Whether you're in the market for a new bass, or are picking one up for the first time, finding the right instrument is the first step on the road to becoming the best bass player you can be. Researching all that's available will be extremely helpful in making the decision of which electric bass guitar to choose. A bass guitar typically has an appearance and construction similar to an electric guitar, with a longer neck and a range of courses from four to eight strings. Most common is the 4-string bass which is usually tuned to the sound of the double bass, but conveniently comes in a much smaller package.
Drummers use a drum key for tuning their drums and adjusting some drum hardware. Besides the basic type of drum key (a T-handled wrench) there are various tuning wrenches and tools. Basic drum keys are divided in three types which allows tuning of three types of tuning screws on drums: square (most used), slotted and hexagonal. Ratchet-type wrenches allow high-tension drums to be tuned easily. Spin keys (utilizing a ball joint) allow rapid head changing. Torque-wrench type keys are available, graphically revealing the torque at each lug. Also, tension gauges, or meters, which are set on the head, aid drummers to achieve a consistent tuning. Drummers can tune drums "by ear" or, in the 2010s, use a digital drum tuner, which "measures tympanic pressure" on the drumhead to provide accurate tuning.[33]
A midi controller does not have any sounds of its own. It requires a virtual instrument (as a trigger) to produce sounds. So, if you get an acoustic piano virtual instrument, your midi controller will be an acoustic piano. If your virtual instrument is a drum, violin, electric piano etc., your midi controller will be exactly those instruments because it takes its tone from the virtual instrument.
If you really want to distinguish yourself as a bassist, it can pay to think outside the box and go for something a bit less traditional. For example, there are musical styles and occasions where an electric bass may be slightly out of place. In those cases, you can turn to an acoustic-electric bass. These have a classic sound all their own, and if you're headed to a festival or singing around a campfire, they'll do the job even without an amplifier handy.
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Drum bags are made from robust cloth such as cordura or from cloth-backed vinyl. They give minimal protection from bumps and impacts, but they do protect drums and cymbals from precipitation. They are adequate for drums transported in private vehicles to go to local gigs and sessions. They are often the only option for young drummers who are just starting out.
The string can be plucked (or picked) at any point between the bridge and the point where the fretting hand is holding down the string on the fingerboard; different timbres (tones) are produced depending on where along the string it is plucked. When plucked closer to the bridge, the string's harmonics are more pronounced, giving a brighter tone. Closer to the middle of the string, these harmonics are less pronounced, giving a more mellow, darker tone.
Six strings are usually tuned B0–E1–A1–D2–G2–C3—like a four-string bass with an additional low B string and a high C string. Some players prefer B0–E1–A1–D2–F♯2–B2, which preserves the intervals of standard six-string guitar tuning (an octave and a fourth lower) and makes the highest and lowest string the same note two octaves apart. While less common than four or five-string basses, they appear in Latin, jazz, and other genres, as well as in studio work where a session musician's single instrument must be highly versatile, and to facilitate sightreading in the recording studio. Alternative tunings for six-string bass include B–E–A–D–G–B, matching the first five strings of an acoustic or electric guitar with an additional low B, and E–A–D–G–B–E, completely matching the tuning of a six-string guitar but one octave lower allowing the use of guitar chord fingerings. Rarer tunings such as E–A–D–G–C–F and F♯–B–E–A–D–G provide a lower or higher range in a given position while maintaining consistent string intervals. In 1974, Anthony Jackson worked with Carl Thompson to create the Contrabass guitar (BEADGC). Later, Jackson brought his ideas to Fodera and worked with Ken Smith to create a wider-spaced Contrabass guitar, which evolved to the modern six-string bass.

While fretless basses are often associated with jazz and jazz fusion, bassists from other genres have used fretless basses, such as Freebo (country), Rick Danko (rock/blues), Rod Clements (folk), Steve DiGiorgio, Jeroen Paul Thesseling (metal), Tony Franklin (rock), and Colin Edwin (modern/progressive rock). Some bassists alternate between fretted and fretless basses in performances, according to the type of material or tunes they are performing, e.g., Pino Palladino or Tony Levin.

Digital pianos typically use analog sensors for its keyboard action, as opposed to digital sensors of a regular keyboard and synthesizer. These sensors notably works in a similar way to those used in analog joysticks found on video game controllers, in which they the velocity input is converted from the key movement as well, not just the initial pressure of the key sensor.
There are many varieties of picks available, but due to the thicker, heavier strings of the electric bass, bassists tend to use heavier picks than those used for electric guitar, typically ranging from 1.14 mm–3.00 mm (3.00 is unusual). Different materials are used for picks, including plastic, nylon, rubber, and felt, all of which produce different tones. Felt and rubber picks sound closer to a fingerstyle tone.

Keyboards, on the other hand, were designed to produce a much wider range of sounds than traditional pianos. Though they are sometimes good options for beginners, the range of available features on a keyboard make them more appropriate for intermediate to advanced musicians who are interested and capable of developing their own sound. It’s uncommon for such musicians to use a keyboard to create the same sounds that a traditional piano would make. Keyboards are usually much lighter than digital pianos, and they often do not have weighted keys. In short, keyboards are designed to be used by musicians and producers with more experience. Keyboards are often much lighter than digital pianos and have tones which number in the hundreds and sometimes thousands. They include a lot of technical options to allow the player to fully customize their sound.
In most implementations, a digital piano produces a variety of piano timbres and usually other sounds as well. For example, a digital piano may have settings for a concert grand piano, an upright piano, a tack piano, and various electric pianos such as the Fender Rhodes, the Wurlitzer, and the DX electric piano. Some digital pianos incorporate other basic "synthesizer" sounds such as string ensemble, for example, and offer settings to combine them with piano.
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"Jazz" pickups (referring to the original Fender Jazz Bass), also referred to as "J pickups", are wider eight-pole pickups that lie underneath all four strings. J pickups are typically single-coil designs, though there are a large number of humbucking designs. Traditionally, two of them are used, one of them near the bridge and another closer to the neck. As with the halves of P-pickups, the J-pickups are reverse-wound with reverse magnetic polarity. As a result, they have hum canceling properties when used at the same volume, with hum cancellation decreasing when the pickups are at unequal volume, and absent if the player uses only one pickup. 'J' Style pickups tend to have a lower output and a thinner sound than 'P' Style pickups. Many bassists combine a 'J' pickup at the bridge and a 'P' pickup at the neck, so they can blend the two sounds.
Drummers use a drum key for tuning their drums and adjusting some drum hardware. Besides the basic type of drum key (a T-handled wrench) there are various tuning wrenches and tools. Basic drum keys are divided in three types which allows tuning of three types of tuning screws on drums: square (most used), slotted and hexagonal. Ratchet-type wrenches allow high-tension drums to be tuned easily. Spin keys (utilizing a ball joint) allow rapid head changing. Torque-wrench type keys are available, graphically revealing the torque at each lug. Also, tension gauges, or meters, which are set on the head, aid drummers to achieve a consistent tuning. Drummers can tune drums "by ear" or, in the 2010s, use a digital drum tuner, which "measures tympanic pressure" on the drumhead to provide accurate tuning.[33]
Detuners, such as the Hipshot, are mechanical devices the player operates with the thumb on the fretting hand to quickly retune one or more strings to a pre-set lower pitch. Hipshots typically drop the E-string down to D on a four-string bass.[34] Rarely, some bassists (e.g., Michael Manring) add detuners to more than one string, or even more than one detuner to each string, so they can retune during a performance and access a wider range of chime-like harmonics.
The fretting hand can add vibrato to a plucked or picked note, either a gentle, narrow vibrato or a more exaggerated, wide vibrato with bigger pitch variations. For fretted basses, vibrato is always an alternation between the pitch of the note and a slightly higher pitch. For fretless basses, the player can use this style of vibrato, or they can alternate between the note and a slightly lower pitch, as is done with the double bass and on other unfretted stringed instruments. While vibrato is mostly done on "stopped" notes—that is, notes that are pressed down on the fingerboard—open strings can also be vibratoed by pressing down on the string behind the nut. As well, the fretting hand can be used to "bend" a plucked or picked note up in pitch, by pushing or pulling the string so that the note sounds at a higher pitch. To create the opposite effect, a "bend down", the string is pushed to a higher pitch before being plucked or picked and then allowed to fall to the lower, regular pitch after it is sounded. Though rare, some bassists may use a tremolo bar-equipped bass to produce the same effect.

Maple/Mahogany 13x7 snare drum White Glass Finish with Black Nickel Hardware. The shell features North American Hard Rock Maple and African Mahogany construction, combined with VLT (Vertical Low Timbre) shell technology. THIS Drum is AMAZING!!!! Extremly versatile in great condition. Bid with confidence and please check my other auctions. snare only stand not included.

Kawai’s exceptional line of digital pianos is the result of a never-ending effort to create the world’s most authentic and innovative digital pianos. Relying on our rich experience in building fine acoustic pianos, Kawai builds digital pianos that offer the finest touch and tone available. Wooden-key actions, Harmonic Imaging sound technology, USB digital audio and the unique Soundboard Speaker System are just a few of the innovations found in our digital pianos and keyboards.
Toward the end of the 1920s, variations of the hi-hats were introduced. One of the most popular hand held hi-hat cymbal variations used was called the "hand sock cymbals". The reason for the name "hi-hat" was because earlier versions of the hi-hat were referred to as a "low boy". The evolution that became the "hi-hats" allowed drummers to play the two cymbals with drum sticks while simultaneously controlling how open or closed the two cymbals were with their foot. The pedal could also be used to play the cymbals with the foot alone, while the right hand played other drums. By the 1930s, Ben Duncan and others popularized streamlined trap kits leading to a basic four piece drum set standard: bass, snare, tom-tom, and a larger floor tom. In time, legs were fitted to larger floor toms, and "consolettes" were devised to hold smaller tom-toms (ride toms) on the bass drum.

If you’re trying to decide whether to get a digital piano or a keyboard, you should consider what you’re hoping to accomplish. As has been said, digital pianos are a great option for anyone who is just starting to learn to play the piano or for those who play a traditional piano but would like another option that is more convenient. If, on the other hand, you’re looking to play the keyboard and take full advantage of all of the various options that they have, then a digital piano would likely not be as useful for you.
Gear for Beginner Drummers: Cymbal Packs: an easy way to upgrade a drum kitComplete Drum Sets: everything you need to get rocking right out of the box!See More Gear for Beginner Drummers:Tama Drum SetsTama IP62NC Imperialstar Accel Driver Complete Drum SetSee More Tama Drum SetsPearl Drum SetsPearl RS525SC Roadshow Complete Drum KitSee More Pearl Drum SetsLudwig Drum SetsLudwig LC175 Accent Drive Complete Drum KitSee More Ludwig Drum SetsPacific DrumsPacific Drums Concept Maple Drum Shell Kit, 7-PieceSee More Pacific DrumsOther Acoustic Drum SetsLudwig LC178X Breakbeats QuestloveGretsch CM1E826 Catalina Maple Drum Shell KitSee More Other Acoustic Drum SetsSee All Acoustic Drum Sets
The first fretless bass guitar was made by Bill Wyman in 1961 when he converted a used UK-built ‘Dallas Tuxedo’ bass by removing the frets and filling in the slots with wood putty.[25][26][27] The first production fretless bass was the Ampeg AUB-1 introduced in 1966, and Fender introduced a fretless Precision Bass in 1970. Around 1970, Rick Danko from The Band began to use an Ampeg fretless, which he modified with Fender pickups—as heard on the 1971 Cahoots studio album and the Rock of Ages album recorded live in 1971.[28][29] Danko said, "It's a challenge to play fretless because you have to really use your ear."[30] In the early 1970s, fusion-jazz bassist Jaco Pastorius had the fingerboard of his de-fretted Fender Jazz Bass coated in epoxy resin, allowing him to use roundwound strings for a brighter sound.[31] Some fretless basses have "fret line" markers inlaid in the fingerboard as a guide, while others only use guide marks on the side of the neck.
Of all of the genres, jazz and the mainstream commercial genres (rock, R&B, etc.) have the most established and comprehensive systems of instruction and training for electric bass. In the jazz scene, teens can begin taking private lessons on the instrument and performing in amateur big bands at high schools or run by the community. Young adults who aspire to be come professional jazz bassists or studio rock bassists can continue their studies in a variety of formal training settings, including colleges and some universities.

In some styles of music, drummers use electronic effects on drums, such as individual noise gates that mute the attached microphone when the signal is below a threshold volume. This allows the sound engineer to use a higher overall volume for the drum kit by reducing the number of "active" mics which could produce unwanted feedback at any one time. When a drum kit is entirely miked and amplified through the sound reinforcement system, the drummer or the sound engineer can add other electronic effects to the drum sound, such as reverb or digital delay.

One-piece Electronic Drums One-piece, virtual drum pads include a full range of sounds and features for your hands or your sticks. Alesis SamplePad Pro Percussion PadRoland TM-2 Drum Trigger ModuleRoland SPD-SX Sampling Drum PadYamaha DD-65See More One-piece Electronic DrumsElectronic Drum SetsKAT kt3 Advanced Electronic Drum SetAlesis Surge Mesh Electronic Drum KitYamaha DTX532 Electronic Drum KitRoland TD-25KV V-Pro Drum KitSee More Electronic Drum SetsElectronic Drum Triggers Turn your drum kit into a MIDI workstation -- trigger sounds from MIDI sound modules or samplers. Roland TriggersRubber Trigger PadsCymbal Trigger PadsMesh Trigger PadsKick Trigger PadsSee More Electronic Drum TriggersElectronic Drum Modules Add a virtual library of drum sounds and more to your electronic drum kit. Roland TM-2 Drum Trigger ModuleSee More Electronic Drum ModulesDrummer Headphones with Sound IsolationVic Firth SIH2 Stereo Drum Isolation HeadphonesKAT KTUI26 Ultra Isolation HeadphonesSee More Drummer Headphones with Sound IsolationSee All Electronic Drums

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Just like a traditional piano, a digital piano features a keyboard. A digital piano's keyboard is weighted to simulate the action of a traditional piano and is velocity sensitive so that the volume of the sounds depends on how hard the keys are pressed.[6] Many instruments now have a complex action incorporating actual hammers in order to better simulate the touch of a grand piano.[7]

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