A unique effect can be created by striking an open hi-hat (i.e., in which the two cymbals are apart) and then closing the cymbals with the foot pedal; this effect is widely used in disco and funk. The hi-hat has a similar function to the ride cymbal. The two are rarely played consistently for long periods at the same time, but one or the other is used to keep the faster-moving rhythms (e.g., sixteenth notes) much of the time in a song. The hi-hats are played by the right stick of a right-handed drummer. Changing between ride and hi-hat, or between either and a "leaner" sound with neither, is often used to mark a change from one passage to another, for example; to distinguish between a verse and chorus.
Prior to the development of the drum set, drums and cymbals used in military and orchestral music settings were played separately by different percussionists; if the score called for bass drum, triangle and cymbals, three percussionists would be hired to play these three instruments. In the 1840s, percussionists began to experiment with foot pedals as a way to enable them to play more than one instrument, but these devices would not be mass-produced for another 75 years. By the 1860s, percussionists started combining multiple drums into a set. The bass drum, snare drum, cymbals, and other percussion instruments were all struck with hand-held drum sticks. Drummers in musical theater shows and stage shows, where the budget for pit orchestras was often limited, contributed to the creation of the drum set by developing techniques and devices that would enable them to cover the roles of multiple percussionists.
Jump up ^ Information on Dodds is found in his own contemporary journals/biography "The Baby Dodds Story" -Louisiana State University Press, 1992, and by contemporary witness- drummer Gearge Wettling, who confirms Dodds was the first drummer to also keep the now-famous broken-triplet beat that became the standard pulse/roll of what we call ride cymbal playing.
Piezoelectric pickups (also called "piezo" pickups) are non-magnetic pickups that use a transducer to convert vibrations in the instrument's body or bridge into an electrical signal. They are typically mounted under the bridge saddle or near the bridge and produce a different tone from magnetic pickups, often similar to that of an acoustic bass. Piezo pickups are often used in acoustic bass guitars to allow for amplification without a microphone.
Six strings are usually tuned B0–E1–A1–D2–G2–C3—like a four-string bass with an additional low B string and a high C string. Some players prefer B0–E1–A1–D2–F♯2–B2, which preserves the intervals of standard six-string guitar tuning (an octave and a fourth lower) and makes the highest and lowest string the same note two octaves apart. While less common than four or five-string basses, they appear in Latin, jazz, and other genres, as well as in studio work where a session musician's single instrument must be highly versatile, and to facilitate sightreading in the recording studio. Alternative tunings for six-string bass include B–E–A–D–G–B, matching the first five strings of an acoustic or electric guitar with an additional low B, and E–A–D–G–B–E, completely matching the tuning of a six-string guitar but one octave lower allowing the use of guitar chord fingerings. Rarer tunings such as E–A–D–G–C–F and F♯–B–E–A–D–G provide a lower or higher range in a given position while maintaining consistent string intervals. In 1974, Anthony Jackson worked with Carl Thompson to create the Contrabass guitar (BEADGC). Later, Jackson brought his ideas to Fodera and worked with Ken Smith to create a wider-spaced Contrabass guitar, which evolved to the modern six-string bass.
In most implementations, a digital piano produces a variety of piano timbres and usually other sounds as well. For example, a digital piano may have settings for a concert grand piano, an upright piano, a tack piano, and various electric pianos such as the Fender Rhodes, the Wurlitzer, and the DX electric piano. Some digital pianos incorporate other basic "synthesizer" sounds such as string ensemble, for example, and offer settings to combine them with piano.
For the lion's share of rock and pop music, you're looking at a classic drum set: tom-toms, snares, bass and cymbals. You'll find a huge selection of these staple instruments here, in as many varieties as you could name. If you're just starting out with the drums, take a look at shell packs and drum sets to get up and running in a hurry. On the other hand, if you're a veteran drummer, chances are that you'd prefer to pick and choose your instruments individually and only the best holders for your sticks will do. For the adventurous among us, there are electronic drum sets, which open up the unlimited potential of customized samples. Whatever you want to do to distinguish yourself from other drummers, this is where you can find the instruments to get there.
If you’re looking for more traditional hand drums, you can travel the world with our assortment of hand drums from all over the world. Djembes are rich-sounding, African drums that can produce a variety of tones. Check out our selection of doumbeks, Arabic drums, usually made of metal, that provide crisp, melodic cracks and pops. Hand drums and other handheld percussions, like tambourines and shakers, are great for impromptu jam sessions and for kids to learn basic rhythms. Our bongos are fun for reliving the glory of the beat poets of the 1950s, or for a foray into the lively musical traditions of salsa, son, or samba.

"Precision" pickups (which refers to the Fender Precision Bass), also referred to as "P pickups", are two distinct single-coil pickups. Each is offset a small amount along the length of the body so that each half is underneath two strings. The pickups are reverse-wound with reversed magnetic polarity to reduce unwanted hum. This makes the 'P' pickup a humbucking single coil pickup. Less common is the "single-coil P" pickup, used on the original 1951 Fender Precision bass.[53] P-style pickups are generally placed in the "neck" or "middle" position, but some luthiers and performers have used P pickups in the bridge position, or in between two jazz pickups.
Most electric bass guitars use magnetic pickups. The vibrations of the instrument's ferrous metal strings within the magnetic field of the permanent magnets in magnetic pickups produce small variations in the magnetic flux threading the coils of the pickups. This in turn produces small electrical voltages in the coils. Many bass players connect the signal from the bass guitar's pickups to a bass amplifier and loudspeaker using a 1/4" patch cord. These low-level signals are then strengthened by the bass amp's preamplifier electronic circuits, and then amplified with the bass amp's power amplifier and played through one or more speaker(s) in a cabinet.

All of these are classified as non-pitched percussion, allowing for the music to be scored using percussion notation, for which a loose semi-standardized form exists for both the drum kit and electronic drums. The drum kit is usually played while seated on a stool known as a throne. While many instruments like the guitar or piano are capable of performing melodies and chords, most drum kits are unable to achieve this as they produce sounds of indeterminate pitch.[6] The drum kit is a part of the standard rhythm section, used in many types of popular and traditional music styles, ranging from rock and pop to blues and jazz. Other standard instruments used in the rhythm section include the piano, electric guitar, electric bass, and keyboards.
If a second hanging tom is used, it is 10" diameter and 8" deep for fusion, or 13" diameter and one inch deeper than the 12" diameter tom. Otherwise, a 14" diameter hanging tom is added to the 12", both being 8" deep. In any case, both toms are most often mounted on the bass drum with the smaller of the two next to the hi-hats (on the left for a right-handed drummer). These kits are particularly useful for smaller venues where space is limited, such as coffeehouses and small pubs.

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After spending 29 hours researching 21 models and testing seven with a panel of professional and amateur pianists, we think the Casio Privia PX-160 is the best budget digital piano for beginners. It suitably replicates the feel of an acoustic piano and has some of the most realistic sounds we’ve heard in this price category, and its dual headphone outputs accommodate both student and teacher.

Snare drum and tom-tom Typical ways to muffle a snare or tom include placing an object on the outer edge of the drumhead. A piece of cloth, a wallet, gel, or fitted rings made of mylar are common objects. Also used are external clip-on muffles that work using the same principle. Internal mufflers that lie on the inside of the drumhead are often built into a drum, but are generally considered less effective than external muffles, as they stifle the initial tone, rather than simply reducing the sustain of it.
In the 1980s and beyond, electric bass was used in works by Hans Werner Henze (El Rey de Harlem, 1980; and Il ritorno d'Ulisse in patria, 1981), Harold Shapero, On Green Mountain (Chaconne after Monteverdi), 1957, orchestrated 1981; Alfred Schnittke's Symphony No. 3 (1981); Steve Reich's Electric Counterpoint (1987) and 2x5 (2008), Wolfgang Rihm (Die Eroberung von Mexico, 1987–91), Arvo Pärt (Miserere, 1989/92), Steve Martland (Dance works, 1993; and Horses of Instruction, 1994), Sofia Gubaidulina (Aus dem Stundenbuch, 1991), Giya Kancheli (Wingless, 1993), John Adams (I Was Looking at the Ceiling and Then I Saw the Sky, 1995; and Scratchband, 1996/97), Michael Nyman (various works for the Michael Nyman Band), Mark-Anthony Turnage (Blood on the Floor, 1993–1996), numerous works by Art Jarvinen.[63]
First and foremost, it's hard to go wrong with the classics. Fender can definitely take the credit for making the bass guitar the instrument it is today, and with a Precision Bass or Jazz Bass from Fender or Squier, you can experience the sound and feel that laid the groundwork for all others. Of course, what those others have done with the bass guitar is nothing short of amazing, and you'll also find plenty of artisan axes here from the likes of Schecter, Rickenbacker, Warwick and more. The bottom line is choice: there's a bass to satisfy any player.
One of the main things to consider when looking at a 4-string bass (and every bass for that matter) is the material used to make its body. Bass guitars are traditionally made of different varieties of wood and feature a solid, hard-bodied design. Alder is a favorite amongst musicians because it produces a clear, full-bodied sound. For warmer, smoother tones, a mahogany bass might be the one for you. Another aspect to look into is a fretted or fretless electric bass guitar. On a fretted bass, the frets divide the fingerboard into semi tone divisions. These models make learning the bass easier because you have a guide for finger placement. Fretless basses offer a different sound because without frets the strings are directly pressed into the wood of the neck. This produces a softer sound because the string is in direct contact with the musician's finger and also allows you to slide up and down the neck with ease. The electric bass guitar is said to be the cornerstone of the band. It establishes the beat and brings a booming, punchy sound to the music. From Flea of the Red Hot Chili Peppers to Paul McCartney of the Beatles, musicians have been playing the bass for decades in modern, mainstream music groups. No matter what skill level you're at right now, these is certainly an electric bass guitar that will meet and exceed all your sound and style needs.
It comes with 4 strings that make it the ideal choice for anyone who is trying out the bass guitar for the first time. The 4 strings mean that the guitar will have a narrower body hence convenient for younger guitarists with smaller hands. The E-A-D-G format is also easy to master and play. The body is quite lightweight which gives you the comfortable feel as you use it with minimal fatigue.
The "Fender Bass" was a revolutionary new instrument for gigging musicians. In comparison with the large, heavy upright bass, which had been the main bass instrument in popular music, folk and country music from the early 1900s to the 1940s, the Fender bass could be easily transported to shows. The bass guitar was also less prone to unwanted feedback sounds when amplified, than acoustic bass instruments.[11] In 1953 Monk Montgomery became the first bass player to tour with the Fender bass guitar, in Lionel Hampton's postwar big band.[12] Montgomery was also possibly the first to record with the bass guitar, on 2 July 1953 with The Art Farmer Septet.[13] Roy Johnson (with Lionel Hampton), and Shifty Henry (with Louis Jordan & His Tympany Five), were other early Fender bass pioneers.[10] Bill Black, playing with Elvis Presley, switched from upright bass to the Fender Precision Bass around 1957.[14] The bass guitar was intended to appeal to guitarists as well as upright bass players, and many early pioneers of the instrument, such as Carol Kaye and Joe Osborn, were originally guitarists.[15]
Yet another form is the portable digital piano which is what appear to be combining the capabilities of stage pianos, but with additional features similar to a conventional digital keyboard. These digital pianos are mostly designed for various purposes such as home, studio, classroom, stage or personal use. It is similar in form to a stage piano, but much lighter in weight, and having a more compact size. Unlike stage pianos, portable digital pianos were commonly equipped with built-in amplification and loudspeakers, usually has lower cost than other types, and its sound quality were often comparable or similar to that of a regular digital keyboards due to a simpler sound synthesis system, though some models, still utilize a similar sound engine as the more advanced model lineups of the same manufacturer.
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At Sam Ash, we carry digital pianos from all the premier brands including Yamaha, Casio, Korg, Kawai, Roland, Medeli, and many more. Nearly all of these brands offer digital pianos in two distinct formats, digital stage pianos and digital upright pianos. Digital stage pianos are more portable and offer features like audio outputs for connecting to portable keyboard amplifiers or house PA Systems. You should buy a digital stage piano if you want an instrument you can bring back and forth to different live shows. We offer great keyboard accessories for stage digital pianos including keyboard stands, keyboard travel bags, keyboard benches, and more. Be sure to check out our keyboard packages which include everything you need to perform and practice with your new instrument. Upright digital pianos resemble the standard grand piano format. They offer built-in stands and look great in your home or apartment. Upright digital pianos are less portable but they offer larger built-in speakers for more intimate performances.
Most bass players stand while playing, using a strap over the shoulder to hold the instrument, although sitting is also accepted, particularly in large ensemble settings, such as jazz big bands or in acoustic genres such as folk music. Some bassists, such as Jah Wobble, alternate between standing or seated playing. It is a matter of the player's preference as to which position gives the greatest ease of playing and what a bandleader expects. When sitting, right-handed players can balance the instrument on the right thigh or like classical guitar players, the left. When sitting, no strap is required. Balancing the bass on the left thigh usually positions it in such a way that it mimics the standing position, allowing for less difference between the standing and sitting positions. Balancing the bass on the right thigh provides better access to the neck and fretboard in its entirety, especially the lower-pitched frets.
Drums are used not only for their musical qualities, but also as a means of communication over great distances. The talking drums of Africa are used to imitate the tone patterns of spoken language. Throughout Sri Lankan history drums have been used for communication between the state and the community, and Sri Lankan drums have a history stretching back over 2500 years.
Matt Abts • Alex Acuña • Daniel Adair • Chris Adler • Morgan Agren • Airto • Tommy Aldridge • Rashied Ali • Don Alias • Carl Allen • Cliff Almond • Barry Altschul • Robby Ameen • Scott Amendola • Animal • Charly Antolini • Carmine Appice • Vinny Appice • Kenny Aronoff • Billy Ashbaugh • Mick Avory • Marcel Bach • Colin Bailey • Donald Bailey • Ginger Baker • Jeff Ballard • Alex Bally • Joe La Barbera • Danny Barcelona • Travis Barker • Barriemore Barlow • Joey Baron • Ranjit Barot • Julio Barreto • Ray Barretto • Ray Bauduc • Eddie Bayers • Marcus Baylor • Frank Beard • Carter Beauford • Poogie Bell • Louie Bellson • Frank Bellucci • Brian Bennett • Han Bennink • Joe Bergamini • Tal Bergman • Jon "Bermuda" Schwartz • Ignacio Berroa • Pete Ray Biggin • Curt Bisquera • Gregg Bissonette • Jason Bittner • Roger Biwandu • Dave Black • James Black • Cindy Blackman • John Blackwell • Brian Blade • Hal Blaine • Art Blakey • Jason Bonham • John Bonham • Gergo Borlai • Paul Bostaph • Terry Branam • Dirk Brand • Jimmy Branly • Tom Brechtlein • Amir Bresler • Don Brewer • Gerry Brown • Bill Bruford • Ronald Bruner Jr. • Jack Bruno • Mark Brzezicki • Roy Burns • William Calhoun • Matt Cameron • Clayton Cameron • Gorden Campbell • Teddy Campbell • Tommy Campbell • Emmanuelle Caplette • Danny Carey • Keith Carlock • Bun E. Carlos • Karen Carpenter • Terri Lyne Carrington • Joey Castillo • Lenny Castro • Deen Castronovo • Big Sid Catlett • André Ceccarelli • Dave DiCenso • Gary Chaffee • Matt Chamberlain • Stephane Chamberland • Jimmy Chamberlin • Dennis Chambers • Ndugu Chancler • Jim Chapin • Gary Chester • Jon Christensen • Kenny Clare • Greg Clark • Mike Clark • Kenny Clarke • Tommy Clufetos • Jimmy Cobb • Billy Cobham • Vinnie Colaiuta • Cozy Cole • Chris Coleman • Cora Coleman-Dunham • Tony Coleman • Phil Collins • Aaron Comess • Luis Conte • Tré Cool • Ray Cooper • Stewart Copeland • Paulinho Da Costa • Kirk Covington • René Creemers • Adam Cruz • Abe Cunningham • Mickey Curry • Andrew Cyrille • Nick D'Virgilio • Paulinho Da Costa • Brann Dailor • Dino Danelli • Zach Danziger • Flo Dauner • Chris "Daddy" Dave • Mike Davila • Alan Dawson • Mikkey Dee • Barrett Deems • Jimmy DeGrasso • Adam Deitch • Jack DeJohnette • Kenwood Dennard • John Densmore • Liberty De Vitto • Wim De Vries • Dave DiCenso • Marko Djordjevic • Warren "Baby" Dodds • John Dolmayan • Peter Donald • Virgil Donati • Famadou Don Moye • Paul Douglas • Brian Downey • Hamid Drake • Martin Drew • The Drumbassadors • Billy Drummond • Aynsley Dunbar • Sly Dunbar • Mario Duplantier • Sheila E. • Phil Ehart • Dave Elitch • Paul Elliott • Sonny Emory • Peter Erskine • Dom Famularo • Pierre Favre • Steve Ferrone • Anton Fig • Vera Figueiredo • Sammy Figueroa • Larry Finn • Eric Fischer • Mick Fleetwood • D.J. Fontana • Hannah Ford • Shannon Forrest • Al Foster • Vernel Fournier • Panama Francis • Brian Frasier-Moore • Josh Freese • Kiko Freitas • Steve Gadd • James Gadson • Richie Gajate-Garcia • David Garibaldi • Matt Garstka • Bob Gatzen • Mel Gaynor • Leonard "Doc" Gibbs • Andy Gillmann • Daniel Glass • Evelyn Glennie • Jim Gordon • Danny Gottlieb • Jimmy DeGrasso • Rick Gratton • Eric Kamau Gravatt • Milford Graves • Benny Greb • Sonny Greer • Rayford Griffin • Dave Grohl • Freddie Gruber • Donny Gruendler • Mark Guiliana • Terreon Gully • Trilok Gurtu • Ralf Gustke • Tomas Haake • Wolfgang Haffner • Omar Hakim • Matt Halpern • Chico Hamilton • Jeff Hamilton • Lionel Hampton • Jake Hanna • Eric Harland • Buddy Harman • Gavin Harrison • Mickey Hart • Billy Hart • Steve Hass • Fritz Hauser • Roger Hawkins • Taylor Hawkins • Louis Hayes • Roy Haynes • Richie Hayward • Albert Tootie Heath • Hernan Hecht • Levon Helm • Don Henley • Joey Heredia • Horacio Hernandez • Raymond Herrera • Claus Hessler • Gerald Heyward • Giovanni Hidalgo • Billy Higgins • Jon Hiseman • Ari Hoenig • Gene Hoglan • Rodney Holmes • Steve Holmes • Steve Houghton • Boris Hrebtukov • Daniel Humair • Gary Husband • Zakir Hussain • Greg Hutchinson • Susie Ibarra • Tommy Igoe • Tris Imboden • Al Jackson • Huub Janssen • Bobby Jarzombek • Akira Jimbo • Jack DeJohnette • Mike Johnston • Daru Jones • Elvin Jones • Harold Jones • Hilary Jones • Papa Jo Jones • Philly Joe Jones • Randy Jones • Rufus "Speedy" Jones • Steve Jordan • Joey Jordison • Jonathan Joseph • Manu Katché • Senri Kawaguchi • Jim Keltner • Will Kennedy • Billy Kilson • George Kollias • Glenn Kotche • Joey Kramer • Bill Kreutzmann • Gene Krupa • Russ Kunkel • Joe La Barbera • Abe Laboriel jr. • Gene Lake • Don Lamond • Thomas Lang • Dave Langguth • Shannon Larkin • Pete LaRoca Sims • Karl Latham • Rick Latham • Trevor Lawrence Jr. • Ricky Lawson • Chris Layton • Tommy Lee • Felix M. Lehrmann • Paul Leim • Stan Levey • Larnell Lewis • Mel Lewis • Victor Lewis • Pete Lockett • Dave Lombardo • Larrie Londin • Hakim Ludin • Andy Lüscher • Ray Luzier • Mike Mangini • Shelly Manne • Brian "Brain" Mantia • Sherrie Maricle • Rick Marotta • Bill Marschall • John Marshall • Billy Martin • Pedrito Martinez • Ken Mary • Harvey Mason • Nick Mason • Pat Mastelotto • Dave Mattacks • Phil Maturano • JoJo Mayer • Marilyn Mazur • Nicko McBrain • Joe McCarthy • George "Spanky" McCurdy • Jason McGerr • Russ McKinnon • Marvin McQuitty • Buddy Miles • Butch Miles • Russ Miller • Marco Minnemann • Mike Mitchell • Mitch Mitchell • Joseph Ziggy Modeliste • Jonathan Moffett • Drori Mondlak • Keith Moon • Eric Moore • Stanton Moore • Steve Moore • Airto Moreira • Joe Morello • Rod Morgenstein • Joe Morris • Paul Motian • Alphonse Mouzon • Jonathan Mover • Don Moye • Moritz Mueller • Idris Muhammad • Larry Mullen Jr. • Narada • Lewis Nash • Sandy Nelson • Andy Newmark • Jost Nickel • Anika Nilles • Gary Novak • Adam Nussbaum • Volkan Öktem • Jamie Oldaker • Nigel Olsson • John Otto • Ian Paice • Carl Palmer • Earl Palmer • Francis Panama • Toss Panos • Chris Parker • Leon Parker • Vinnie Paul • Jim Payne • Sonny Payne • Lee Pearson • Neil Peart • Shawn Pelton • Clarence Penn • Chris Pennie • Armando Peraza • Karl Perazzo • Stephen Perkins • Charli Persip • Ralph Peterson • Pat Petrillo • Simon Phillips • Felix Pollard • Joe Porcaro • Jeff Porcaro • Mike Portnoy • Cozy Powell • Bobby Previte • Thomas Pridgen • Aquiles Priester • Dafnis Prieto • Tito Puente • Bernard "Pretty" Purdie • Alvin Queen • Jeff Queen • Questlove • Johnny Rabb • Tobias Ralph • Stanley Randolph • Rich Redmond • Raul Rekow • Walfredo Reyes • Walfredo Reyes, Jr. • Buddy Rich • Dannie Richmond • Sean Rickman • Alex Riel • Kariem Riggins • Ben Riley • Herlin Riley • Jim Riley • John Riley • Ringo • Chip Ritter • Max Roach • Lil John Roberts • John "J.R." Robinson • Pete LaRoca Sims • Derek Roddy • Mickey Roker • Bobby Rondinelli • Joel Rosenblatt • Tony Royster Jr. • Ilan Rubin • Phil Rudd • Daniel Sadownick • Bobby Sanabria • Antonio Sanchez • Poncho Sanchez • Mongo Santamaria • Robyn Schulkowsky • Mark Schulman • Jon Bermuda Schwartz • Robert "Sput" Searight • Denny Seiwell • Danny Seraphine • Paco Séry • Chad Sexton • Gil Sharone • Ed Shaughnessy • Michael Shrieve • Pete LaRoca Sims • Eric Singer • Zutty Singleton • Chad Smith • Marvin "Smitty" Smith • Nate Smith • Nick Smith • Steve Smith • Ash Soan • Glen Sobel • Ed Soph • Matt Sorum • Richard Spaven • Aaron Spears • David Stanoch • Zak Starkey • John "Jabo" Starks • Ringo Starr • Ronnie Stephenson • Bill Stewart • Nisan Stewart • Clyde Stubblefield • Fredy Studer • Todd Sucherman • James "The Reverend" Sullivan • Grady Tate • Art Taylor • Mel Taylor • Roger Taylor • John Tempesta • Jon Theodore • Aaron Thier • Ed Thigpen • Ian Thomas • Ahmir Questlove Thompson • Chester Thompson • Brian Tichy • Top Secret Drum Corps • Efrain Toro • Pat Torpey • Tico Torres • Dave Tough • Nat Townsley • Ron Tutt • Lars Ulrich • Vadrum Andrea Vadrucci • Christian Vander • Alex Van Halen • Ronnie Vannucci • Nana Vasconcelos • Carlos Vega • Glen Velez • Nicolas Viccaro • Johnny Vidacovich • Jimmy Vincent • Nick D'Virgilio • Wim De Vries • Chad Wackerman • Nasheet Waits • Narada Michael Walden • Bill Ward • Billy Ward • Kenny Washington • Derico Watson • Charlie Watts • Jeff "Tain" Watts • Chick Webb • Dave Weckl • Max Weinberg • Klaus Weiss • Paul Wertico • George Wettling • Alan White • Lenny White • Steve White • Pete Wilhoit • Brad Wilk • Tony Williams • Matt Wilson • Shadow Wilson • Kenny Wollesen • Sam Woodyard • Pete York • Pete Zeldman • Zoro

The fretting hand—the left hand for right-handed bass players and right hand for left-handed bass players—presses down the strings to play different notes and shape the tone or timbre of a plucked or picked note. One fretting technique is a finger per fret, where each finger in the fretting hand plays one fret in a given position, giving the advantage that full chromatic scale of over an octave and a half can be played with no up-down wrist movement. Also, the double bass-style technique can be used for fretting. This technique involves using four fingers in the space of three frets, especially in the lower positions (i.e., the fretting positions closer to the nut, where the space between notes is the widest). When considering the spacing between notes, this is a comfortable distance for the average person's hand size, however it requires more up-down hand movements. The main advantage of the "four fingers in three frets technique is less tendon strain, leading to a diminished likelihood of Repetitive Strain Injury (RSI). The image below (of a bassist performing tapping) shows the four-in-three.

The second biggest factor that affects drum sound is head tension against the shell. When the hoop is placed around the drum head and shell and tightened down with tension rods, the tension of the head can be adjusted. When the tension is increased, the amplitude of the sound is reduced and the frequency is increased, making the pitch higher and the volume lower.
The purpose that why you need to get a guitar should be one of the key things to consider. Taking a simple scenario, the bass guitar needed by a beginner but not the choice that an expert will go for. It is important to know why you really need it, if you just want to get one for fun, you should go for the basic guitar. On the other hand, if you want more than just basic use and you need a better and more punchy bass, then you can spend more on your guitar.
Swing drummers such as Max Roach and Kenny Clarke had already deviated from the large marching band-style bass drums, finding that they were too loud and boomy. Bebop drummers continued this trend, and they started trying out smaller bass drum sizes in the drum set. Bebop drummers' experimentations with new drum sizes and new sounds led to the innovative concept of applying the busy "four on the floor" bass drum rhythms to a new larger cymbal called the ride cymbal. By focusing on keeping time on the new ride cymbal instead of the bass drum, the "feel" went from bass drum and hi-hat heavy, to a lighter melodic feel that has been explained as "floating on top of the time". This allowed drummers to express themselves in a more melodic fashion by playing the rhythms used by the guitar, piano and sax players using the new smaller, more focused bass drums and snare. Louie Bellson also assisted in the innovative sizes and sounds of the 1940s drum set by pioneering the use of two bass drums, or the double bass drum kit.
But maybe you're looking for a kit that is truly special, one that will make jaws drop with its looks and ears perk up with its sounds. If that's what you have in mind, then you're really going to adore the DW Collector's Series Satin Specialty 5-Piece Shell Pack. This customizable kit is part of DW's flagship line, representing a pinnacle of performance power. This kit features maple shells that offer a great low-end punch and is absolutely loaded with massive tones and unparalleled versatility. Without a doubt, this kit makes the statement that you've arrived as a drummer. When you're pounding out the beat, you want it to sound great. That's why you should trust your sound to one of the great kits available here. Whether you're a first time drummer, or a legendary rocker headed on another world tour, we've got you covered.
Drummers' usage of electronic drum equipment can range from adding a single electronic pad to an acoustic kit (e.g., to have access to an instrument that might otherwise be impractical, such as a large gong), to using a mix of acoustic drums/cymbals and electronic pads, to using an acoustic kit in which the drums and cymbals have triggers, which can be used to sound electronic drums and other sounds, to having an exclusively electronic kit, which is often set up with the rubber or mesh drum pads and rubber "cymbals" in the usual drum kit locations. A fully electronic kit weighs much less and takes up less space to transport than an acoustic kit and it can be set up more quickly. One of the disadvantages of a fully electronic kit is that it may not have the same "feel" as an acoustic kit, and the drum sounds, even if they are high-quality samples, may not sound the same as acoustic drums.
Most bass players stand while playing, using a strap over the shoulder to hold the instrument, although sitting is also accepted, particularly in large ensemble settings, such as jazz big bands or in acoustic genres such as folk music. Some bassists, such as Jah Wobble, alternate between standing or seated playing. It is a matter of the player's preference as to which position gives the greatest ease of playing and what a bandleader expects. When sitting, right-handed players can balance the instrument on the right thigh or like classical guitar players, the left. When sitting, no strap is required. Balancing the bass on the left thigh usually positions it in such a way that it mimics the standing position, allowing for less difference between the standing and sitting positions. Balancing the bass on the right thigh provides better access to the neck and fretboard in its entirety, especially the lower-pitched frets.

But maybe you're looking for a kit that is truly special, one that will make jaws drop with its looks and ears perk up with its sounds. If that's what you have in mind, then you're really going to adore the DW Collector's Series Satin Specialty 5-Piece Shell Pack. This customizable kit is part of DW's flagship line, representing a pinnacle of performance power. This kit features maple shells that offer a great low-end punch and is absolutely loaded with massive tones and unparalleled versatility. Without a doubt, this kit makes the statement that you've arrived as a drummer. When you're pounding out the beat, you want it to sound great. That's why you should trust your sound to one of the great kits available here. Whether you're a first time drummer, or a legendary rocker headed on another world tour, we've got you covered.

Trigger pads and drums, on the other hand, when deployed in a conventional set-up, are most commonly used to produce sounds not possible with an acoustic kit, or at least not with what is available. Any sound that can be sampled/recorded can be played when the pad is struck, by assigning the recorded sounds to specific triggers . Recordings or samples of barking dogs, sirens, breaking glass and stereo recordings of aircraft taking off and landing have all been used. Along with the more obvious electronically generated sounds there are synthesized human voices or song parts or even movie audio or digital video/pictures that (depending on device used) can also be played/triggered by electronic drums.
Traditional digital pianos vaguely resemble an electronic organ or a spinet harpsichord but usually lacking a fully enclosed lower section, while some models are based on the casework of traditional upright pianos with a fully enclosed bottom part and pedals that look like actual piano pedals. An opposite and recent trend is to produce an instrument which has a unique and distinctive appearance, unobtainable with a conventional instrument. Yamaha , Kawai and Casio makes a model which is designed to stand against a wall and is far shallower from keyboard to back than any possible upright design, as well as shorter height.
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