neck, and fretboard of the bass guitar, the most common types of wood used are similar to those used for electric guitars; alder, ash or mahogany for the body, maple for the neck, and rosewood or ebony for the fretboard. While these traditional standards are most common, for tonal or aesthetic reasons luthiers more commonly experiment with different tonewoods on basses than with electric guitars (though this is changing), and rarer woods like walnut and figured maple, as well as exotic woods like bubinga, wenge, koa, and purpleheart, are often used as accent woods in the neck or on the face of mid- to high-priced production basses and on custom-made and boutique instruments.

Something else that you might like to consider is taking a cue from the bassists who have inspired you. Music is an art in which there's no shame in having an idol, and with plenty of signature bass guitars available, you can gear yourself up to follow in legendary footsteps. Take the Fender Jaco Pastorius Fretless Jazz Bass Guitar, for instance. Meticulously modelled after Jaco's own instrument, it carries on his spirit with a fretless design that lets you really unleash your creativity on the stage.

In the early 1940s, many jazz musicians, especially African American jazz musicians, started to stray from the popular big band dance music of the 1930s. Their experimentation and quest for deeper expression and freedom on the instrument led to the birth of a new style of music based from Harlem called bebop music. Whereas swing was a popular music designed for dancing, bebop was a "musician's music" designed for listening. During the bebop era, given that bands no longer had to accompany dancers, bandleaders could speed up the tempo. Bebop was also much more based on improvisation, in comparison to the heavily arranged big band scores. Bebop musicians would take an old standard and re-write the melody, add more complex chord changes, resulting in a new composition.
The "Fender Bass" was a revolutionary new instrument for gigging musicians. In comparison with the large, heavy upright bass, which had been the main bass instrument in popular music, folk and country music from the early 1900s to the 1940s, the Fender bass could be easily transported to shows. The bass guitar was also less prone to unwanted feedback sounds when amplified, than acoustic bass instruments.[11] In 1953 Monk Montgomery became the first bass player to tour with the Fender bass guitar, in Lionel Hampton's postwar big band.[12] Montgomery was also possibly the first to record with the bass guitar, on 2 July 1953 with The Art Farmer Septet.[13] Roy Johnson (with Lionel Hampton), and Shifty Henry (with Louis Jordan & His Tympany Five), were other early Fender bass pioneers.[10] Bill Black, playing with Elvis Presley, switched from upright bass to the Fender Precision Bass around 1957.[14] The bass guitar was intended to appeal to guitarists as well as upright bass players, and many early pioneers of the instrument, such as Carol Kaye and Joe Osborn, were originally guitarists.[15]
Maybe you're looking for something a bit more conspicuous, that you can make into the centerpiece of your music room? If so, you'll want to investigate options like the Yamaha Arius YDP-142 and Suzuki Micro Grand Digital Piano. These advanced instruments sound every bit as gorgeous as they look, and they offer the ability to record your and store your performances to listen again later or even to playback as accompaniments.

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